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Oral

The Wrong Echo
** Deluxe Gatefold LP, edition of 300** Mistakes. Tape hiss. Accidents. Layers. Residue. Skips. Internal feedback loops. Chance. All of these have a place in Steve Bates’ work. While sonically operating more in an electronic or even rock-mode, The Wrong Echo was crafted largely through long-distance collaborations and written, re-written, assembled and re-assembled in the studio using approaches developed in Jamaican dub music of the 1970’s. “I grew up listening to punk and reggae music and want…
If songs had title
Marc-Alexandre Reinhardt: drums, electronics, piano, field recordings. Steve Bates: guitar, electronics. Plus guests, Burkhard Stangl (additional guitar, electronics), Toshimaru Nakamura (no-input mixing board), Sophie Trudeau (violin, electronics). Recorded and mixed by Steve Bates in Montréal, late 2012. Mastered by James Plotkin. For those who appreciate: This Heat, Yellow Swans, Magik Markers, no wave, New Zealand noise... For their second full-length release, Lanterner will work again with …
ma ta ta bi
Akio Suzuki, analapos, stones, wood pieces, nails, hammer, room echo, bottles, etc. Aki Onda, radios, walkmans, amps, tape echo, cymbals, bottles, etc. Initially a 3 hours long performance recorded on June 2013 in an abandoned space, in Brussels. 'Sound artist Akio Suzuki is well known as a pioneer of sound art, but the breadth of his activities and the form of his works far exceeds the normal boundaries of sound art. With partner Aki Onda, he performs on a wide range of unique instruments inclu…
En Orbite
ET\OU arose from the convergence of two giants of current Canadian music: Martin Tétreault, a dazzling turntablist of international renown; and Michel Langevin, the famed drummer of the legendary progressive metal band, Voivoid. For this promising duo's first LP and CD, Oral and Minute have teamed up to introduce this unique partnership to all lovers of thundering sounds and electrifying performances. The intensity of their studio compositions and wide-open dialogues are unique and unmatched. Mi…
No Input Mixing Board #8
Toshimaru Nakamura returns with another outstanding full-length of no-input mixer improvisations. Hello, Dear…ah, anyone who takes this up in front of your eyes and ears. Here’s my new (in 2013) solo album. I hope you find it worthy enough to take your time and have a listen. It was recorded in one day. Compared to my previous releases, “Maruto” on Erstwhile Records (2 years to produce), “Egrets” on Samadhisound (5 years), it came to life quite quickly. Almost like it popped out. But it took thr…
Monotonprodukt 07
A holy grail of electronic music reissued on vinyl for the first time in 30 years, beautiful pressing housed in a deluxe gatefold edition limited to just 300 copies for the world* 'Monotonprodukt 07' has certified holy grail status in the world of electronic music. Originally issued by Konrad Becker aka Monoton in 1982 on a then-tiny run of 500 copies, it has been marked out as a genuine milestone by successive waves of respected institutions, featuring in The Wire magazine's '100 Records…
Psi 847
First ever release of this really important masterpiece. During the 1950s, Eliane Radigue drew her first substantial nourishment as a composer from the innovations of musique concrete. Previously, she had played the twelve tone game, but found it unfulfilling. Then, while working as Pierre Henry's assistant, she chanced upon electronic feedback effects. "I was absolutely fascinated," Radigue remarks in a telephone interview, "not only by the sounds but by their behavior. With the tape recorders …
Casse-tete
Composed in 1979 and edited on LP in 1984 by Amaryllis. Reissue on cd by Oral, 2008. Contrary to an electronic music delighting itself in soaring above reality in self abstraction, the concrete music of Bernard Bonnier has a down on earth hearing, and a dancing too, altough now and then out of beat. Bernard Bonnier has defined chameleon-music as: '...a mime* trying to beat its parth through the puzzle (casse-tête: literally 'head-breaker') of soliciting madness, sundowns, violence, science, love…
Eight Lost Tracks
Oral label can be quite proud: they dug up all the works by Austria's Monoton, the baby of Konrad Becker and released them before on CD. Monoton's music was its time ahead: minimalist pulses based on analogue synthesizers, thus predating techno, glitch, clicks & cuts, and what's better: it still sounds good. The two previous releases were officially released back then, but the eight pieces were never released, save for two on an EP and a compilation. The pieces were recorded between 1981 a…
Blau - Monotonprodukt 02 26y++
CD release of the blau vinyl written and produced by Monoton in 1980. Re-mastered in 2006. It also contains 3 unreleased tracks from that period.  Since the late 70's, early 1980's, Monotonprodukt and the "Institut für wissenschaftliche Sensation" (Institute for Scientific Sensations) have been working on the transposition of metamathematical structures, natural constants and resonance patterns in models of "bionic" psycho-active automat music. Publications, installations and long-ter…
Monotonprodukt 07 27y ++
Considered to be Becker's masterpiece, the second album (1982) is the more subterranean, moodier one, and it's also the one that I personally prefer. Not to stress the Suicide connection, but at times the tracks really have a gentle Suicide feel softened with a Kraut expansiveness (slowly ever-shifting) that doesn't completely erase the angst underneath. "Water" has an undulating bass synth melody that is later connected to a higher pitched, repeating chirp and some distant, dubbed-out, spoken, …
Four lost tracks
Monoton was founded in 1979 by hypermedia wizard konrad becker as an art project that underwent various transformations and collaborations in its exploration of psycho-active sound. these eps contain distinguished electronic soundscapes related to mathematics and psycho-acoustics research made from 1981 to 1983 with analog synthesizers and micro-computers, including a commodore 64. with many materials never released or rarely available, six of these eight lost tracks see the light of day for the…
Axolotl lullabies
VERY LAST...It brings lights on the different activities of a great open-minded composer from Hamburg. All these tracks have been composed and recorded by Felix Kubin unless otherwise stated. They have appeared on rare or badly distributed releases. ThisLP  brings back to live these amazing tracks. The power of this release is to build bridges in between compositions belonging to various so-called genres in electronic music in such a way you will be trapped in one of the most enjoyable and…
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