Akio Suzuki, Aki Onda
Ma Ta Ta Bi
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2025 Restock. Two masters of Japanese experimental music unite on this extraordinary document, captured during a three-hour performance in an abandoned Brussels space in June 2013. Akio Suzuki and Aki Onda represent different generations and approaches to sound art, yet their collaboration reveals profound aesthetic kinship.
Suzuki, a pioneer whose work has transcended conventional sound art boundaries since the 1970s, brings his signature arsenal: analapos (his invented echo instrument utilizing spiral cords stretched between metal cylinders), carefully selected stones, glass tubes, wood pieces, nails, hammer, and bottles. His practice transforms found objects into resonant sculptures, treating architectural space itself as instrument.
Onda, known internationally for his Cassette Memories project—a decades-spanning "sound diary" of field recordings—approaches performance through electronic manipulation. His modified Walkmans, radios, amplifiers, tape echo units, and cymbals create layered sonic environments that blur the boundaries between memory and immediate experience.
What emerges from their encounter transcends generational differences. Though separated by decades and continents—Suzuki rooted in Japan's post-war experimental tradition, Onda shaped by global electronic culture—both artists share an intuitive understanding of sound as living material. The abandoned Brussels venue becomes their shared laboratory, its architectural echoes forming a third voice in their conversation.
The performance documents a unique musical telepathy: Suzuki's acoustic interventions provide raw sonic matter that Onda processes through his electronic filters, while Onda's technological textures inspire new approaches to Suzuki's physical instruments. This isn't mere cultural exchange but genuine musical symbiosis—proof that experimental music's most compelling statements often emerge when artists from different worlds recognize their common language.
Their collaboration stands as testament to sound art's capacity for bridging not only cultures but entire approaches to musical meaning, creating work that feels both deeply rooted in tradition and urgently contemporary.
Format
The CD comes inserted in a kind of Zine with English and Japanese texts, photos by Eric Mattson and a drawing by Akio Suzuki.
Release notes
Akio Suzuki: ANALAPOS, De Koolmees, stones, wood pieces, nails, hammer, room echo, bottles etc... and drawing Aki Onda: radios, walkmans, amps, tape echo, cymbals, bottles etc... Recorded by Eric Mattson at Black Buddah, Tuned City Brussels on June 30, 2013 Cover Photography By Rebecca Shatwell Thanks to Tuned City, Carsten Stabenow ; Q-O2, Julia Eckhardt ; Black Buddah
| 1 | Ta Bi No Ha Zi Ma Ri | 12:42 | |
| 2 | Do Ko Ka Ra | 07:31 | |
| 3 | Ma Ta Ta Bi | 21:30 | |
| 4 | Do Ko E | 03:54 | |
| 5 | Fu Ta Ta Bi | 11:57 | |
| 6 | Ta Bi No Ha Te | 12:35 |
- Eric Mattson
- Design Concept, Recorded By, Photography By
- Aki Onda
- Edited By, Mixed By, Music By
- Michael Fossenkemper
- Mastered By
- Akio Suzuki
- Music By







































































