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The final album of Henry Birdsey’s (Tongue Depressor) textured and immersive country laments project, Old Saw. This final document highlights the range of the project’s vision, evading easy categorization.. Some of the most direct and emotive music …
Tip! Benjamin Bennett has worked as an improvising percussionist for 10 years, touring North America and Europe as a soloist, in various ensembles, and ad-hoc collaborations. He developed a unique approach to percussion which took the lineage of free…
One night, not too long ago at Union Pool in Williamsburg, Brooklyn, Ryan Sawyer introduced his piece, “For Those Who Wish to Sing, Will Always Find a Song.” He invited the audience to sing along at any point they felt moved to, “just abstract ‘oohs’…
First time meeting of Sam Wenc (US/pedal steel + objects) and Stefano Grasso (Milan/percussion + recorder). The record is one take, broken into 10 tracks, exploring the boundaries of the rhythmic grid, never quite landing inside it, but hovering on i…
*2024 stock. 250 copies limited edition* I recorded the album after a conversation with Caleb about doing an album for the label and talking through ideas of what it could look like - compared to my previous release, Heart Music (2022, Where to Now? …
*75 copies limited edition* The unearthing of a song as a communal ritual, speaks of an intention that no longer sees itself but simply sees. “el rostro descubierto” embraces this way of seeing. Through streams of autonomy, impulse, and idiosyncratic…
Reconfiguring the laments from their debut album, Old Saw distill a wilted and hollow reflection from their original recordings. Lines freshly traced, erased, and reassembled from cassette and reel-to-reel machines, presented here like new writing on…