We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Quasi Pop Records

skls
S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That’s their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! — like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It’s…
Sunburst Lux
Both compositions on that record related to (more or less) to the “tape music”. The piece of Argentinian experimental master Anla Courtis is solely based on manipulated sounds of geyzers, recorded in South America. Ukrainian Edward Sol works with weird cassette loops, lo-fi oscillations and some primitive tones from his vintage USSR-made analogue synth Polyvox. Generally speaking, the sound of this record belongs to the monolith dark drone music.
Commiseration/Blood Temperature Pool
Primitive guitar riffin', synth's drone and effects. Raw beauty and energy in it's primal.
Beautiful Monolith Two
It seems as Campbell Kneale (within his Love Will Destroy The World project) aims to discover any darkest and most dangerous corners of the modern experimental music. As an experienced and dedicated hunter, he doesn't walk the empty tracks, rather he's interested much more in rich bushes and impassable thickets. The A side's track is “Glittery Skin”, it shows Merzbow-like pulsating electronic noises, but the main energy-giver is obscure and doomy heavy guitar riff. Sick, anarchic, trancesending …
Tone Redust
It's quite difficult to describe the music of Naoki Ishida's debut album correctly. There are a lot of spontaneous and “fortuitous” sounds from casual urban life in that music on the face of it. But it is impossible to be sure that these sounds are on the background of other elements or these sounds serve themselves as a background for something main…There are also some naive and unaffected chords played on acoustic guitar as well as some clinking and iridescent synth waves & gentle drones. Gene…
Wealth
This is the first solo album of Norwegian composer and musician Jørgen Knudsen who was a founding member of highly acclaimed duo Information. This duo had an unique combination of sound and creative methods as well as their interest in connecting music with visuals, texts, dances etc. Information released a few fantastic albums on labels such as Beatservice and Rune Grammofon. Jørgen had been working on his first solo album during last few years, recording and collecting the audio sources for it…
Para Pacem Para Bellum
Para Pacem Para Bellum” is the first CD release with the great music of Svyatoslav Lunyov's. That serious, highly emotional and spiritual work is the result of two general methods of creating music: academic tradition (scores, acoustic instruments and playing of the real musicians) and the contemporary/experimental way (generating, synthesis, editing with computer tools). Needs to say that this electro-acoustic work combines the well-known traditional elements of the Requiem, Passions and the Ma…
Drive Home With A Hammer
This is the first full-length CD release by Norwegian noise artist Andreas Brandal. He has been making music with various bands and projects since the late 80's and released a several 7" and LPs on famous Norwegian label Smalltown Supersound as solo artist, as well as a participant of improv-noise duo Larmoyant. "Drive Home With A Hammer" is not "just another noise record". Once you hear it, you will be unexpectedly surprised by unique sense of Andreas in manipulating with interesting close-to-r…
Galactic Tornado
The conception, the idea, realisation and sound sources of this CD are all based on original sound material (loops and sounds) from Rapoon's “Tribal Sci Fi” CD-ROM (courtesy of Sony/Sonic Foundry). Not the entire original Rapoon's tracks have been re-mixed  or re-composed, but the general “sound” (or the sound aesthetic of Rapoon's music) instead. All the artists have provided their own original compositions, that less or more based on the audio-sources from Rapoon. The album “Galactic Tornado” …
It's Not The End Of The World
Quasi Pop proudly presents this record by Norwegian experimental/noise hero Lasse Marhaug. On this record he plays with the methods and traditions of serious electronic avantgarde that integrated into the aesthetics of loud & bloody harsch noise music. Damn hard, loud and overloaded skillfull thing, but exciting and highly intelligent at the same time. Please, play this CD as loud as it possible!Important: This is CD re-release of the same-titled very limited CD-R released in 2006 on chinese lab…
That people don\'t know they are monsters
7-inches vinyl (black). Limited edition 500. Total time: aprox. 10 min. Side A: 'That People Don't Know They Are Monsters'. Side B: 'Bow Heavier My Lord'. You may think it's a ballad, noise, tribal shamanism, folk or acoustic. But it's not really.
For Ake Hodell
Limited edition 330. Total time: aprox. 9 min. Side A. Lasse Marhaug 'So-so Green Tea With Buddha' (for Ake Hodell). Lasse Marhaug: turntable, guitars and location recordings. Side B. Mats Gustafsson: 'Jag Vill Lyda Order' (for Ake Hodell). Mats Gustafsson: slide sax and live electronics. This vinyl only release is inspired by Swedish avant-garde artist Ake Hodell and features the music of two giants of contemporary experimantal music : free-jazz, improv saxophone player Mats Gustafsson and nois…
1