★Music On Vinyl
In The Skies
**Marbled transparent green vinyl** In The Skies (1979) is the second solo album by British Blues Rock inventor Peter Green, who was the founder of Fleetwood Mac and a member from 1967-70. In The Skies was released almost a decade after his first solo stint The End Of The Game (1970).
Accompanying Green on this album were several experienced session musicians, including Snowy White, who went on to work with Pink Floyd before joining Thin Lizzy. White contributed some of the lead guitar work on t…
Kind of Blue
**180 gram audiophile vinyl. Original mono version** Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but…
Filles De Kilimanjaro
**180-gram audiophile vinyl** Filles de Kilimanjaro (named after the Kilimanjaro African Coffee) is one the many masterpieces American composer and trumpeter Miles Davis recorded during his lifetime. It can be seen as a transitional album, right between his “acoustic” and “electric” period. He recorded this incredible work of modern jazz together with music great's such as Wayne Shorter, Herbie Hancock, and Chick Corea. The five different songs all fitting together as expressions of the same bas…
The Avant-garde
**180 gram vinyl** Though Ornette Coleman and John Coltrane were two of the prime forces in what came to be known as free jazz, their approaches couldn't have been more different. While Coleman's music dispensed with chords and rejected instrumental virtuosity in favour of unbroken horizontal development of melodic line, Coltrane's music for the most part relied on stacking up chords in blocks and exploring the results with fearsomely complex, passionate harmonic interrogations.
However Coltrane…
Daughter Of Time
**180 gram vinyl. Gatefold sleeve. Limited edition of 1000 Individually numbered copies on gold coloured vinyl** The pioneering English progressive jazz-rock band Colosseum recorded their fourth album Daughter of Time in the midst of an upheaval in the band's line-up. War plays a central role on the concept album based on a man's fascination for all what war brings to the world. The different instruments combined creating a brilliant and versatile musical world. It's a is a very different album …
Dorothy's Harp
**180 gram audiophile vinyl** Dorothy Ashby was an American jazz harpist, one of the very few who used her instrument to play credible jazz and bebop. First studying as a pianist at Wayne State University and later, in 1952, switching to harp. She recorded eleven albums for different jazz labels, like Savoy and Prestige. Dorothy also guested as a studio player on albums with Bill Withers, Stevie Wonder and many more.
In 1969 the studio album Dorothy's Harp was released on Cadet Records. On the a…
The Animated Egg
**180 gram audiophile vinyl. Limited edition of 750 individually numbered copies on orange marbled coloured vinyl** The Animated Egg was a studio-only group that released a self-titled album of psychedelic instrumentals in 1967. Session guitarist Jerry Cole was the man behind the band, known for his fuzzy guitar play and his well-written songs. All instrumental exploitation psych, featuring some very impressive sound effects. Featuring on his one and only record comes “Sock It My Way”, a dreamy …
The Wicker Man
Soundtrack to one of the most innovative and provocative British cult horror films ever produced
Church Of Anthrax
Church of Anthrax was a collaborative studio album by musicians John Cale (The Velvet Underground) and Terry Riley (minimalist pioneer). It didn't sound much like either of them, mixing Riley's drone sounds and slow patterns with melodic and experimental rock and jazz parts.
Fourth Dimension
Paddy Kingsland was the first Radiophonic composer to see a solo release of his compositions, although he is not credited on the sleeve. "Fourth Dimension", first released in 1973, showcased Kingsland's theme tunes for television and radio while at the BBC Radiophonic Workshop. The recordings feature a rock-style backing band and synthesisers including the VCS 3 and "Delaware" Synthi 100, and the track "Reg" from the album was also released as the B side to the 1973 single release of the iconic …
Placebo
Marc Moulin (1942 - 2008) was a Belgian musician and journalist. In the early '70s, he was the leader of the Jazz-Rock group Placebo. Moulin was one of Belgium's jazz legends, making jazz-influenced records for over 30 years. Marc Moulin's three Placebo albums are the 'Holy Grail' for the rare groove crowd, a sector of music fans who love that unique '70s style of cool.Placebo's eponymous third album is glossy, elaborate Benelux Jazz-Rock which could be labelled Library music as well - having th…
1973
The "1973" album continues in the same vein as "Ball of Eyes", though it's definitely funkier and head boppin' than the debut. The real-ear grabber is the superb Moog soloing by Moulin. Placebo is grooving your socks off in the first half of the album and a more concentrated jazzy swing can be found on the second half. Original copies of 1973 are in short supply and overwhelming demand, making this official reissue a much-needed one!
Ball of Eyes
Placebo's debut LP "Ball of Eyes" is a remarkably focused Soul Jazz record, without the experimentation or Free Jazz moments which were still in vogue during the first half of the '70s. Excellent covers of Marvin Gaye's "Inner City Blues" and Sam & Dave's "You Got Me Hummin'" as well as his own compositions make "Ball of Eyes" a perfect example of the genius of Marc Moulin and his incredible band.
Hawkwind
Hawkwind's debut album is an extensive mix of psychedelic and progressive rock, resulting in the so called space-rock. As one of the pioneers in this genre they recorded a bunch of deep soundscapes, combining the best of different genres. This debut can be seen as the highlight of their career, capturing the true spirit of this raw and communal musical movement.
Bitches Brew Live
"Bitches Brew Live" contains recordings from two performances: the first three songs were recorded at his Newport Jazz performance in July 1969 - a couple of weeks before the Bitches Brew sessions in August of that year - and have remained unissued till this day.
Valentyne Suite
"Colosseum was one of England's prime rock-jazz outfits. Valentyne Suite takes the band out of their bluesy comfort zone into something closer to prog rock. The album is generally seen as their best album and still extremely enjoyable."
Those Who Are About to Die Salute You
"Those Who Are About to Die Salute You" (1969) is the debut album by progressive Jazz rockers Colosseum. It is one of the pioneering albums of jazz fusion. The title is a translation of the Latin phrase 'morituri te salutant' that according to popular belief gladiators addressed to the emperor before the beginning of a gladiatorial match.
Safe as Milk - 50th Anniversary Edition
Captain Beefheart's debut album, originally released in 1967, is the most accessible and pop-inflected from his entire catalogue. Still, "Safe as Milk" is a very strong and heavily blues-influenced work but it also hints on many of the features that would later become the trademarks of Captain Beefheart.
The Mirror Man Sessions
The unofficial follow-up to the debut album Safe As Milk. These are the original session tapes for the second album, issued as an expanded version entitled The Mirror Man Sessions. Featuring five additional tracks taken from the abandoned tapes.
The Blue Yusef Lateef
** 180 gram audiophile vinyl ** On The Blue Yusef Lateef (1968), listeners get an amazing chapter from the late '60s, an amazing period when everything in the world of Jazz was changing. Yuseef Lateef was big on concept recordings. This album examines all the different ranges of emotion contained within the blues genre. With a band that included Detroit Jazz gods Roy Brooks on drums and Kenny Burrell on guitar, Blue Mitchell on trumpet, Hugh Lawson on piano, Sonny Red on alto, Bob Cranshaw on el…