Skip to content
play
Out of stock
Akio Suzuki, Aki Onda – Ma Ta Ta Bi
1
File under: Abstract

Akio Suzuki, Aki Onda

Ma Ta Ta Bi

LabelOralGenreSound Art

Out of stock

Tracked express shipping from Italy, no customs or import VAT in the EU. Shipping costs

2025 Restock. Two masters of Japanese experimental music unite on this extraordinary document, captured during a three-hour performance in an abandoned Brussels space in June 2013. Akio Suzuki and Aki Onda represent different generations and approaches to sound art, yet their collaboration reveals profound aesthetic kinship.

Suzuki, a pioneer whose work has transcended conventional sound art boundaries since the 1970s, brings his signature arsenal: analapos (his invented echo instrument utilizing spiral cords stretched between metal cylinders), carefully selected stones, glass tubes, wood pieces, nails, hammer, and bottles. His practice transforms found objects into resonant sculptures, treating architectural space itself as instrument.

Onda, known internationally for his Cassette Memories project—a decades-spanning "sound diary" of field recordings—approaches performance through electronic manipulation. His modified Walkmans, radios, amplifiers, tape echo units, and cymbals create layered sonic environments that blur the boundaries between memory and immediate experience.

What emerges from their encounter transcends generational differences. Though separated by decades and continents—Suzuki rooted in Japan's post-war experimental tradition, Onda shaped by global electronic culture—both artists share an intuitive understanding of sound as living material. The abandoned Brussels venue becomes their shared laboratory, its architectural echoes forming a third voice in their conversation.

The performance documents a unique musical telepathy: Suzuki's acoustic interventions provide raw sonic matter that Onda processes through his electronic filters, while Onda's technological textures inspire new approaches to Suzuki's physical instruments. This isn't mere cultural exchange but genuine musical symbiosis—proof that experimental music's most compelling statements often emerge when artists from different worlds recognize their common language.

Their collaboration stands as testament to sound art's capacity for bridging not only cultures but entire approaches to musical meaning, creating work that feels both deeply rooted in tradition and urgently contemporary.

 
Details
File under: Abstract
Cat. number: ORAL 59
Year: 2014

Format

The CD comes inserted in a kind of Zine with English and Japanese texts, photos by Eric Mattson and a drawing by Akio Suzuki.

Release notes

Akio Suzuki: ANALAPOS, De Koolmees, stones, wood pieces, nails, hammer, room echo, bottles etc... and drawing Aki Onda: radios, walkmans, amps, tape echo, cymbals, bottles etc... Recorded by Eric Mattson at Black Buddah, Tuned City Brussels on June 30, 2013 Cover Photography By Rebecca Shatwell Thanks to Tuned City, Carsten Stabenow ; Q-O2, Julia Eckhardt ; Black Buddah

Tracklist
1Ta Bi No Ha Zi Ma Ri12:42
2Do Ko Ka Ra07:31
3Ma Ta Ta Bi21:30
4Do Ko E03:54
5Fu Ta Ta Bi11:57
6Ta Bi No Ha Te 12:35
Credits
Eric Mattson
Design Concept, Recorded By, Photography By
Aki Onda
Edited By, Mixed By, Music By
Michael Fossenkemper
Mastered By
Akio Suzuki
Music By