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The album Nagual by Matt Choboter is a sonic ritual that dissolves the boundaries between composition and improvisation, tradition and innovation. Drawing on just intonation, Balinese tuning systems, and South Indian rhythmic theory, Choboter and his ensemble craft a vivid, shape-shifting musical world—at once ancient and otherworldly. Nagual resists the comforts of familiar forms, embracing ambiguity, sensory multiplicity, and intuitive collective listening. This music does not follow a path—it…
Veiled Erosion, the debut album by Anqi Liu, invites listeners into a world of spectral nuance, cultural memory, and fragile connection. Her music breathes through thresholds—between noise and tone, breath and bow, self and other. In the closing Etude for Friends, Liu renders friendship as a sonic practice: intimate, unstable, and quietly transformative. Drawing from Mongolian long song and microtonal chamber traditions, she composes sound as a site of listening, learning, and being-together. Ve…
Rispecchiato in quarzo, Dal nero immenso, lèvita, and Traspare assente albore unfold as structured sequences of transformation—transparent, hypnotic, fairy. Each solo instrument (piano, contrabass clarinet, bass flute) interacts with multi-layered electroacoustic textures built entirely from acoustic sources. These “electronics” remain sensitive and natural, shaped through breath, resonance, and subtle manipulations. An 1876 Steinway, spectral clarinet multiphonics, and whispered flute tones for…
A Bridge Between Spaces traces a decade of Andrew Greenwald’s singular compositional journey—across rigorously constructed sonic terrains and into freer, more intuitive musical dialogues. Drawing from two major violin cycles and culminating in the expansive title work, this album captures a shift from analytical exploration to expressive openness. With sound worlds that feel both extraterrestrial and deeply human, Greenwald’s music invites us into a landscape where metaphors fail and sound speak…
Clarinetist Michele Marelli channels Stockhausen’s visionary spirit in this album of works for clarinet, basset horn, and bass clarinet—joined by pianist Gianluca Cascioli in Tierkreis—merging cosmic intensity with masterful interpretation and devotion.
Olivier Messiaen saw birds as his greatest teachers, capturing their songs with passion and precision. His piano works, especially Catalogue d’oiseaux and Petites esquisses d’oiseaux, translate birdsong into rich, colorful music. Messiaen’s fascination with rhythm, color, and nature shaped his compositions, blending ornithology with spirituality. Pianist Alfonso Gómez delivers an astonishing interpretation on this recording, adding to his acclaimed discography for this label. As Messiaen himself…
Evis Sammoutis’ music is a dynamic fusion of physicality, virtuosity, and cultural depth. Drawing on his Cypriot roots and diverse training, his compositions explore tactile soundscapes, poetic contrasts, and neurological aesthetics. Works like Echopraxia and In Darkness challenge conventions of imitation and vulnerability, while Rhymes and Engravings evoke intricate structures and materiality. Inspired by literature, visual art, and the expressive potential of sound, Sammoutis crafts music that…
In his album Tarió, Manuel Contreras Vázquez presents a profound engagement with Latin American history, sound exploration, and experimental notation. Through intricate timbral textures and an architectural approach to composition, his works navigate themes of memory, resistance, and human experience. From intimate solo pieces to collective vocal and instrumental forces, Contreras Vázquez challenges conventional musical boundaries, blending silence, phonetics, and social narratives. This album o…
This compelling album presents works by Israeli composer Chaya Czernowin, exploring the fragile balance between destruction and communication, control and surrender. Seltene Erde transforms the double bass and ensemble into a shifting landscape of illusion and resonance, evoking the invisible forces shaping our world. Atara, born from the isolation of 2020, is a powerful orchestral lament, where vast sonic masses collide with the delicate voices of two singers, lost yet luminous. Through these w…
The music of Fabien Lévy thrives on ambiguity, paradox and sonic illusion. With a deep interest in cognitive perception, he creates complex textures where clarity meets mystery, virtuosity blends with playfulness, and every composition becomes a daring exploration. Influenced by spectralism and his mentors Grisey and Risset, Lévy embraces musical allusions – from visual arts to world traditions – creating pieces that challenge and transform the listener’s perception. Whether through kaleidophoni…
Felipe Lara’s Chamber Works for Strings redefines the ensemble as a resonating body, where strings become vocal cords and bows breathe sound into existence. In Corde Vocale and Tran(slate), the quartet is not a polite conversation but a raw, elemental force – organic, urgent, and monstrous. Sonare unfolds in processional waves, while Archi elastici stretches time to its breaking point, embodying breath itself. With Postcard and Prisma, Lara explores dialogue and divergence. Across these works, t…
*2025 stock* A comprehensive 2 DVD set of music and films by Olga Neuwirth (b.1968). Olga Neuwirth has worked in films as a composer, animator, writer and director since 1991 when she composed the music for the Quay Brother’s film “The Calligrapher.” Included on these DVD’s are “The Long Rain” “Canon of Funny Phases” “Durch Luft and Meer” “The Calligrapher” “Miramondo Multiplo” and others.
Noriko Baba’s music transforms fleeting details into profound artistic expressions, weaving nostalgia, nature, and her Japanese heritage into evocative soundscapes. From the intimate, lantern-lit glow of Bonbori to the tumultuous echoes of the 2011 tsunami in Shiosai, her works balance delicacy and intensity. 9600 romanticizes the age of steam locomotives, while Au pavillon de (Monsieur) Porcelaine offers a deeply personal meditation on joy and loss through Mahlerian inspiration. With Avant le c…
In tönendes licht., Klaus Lang imagines the Gothic cathedral as a resonating body shaped by the architectural principles of hierarchy and proportion. Performed by Wolfgang Kogert and the Wiener Symphoniker conducted by Peter Rundel, the work creates a unique interplay between the physical structure of the cathedral and the ephemeral presence of the music, evoking the medieval understanding of light and sound as pathways to the divine. Inspired by the ideals of Gothic art, Lang explores the conce…
Didier Rotella’s "Zone Grise" unfolds in a space of perpetual transformation, where sound navigates between density and purity, acoustic and electronic, structure and fluidity. Catharsis combines hybrid instruments and spatialized textures to evoke a dramatic journey of evolution and renewal, while Fragrances draws inspiration from perfume composition, blending musical elements into a rich, multi-layered tapestry. Mogari reflects on ritual and humanity through augmented instruments and poetic ge…
Oriol Saladrigues Brunet’s music crafts intricate interactions between time and communication, turning moments into rich artistic expressions. His compositions treat time as a flexible and multi-layered concept, balancing precision with unpredictability. Musical textures emerge and transform, revealing patterns that are both structured and fluid, creating a space where a dialogue between instruments and ideas unfolds. Through thoughtful exploration of irregularity and balance, Saladrigues create…
Johannes Kalitzke’s opera Captain Nemo’s Library weaves themes of identity, childhood and fantasy into a powerful poetic narrative. Inspired by Jules Verne’s 20,000 Leagues Under the Sea and Per Olov Enquist’s novel, it explores the intertwined fates of two boys in a Swedish village, their imaginary refuge aboard the Nautilus and the trials of their friendship. With a mixture of singing, puppetry and the integration of musical motifs by Bach as well as impressive electronics, Kalitzke creates a …
In Galgenlieder à 3, Christian Morgenstern’s whimsical Galgenlieder merge brilliantly with the haunting musical language of Sofia Gubaidulina. This unique song cycle, consisting of voice, percussion and double bass, brings Morgenstern’s playful and surreal poetry to life. Gubaidulina’s composition captures the essence of each poem through various expressive techniques, from normal singing to whispering and chanting. With imaginative interludes and an inventive use of motifs and intervals, this w…
Miguel Angel Crozzoli’s album "Sounding Numbers" explores the intersection of climate data and music. This album features two compelling works: I Am the Forest and I Am the Ocean, both born from transforming scientific data on deforestation and ocean contamination into sound. Through innovative sonification techniques and a blend of electronic and acoustic instrumentation, Crozzoli creates immersive soundscapes that resonate emotionally and inspire action against climate change. Let the haunting…