★Latency
Le Lisse Et Le Strié
*2022 stock* 'Le Lisse et le Strié’ is a new work by french composer François J. Bonnet, released under his project name Kassel Jaeger. Based in Paris, Bonnet is the Director of INA-GRM. He is also a writer and theoretician (The Order of Sounds, A Sonorous Archipelago and The Infra-World have been published in english by Urbanomic). As a musician, Bonnet has been collaborating with artists such as Stephen O’Malley, Oren Ambarchi or Jim O’Rourke and most of his recent work has been published by E…
The Fifth Season
These are torch songs for when it rains ash, creation ballads for when the earth turns inside out. Ghosts of Art Ensemble of Chicago and Rahsaan Roland Kirk color the air, yet Lafawndah’s mastery of pop songcraft, vocal production and razor-honed clarity of purpose cut through. In addition to the Lafawndah originals, The Fifth Season features interpretations of hybrid-folk godfather Beverly Glenn Copeland’s “Don’t Despair” and acid-impressionist prodigy Lili Boulanger’s “Old Buddhist Prayer.” Al…
Diffusion Is A Force
Martina Lussi’s second album fuses together disparate sound sources with a disorienting quality that reflects the modern climate of dispersion and distraction. The Lucerne, Switzerland-based sound artist released her debut album ‘Selected Ambient’ on Hallow Ground in 2017, and now comes to Latency with a bold new set of themes and processes. The range of tools at her disposal spans field recordings, processed instrumentation, synthesised elements and snatches of human expression. The guitar is …
Ritme Jaavdanegi
Mohammad Reza Mortazavi is a virtuoso percussionist known for playing traditional Persian instruments such as the tombak and daf. After developing more than thirty new striking techniques and progressing to be one of the most prominent players in Iran, Mortazavi travelled to Germany, eventually settling in Berlin to record and perform regular concerts the world over. His acclaimed performances have taken in venues such as Berlin Philharmonie and Sydney Opera House. In recent years, he has been e…
Silicon Ear
Following his compelling comment on the modern-day culture of call centres, Disruptive Muzak -- awarded Album of the Year 2016 by Boomkat -- Sam Kidel turns his analytical artistry towards the ominous gatekeepers of online communication with a rave-inspired rebel spirit to match his scientific methodology. 'Chamber music meets free-party-scene warehouse-invasion' First exhibited at EBM(T) in Tokyo, 'Live @ Google Data Center' trespasses in Google's data center in Council Bluffs, Iowa to perform …
Raw Silk Uncut Wood
2019 Repress. Laurel Halo delivers the follow up to her 2017 Hyperdub album Dust with the meditative meanderings of Raw Silk Uncut Wood for Latency, a work of abstractions featuring cello work by Oliver Coates and percussion by Eli Keszler. Moving into the deepest realms of cinematic listening excavations, Laurel Halo's Latency debut follows in the labels now expected quest to pull the best, if rather unexpected, sounds from the artists of which they select for inclusion to the label project. R…
Bleak Comfort
One of Belgium’s premier sound artist/designers shapes up the remarkable Bleak Comfort as his 3rd solo album, and first with discerning Parisian label Latency, who’ve previously proffered aces by Bellows, Robert Aiki Aubrey Lowe, Nuel, Madteo a.o.In Bleak Comfort, as the title suggests, Yves De Mey takes solace from aesthetic. It locates the arch sound explorer pushing his interdimensional electro-acoustic praxis in probing new ways, finer entangling their putative dichotomy of dynamics to an in…
Kulthan
Extended hypnotic explorations from Brooklyn’s experimentalist Robert Aiki Aubrey Lowe (Lichens, OM). Two long-side pieces of futuristic afro-dub, slowly evolving arrangements of voice and modular synthesizer soundscapes. Ethereal and melancholic on the first side with Magnamite, exhibiting 'the relationship of machine and human, showcasing the coupling of the two instruments'. Drifting and wildly pulsating on Heart of Sogguth that 'transforms this relationship into a unified human machin…
Cera Persa
Electro-acoustic experimenter Andrea Belfi veers towards techno structures in Cera Persa for the Paris-based Latency label. Too somnambulant for the ‘floor, best suited for home listening immersion, the piece is cleft in two parts and follows a crumb trail of softly struck drums into fizzing, stereoscopic gloom, eventually encountering shuffling jazz hits and strange, scrabbly electronics therein. No handrails.