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Much-needed repress. For his premiere recording on God Records, Phill Niblock confirms his minimalistic musical approach and composes two monumental pieces for flutes and additional voices, respectively. Commissioned by Erik Drescher and Natalia Psch…
Tip! "Feldman's last composition, Piano, Violin, Viola, Cello, was completed in 1987; although its instrumentation largely corresponds to that of Piano and String Quartet, with one instead of two violins, it differs in almost every other respect from…
** Deluxe LP. Comes in a gatefold sleeve with 16 page LP sized booklet & download card** This new Laibach album, through a new/fresh interpretation, examines the conflict-ridden genesis of the band's formation in the industrial town of Trbovlje in 19…
Blumenstück for piano was composed in 1984 as a sound meditation for private use and it celebrates the beauty of the piano sound through tenderness and slowness. All the sounds of the work derived from a word list that lists 168 flower names. All the…
Kaplan's second release represents a collection of his versatile work through last three decades. Leaving the previous concept of short abstract vignettes, he moves into more "structured" approach, more complex explorations of loop asthetics, cut-up …
*In process of stocking.* "This is the third and concluding part of the trilogy "In Another Land“. It is not the dialectic synthesis of its antagonistic predecessors, it is just one of three equivalent antipodes that could have been released in any o…
*In process of stocking.* Since my piece Terrible Fake (Piano, Drums, 2013) and especially Darkroom (Clarinet, Vibraphone, Sampler, 2017), I've been trying to to integrate some grooves into classical contemporary idiom. Since those experiments were m…
Michael Eisl (Eichamt) had a long eclectic journey between various projects for theater, improvisation, sound art and sound installations, all the way to his first release on God Records. His first release presents him in his full abstract electronic…
“Terror Iridescence” is the 4th full length release by the latter-day, New York City based reincarnation of the seminal Punk Jazz/No Wave/Brutal Prog unit The Flying Luttenbachers, and the 17th album since 1992. After all of this, longtime fans tend …
* 2021 Stock ** During the decades following the Second World War, all eyes shifted toward New York, a city which, at that moment, played host to some of brightest creative minds of the century. Innovations were abound. Visual artists, writers, think…
In 2015 Bernhard Lang was approached by Sebastian Berweck, to compose a piece for his Berlin-based Synthesizer-trio Lange // Berweck // Lorenz.Considering his musical background and his roots, Lang saw this offer as double opportunity, one of them be…
"Negative Infinity" is a sort of return-to-form in a regard, featuring 6 tightly scripted doses of what they call "Brutal Prog" - the tag Weasel coined in the early 2000s to describe an elite breed of intense, complex bands who emphasised harshness a…
We Forge The Future is a document of a Laibach show, held in Museo Reina Sofía, Madrid, on November 26th, 2017. For this museum occasion, Laibach re-enacted the historic performance that was initially staged on April 23rd, 1983, as part of the XII Mu…
Peter Ablinger is one of home composers of GOD Records. His cult releases GODrec "Regenstücke 1 and 2" and "Voices and Piano" (GOD 08, 18 and 34 respectively) are part of every serious record collection around the globe. With "Orchesterstücke" Ablin…
Lésions Graves is an experimental extreme-metal trio on a journey towards minimal music. Racing drum patterns and humming melodic shreds interweave with disharmonic sound spheres and complex rhythmic and melodic phase shifts. Fast, loud, aggressive,…
The Flying Luttenbachers’ “Shattered Dimension” is the first offering by the seminal cult band since 2007. The current New York City based version of the group on this recording features stalwart leader and primary composer Weasel Walter on drums, sa…
The Flying Luttenbachers’ “Imminent Death” is the second release by the seminal cult band since its reincarnation in 2017. “Imminent Death” is very different in many ways from the previous Luttenbachers releases, but then again, you could consistenly…
Klaus Lang's involvement with God Records began with already cult two-part release of his stunning organ works. Famous for his heavy droning sound, new Lang's pieces are highly successful ensemble pieces linea mundi. and weiße farben., both premiered…
2019 Repress. In the 1980's, Morton Feldman composed two large-sized pieces for his favourite instrument, the piano. Both pieces, Triadic Memories (1981) and For Bunita Marcus (1985), clock in at about 90 minutes. Both compositions are excellent exam…