★Ideal Recordings

**300 copies, clear vinyl** Brilliant collaborative debut album of riveting noise and widescreen synths by Merzbow and Posh Isolation’s Vanity Productions featuring two longform, elemental works transmuting worries about ecological disaster into a torrent of spirit-gnawing, experimental noise that surpasses the sum of its parts.  Masami Akita and Christian Stadsgaard both hail from places with a lot of coastline vulnerable to sea level rises, ‘Coastal Erosion’ sees them grasp the nettle of impen…

**300 copies** Fireburn the Bloodlot commits crenellated walls of guitar noise by CM Von Hausswolff and Joachim Nordwall under their Sins For Beginners alias for avant-garde powerhouse, Ideal. Mantled after a phrase Richard Kern graffitied on the bathroom wall of Hausswolff’s Lower East Side apartment in the late ‘80s, Fireburn the Bloodlot dispatches a pair of unrelenting and incendiary exercises in amp worship and FX-mutilated electric guitars - which is perhaps not what one might expect from …

**Edition of 300 copies** The time-stopping tract of ’In, Demons, In!’ is a naturally elemental drone collaboration between eminent experimentalists Jim O’Rourke and CM Von Hausswolff for their eternal admirers at iDEAL Recordings. Offering a transfixing peek behind the curtain of pure black hole drone dynamics, ‘In, Demons, In!’ finds the American in Japanese exile and the proclaimed monarch of the imaginary kingdoms of Elgaland-Vargaland meeting on common ground after 26 years of international…

Rich, multi-layered vocal studies and shortwave electronics from avant-garde polymath John Duncan (LAFMS, collaborator with Pan Sonic, Chris & Cosey, Jim O’Rourke and countless others), bolstered by synths, drum machines and arrangements by Joachim Nordwall. Highly recommended if you’re into anything from Scott Walker and Pere Ubu to Jay Glass Dubs, Coil and Ilpo Väisänen’s classic Liima Versions.​  Venerable avant-garde composer John Duncan follows his prized cycle of cover versions ‘Bitter Ear…

The first vinyl release between Carl Abrahamsson and Genesis Breyer P-Orridge, Loyalty Does Not End With Death is the final part of a spoken word trilogy initiated in 1990 with the Psychick TV & White Stains side At Stockholm, and proceeded by their Wordship album (2004) as Thee Majesty & Cotton Ferox electing to use their own names for this final part of a 30 year wide series, the duo intend Loyalty Does Not End With Death to be received without the connotations of their other projects. It's th…

Individually numbered edition of 99 copies. Few copies available. Two blinding wormholers from Daniel Rozenhall on a super limited pressing bound to be sought-after by intrepid sound explorers. A close associate of Stockholm’s EMS studios and the Fylkingen venue at the heart of the city’s experimental music scene, Daniel Rozenhall has played a low-key but vital role in Sweden since his trio of albums for Firework Editions and Kning Disk, and the ‘Rozenhall’ compilation, between 2001-2009. Ten ye…

Hand-numbered edition of 300. It’s a Swedish house thing. Börft boss Jan Zwarre Svensson a.k.a Frak returns to his early project, Villa Åbo, for six deep and rude acid rub downs. Named after the former bank he grew up in and later founded Studio Styrka, site of early Frak and Alvars Orkester recordings, Villa Åbo is a funky study in teenaged fascinations and nostalgia for dance music’s golden era. Reprising the vibes of his 1997 releases, ’Ticketiketas’ and ‘Tagetes’, Villa Åbo pays tribute to c…

Edition of 200 copies. Fractal, electro-acoustic improv from NYC’s Marina Rosenfeld and Ben Vida, conjuring a steeply layered investigation of proprioception and dreamtime psyches...  Marking Marina’s first appearance since the resoundingly unusual electro-dub of her ‘P.A. / Hard Love’ [Room 40, 2013] recordings with Warrior Queen, and also Ben Vida’s follow-up to ‘Damaged Particulates’ [Shelter Press, 2016], their probing collaboration is a wicked exercise in vivid, abstract terraforming.  As t…

Epic, brilliantly curated two hour collection of new and exclusive material celebrating iDEAL Recordings' (1998-2018) 20th anniversary featuring JASSS, Stephen O’Malley, Jim O’Rourke (an epic 17 minute trance-enducer - honestly worthy of its own LP), Ectoplasm Girls, Robert Aiki Aubrey Lowe, Prurient, Puce Mary and many others...We always say this - we hate comps - they’re almost always shite - but this one’s a bit of a mindmelter, featuring 20 new and exclusive tracks commissioned by label boss…

Joachim Nordwall and Henrik Rylander pound out a powerful new Saturn And The Sun album on the former’s iDEAL Recordings, following up an album for The Tapeworm and the death of their band, The Skull Defekts, with a monotonous, harsh missive from the cold North.  Recorded at the legendary Gothenburg Sound Experiment in 2017, ‘In Love With The Extreme’ finds the duo explorating core influences, consolidating everything from ‘60s minimalism to early techno and tribal musics into a densely textured,…

**Edition of 200 hand numbered black vinyl copies** Sci-fi soundtrack styles from Swedish synth-fondler Johan Öhman Sollin, landing square between the styles of early 0PN, Hype Williams, and James Ferraro. Marking his debut for iDEAL after more than a decade of trading as Johan Rohbau, Time Deleters, Knife and Ape, Minimen, and Sphinxes for a handful of secretive labels, J.Ö.S. draws from classic pulpy ‘80s cyber-goth and video nasty horror soundtracks for a personalised and totally immersive su…

Monstrance documents Mika Vainio & Joachim Nordwall reshaping guitars, drums and incendiary electronics at Einstürzende Neubauten’s Berlin studio back in 2010. The results were originally issued by Touch in 2013, with this new 2LP edition now arriving on Nordwall’s iDEAL label five years later as a posthumous tribute and reminder of his erstwhile collaborator. In our opinion, it’s one of Vainio’s most crucial and absorbing collaborations; moving away from ice-cold electronic precision and into a…

Ectoplasm Girl Nadine Byrne returns with her first solo album in 4 years, a woozy, unnerving and dreamlike soundworld somewhere betweenLaurie Anderson, James Ferraro and Ryan Trecartin. Huge recommendation... Ectoplasm Girls’ Nadine Byrne lures listeners into woozy mental states on Dreaming Remembering, her soundtrack to a short film of the same name, providing a solo follow-up to A Different Gesture: Collected Soundtracks 2011-2012, and her first outing since Ectoplasm Girls’ New Feeling Come […

No hype, this record is the maddest belter you’ll hear this year. A rinse thru three hundred and three acid cherries pitted and sequenced, tweak for tweak, into the only rave weapon you’ll ever need. Taking Evol's obsession with Roland’s squelchy grey box to an ultimate, logical conclusion that leaves dancefloors turned utterly inside out and begging for track ID’s, it’s the kind of idea that has been floated in raves, smoking areas and afterparties for the past 20 years but has never been execu…

Hugely tipped debut LP from Jasss; a measured, rugged blend of industrial dub, African and dark jazz inspirations that comes highly recommended if you’re into more abstracted and experimental electronic/dancefloor excursions or the work of Christoph De Babalon, Toresch, Mecanica Popular, Throbbing Gristle etc. Very much an antecedent of Spanish industrialists such as Diseño Corbusier, Xeerox / Krishna Goineau, or Mecanica Popular/Randomize, Jasss firmly builds on that heritage with a uniquely pe…

**Edition of 200** The unfathomable quantity of Pan Daijing meets Werner Dafeldecker’s mercurial sound art on this surprise, limited edition 7" pressing. Leading on from her heavily arresting Lack album for the PAN label, A Page To A Corner is Daijing's first collaborative release. The title track is a lethargically hypnagogic thing, with Daijing lamenting an unseen force, bound into a mesh of monotone drones and keening strings to ultimately quease-inducing effect. On the B-side, Daughters…

Ideal follow up aces by Jasss and Vanligt Folk with a side of hand-cranked, lo-fi anti-music in Gabi Losoncy and Allen Mozek's (Twin Stumps, No Intention) Good Area, coming off the curled back of their sides for Kye, Recital, and Hanson Records. They sound like a sedated Yeah You or Smegma jamming with anguished alley cats on a battery of garbage cans.As the label explain:'Once upon a time, there were two very difficult people who loved music very much. They loved music so much that they stayed …

All analog - no computers or instrument overdubs - The prodigal return of Venezuelan artist Carlos Giffoni to the avant-electronic music scene he was instrumental in shaping with the seminal, hybridising No Fun Fest and No Fun Productions label, which was home to debut releases by Oneohtrix Point Never, and classics from Haswell and Prurient during the late ‘00s to early part of this decade. If yr into 0PN or Keith Fullerton Whitman, this album f u c k i n g  r u l e sCarlos’ first new release i…

Hand-numbered LP. Edition of 400 copies. Re-dition of this John Duncan 1984 le Riot album: re-recorded, re-mixed at EMS and expanded with material that didn’t make the initial pressings, all taken from original 8-track master tape - which required them to revive obsolete machinery - and all re-mastered by Rashad Becker for this release; which, according to the legendary avant-garde agitator himself, is finally packaged in artwork befitting of his vision. Or take it straight from the horse’s gob:…

A chokingly powerful session of elemental feedback noise from one of iDEAL’s foundational players. Arriving some 13 years after his first missive for Joachim Nordwall’s infamous label, it’s a stoically economical exercise in discipline and control, unflinchingly documenting Henrik Rylander’s improvised recordings of a no-input mixing desk undergoing a severe stress test in realtime. Big recommendation if you're into anything from Mika Vainio to Sonic Youth's feedback sessions... The lates…

Wolf Eyes’ Nate Young’s Regression series has provided some of the most compelling dread-electronics spewed out by the North American underground in years, with instalments released on Demdike Stare’s DDS label and Aaron Dilloway's Hanson, as well as NNA Tapes and others. It all began back in 2009 with the first volume issued by Joachim Nordwall’s Ideal label, an incredible set that’s now being released on vinyl for the first time ever, just in time for Wolf Eyes newly minted (Warp sponsored) Lo…

F*ck Fundamentalist Pigs is Stephen O’Malley’s crushing, personal and intensely emotive retort to the fascists and fundamentalists who undermine his and our sense of personal liberty and freedom, particularly in the wake of attacks suffered by Charlie Hebdo magazine and the residents of Paris during late 2015, and the countless poor souls who’ve suffered in the Middle East, Kenya and North Africa. The material itself is just staggering - appearing a mere couple of weeks after Sunn O)))’s Kannon …

Second Edition Pressing of 250 copies only. Vinyl-only release, no digital, no CD. Sunn O)))’s feedback architect Stephen O’Malley cranks the amps even louder on his solo vinyl LP Dread Live. This is an extended and extremely loud improvisation for solo guitar (though the colossal heaviness sounds like an army of guitarists). Relentless waves of heavy drones and squeals bombard the listener; the man has turned distortion into an artform.The minimalist electric guitar mantra Dread Live was perfor…

**edition of 200, numbered*Two new vocal based recordings by the conceptual, and ever challenging artist John Duncan. "Mantra" is a piece by himself and is a choral drone that is highly capturing and transcendent. "Ur Sonate" is a classic sound poem by dadaist Kurt Schwitters composed between 1922-1932. The piece was banned from being recorded for many years (by the Kurt und Ernst Schwitters Stiftung). This album is something new for Duncan, but also in a way connected to his "Bitter Earth…

Bob Bellerue is a New York based composer, sound activist and artist. His, to us, highly important releases “Brokelyn” (LP, Love Earth Music 2014) and “Damned Piano” (2xLP, Anarchymoon Recordings 2015) were quietly released and distributed but left a deep impact on everyone it reached. The iDEAL office were very happy to receive an offer to release more piano manipulations by mr Bellerue, further examples of one of the most interesting electro-acoustic noise artists active today. His acti…

Jean-Louis Huhta (Dungeon Acid) and Ideal label head Joachim Nordwall unite once again as High Boys for an EP influenced by their love of old school acid, bad vibes, dub 7”s, William S Burroughs and 80s industrial music. The pair are already bandmates of sorts as part of the mighty Skull Defekts, but anyone familiar with Dungeon Acid’s much sought after catalogue or Nordwall’s sprawling, eclectic interests will no doubt already have their ears pricked for this one. The results are pretty much in…

Gothenburg-based artist Johan Zetterquist delivers his debut album for the excellent iDEAL label, unspooling three extended pieces shaped like sound sculptures. It's a profound drone metal variant recorded on a Gibson SG, amplifier and effects, live with no overdubs, slowly unfolding to reveal blistered shards of sound that recall everything from Stephen O’Malley to Maryanne Amacher's seminal Sound Characters. Zetterquist gets a huge amount of mileage out of the contrast between extremes produce…

Swedish noise agitator Dan Johannsson bothers his good pals at iDEAL with a brilliant new LP following his Aska split album with Puce Mary in 2013. Malign by nature and intent, his overdue return to Joachim Nordwall’s label is a sorely strung out and decayed thing, a dank space hankering to be inhabited by listeners who want or need to be pushed into uncomfortable headspaces. If you're into anything from Jandek to Wolf Eyes to The Caretaker - this one's for you. Malign trades in a sense of…

Andreas Tilliander (Mokira, TM404) returns with a plunging set of skewed techno dubs for Joachim Nordwall's iDEAL, his first new release for the label since the Bias Line 7” in 2010, and the Hateless album released a decade ago. RIYL Peder Mannerfelt, Frak, Tapes, Pole, Basic Channel! Andreas Tilliander has gone some way to making his studio a bastion of dub music within his home city, Stockholm ever since emerging with the Cliphop album for Raster-Noton in 2000 and subsequently releasing a whol…

Recorded in a Brooklyn basement during a couple of cold December days in 2014, the collaboration between Ryan Martin (DAIS Records, modular synth wizard) and Joachim Nordwall (iDEAL, analogue synth lover) became something very special, raw, intense and powerful. There is an hypnotic feel to it, that may lead you into a wanted or unwanted state of trance. Harsh, yet meditative (and at times beautiful) electronic music masterfully engineered by Kyle Keays Hagerman and mastered by Kris Lapke…

Joke Lanz travels down memory lane! Two decks a mixer and a dozen of old Sudden Infant vinyls to spin, scratch, manoeuvre, loop and juggle into a narrative new composition. Recorded and mastered by Rashad Becker in Berlin, this album combines Joke Lanz' unique turntablism and intuition for mutant-body-dramas peppered with a great sense of humour from the rhythms of amplified faders and his own breath to spoken interjections of Bryan Lewis Saunders' dream lyrics. You can dance, you can cry, …

Finally, Ectoplasm Girls's long awaited second album is here!!! The Stockholm duo of sisters Tanya and Nadine Byrne is making an unique blend of post techno, industrial and esoteric pop. This is truly honest, dreamy, dark, evoking music and the heart of their power is their ability to go from light to dark in an instant, or deliver both at the same time, something only artists like Coil has done as freely before. Pulsating stuff, ambient soundscapes, deep hopelessness, comforting lights. …

This is the completing release to John Duncan's masterful 'Bitter Earth' LP (iDEAL129). Here, Duncan is covering songs by Gladys Knight ('This Bitter Earth'), Pere Ubu ('Final Solution') and Jule Styne ('I Fall In Love Too Easily'). Beautiful versions by one of the most important conceptual artists of our time. Edition: 200.

Saturn And The Sun's second album is called 'Focus On The Centre Of Your Skull' and is a deep thing zooming in to mess with your mind. Heavy, psychedelic electronic music that draws fuel from 80's industrial stuff as swell as minimal techno and probably some dub too. Extremely limited to 200 copies, this new album by ex-Union Carbide Productions member and sound artist Henrik Rylander and iDEAL label boss Joachim Nordwall. Together they has also served time for more than a decade as slaves…

Christer Bothén is a main character in the Swedish improv, jazz and world music scene. He studied music in Mali and Morocco in the 70s and collaborated w Don Cherry. Bothén has been active in bands like Bitter Funeral Beer Band, FIRE! Orchestra, Mats Gustafson NU Ensemble, Spjärnsvallet and Bolon Bata. We are very proud to work with him on this exclusive vinyl LP release.

Second Edition Pressing of 250 copies only. Vinyl-only release, no digital, no CD. End Ground forms the third and final installment in a series of records documenting the solo prowess of Sunn 0)))’s Stephen O’Malley released on Sweden’s iDEAL Recordings. It was performed on electric guitar thru Sunn model T amps, and captured on a zoom H4 at Centre Cultural Suisse, Bad Bonn Carte Blanche, Paris, France, on 18th October 2013. In solo mode, stripped of his usual accomplices and collaborators, O’Ma…

"..to shape a new consciousness, one in which cooperation triumphs over domination, and humility before nature's complexity challenges technological hubris. to move on and leave the religious, materialist and supremacist phases behind us. most dimensions are yet to be explored. the real human potential has yet to be revealed. the process of liberation has only just begun. rise, rise, rise.." (final section of Dave Phillips' liner notes, spread across the four sides of the two inlays)

Mannerlaatta (Tectonic Plate) is Mika Vainio’s soundtrack for a “74 minute lettrist film made entirely without a camera” by Finnish film maker Mika Taanila; his 3rd following their previous collaborations, A Physical Ring (2002) and Return of the Atom (2015). The music was written very early on in the film’s two and a half year development, and subsequently held a strong sway over the rhythm of the film’s editing and visual narration - which takes place as a series of black and white images made…

Bitter Earth is the much anticipated, long-in-the-making new album from John Duncan joined by a broad cast of adroit collaborators; Oren Ambarchi, Jim O’Rourke, Smegma, Chris Abrahams, Joe Talia, CM Von Hausswolff, Eiko Ishibashi, France Jobin  - all written in dedication to Mika Vainio (who, for avoidance of doubt, is not dead!). It's a remarkable suite of cover versions - from The Gun Club to Nina Simone and Iggy Pop - and original material by an arch experimenter who continues to explore unfa…

RM is Italian mastermind of bad vibes Riccardo Mazza. The man has a free approach to his music, with no interest what so ever in the device used as a source. RM is dark, meditative harshness. The intent is to submerge the listener with a gloomy, ancestral mood. This is truly capturing, ambient and pulsating electronic music with nods to both minimal techno and industrial music. iDEAL is proud to release this great work of brilliance. Also, for info lovers, Mazza is half of industrial filth duo L…