★Sonoris
Every Color Moving (1988-2003)
'Every Color Moving' consists of 6 discs, covering 7 hours of the 15 first years of Steve Roden musical activities. The first 4 discs contain unreleased works and impossible to find small editions. The last 2 discs offer a selection of tracks made for compilations during the same period. From the surprising early experiments to the development of his often imitated but never equalled lowercase' aesthetic, these are some of Roden's earliest works, documenting numerous rare and unreleased recordin…
Rabid
'Rabid' consists of six tracks mixed by Phillip B. Klingler, aka PBK, between 2004-06 using Wolf Eyes source material, this is the Wolf Eyes lineup of 2000-05: Nate Young, John Olson and Aaron Dilloway.Klingler: 'I was given the audio sources (via cdr) by John Olson at the Ear Candy Festival in Dearborn, Michigan, in 2004. None of the compositions on the album were completed using a computer, they were all recorded live in my home studio or at gigs and radio shows directly to digital. Three of t…
L'Art De La Fuite
L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995 by eRikm. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today. Mastered by Giuseppe Ielasi. 300 copies.
Obsidiana
"Certain musicians names can speak for themselves, before even a note of music has been played. Their reputations proceed them, although of course there will also be those ignorant of both reputation and name. David Maranha - solo or with Osso Exotico - explores the territories opened up half a century ago by John Cale and Tony Conrad. Z'ev is the grandmaster of industrial/ tribal percussion. The fusion they create together is a magma of movement and stasis before which only legless cripp…
Church organ works
The three piece group from Portugal explore in ten tracks the possibilities of the church organ. The members play in various combinations on different organs. The outcome is very varied. The opening piece is barely audible, but the second piece is a loud, repitive, all register open one. Of course it's hard to see this music without any religious overtones, but Osso Exotico don't give a clue in that direction: all their pieces are untitled. Meditative pieces in most cases, but less minimal then …
A fleur de quai
This record gathers a selection of recent compositions from the french electroacoustic composer J.M. Rivet. His work follows the path of french pioneers of ‘musique concrète’ with an emphasis on the intrinsic beauty of captured sounds and poetic compositions that let your imagination go – very far from standardazed today production from well-established studios in France or in Canada. Each track focuses on one sound source from daily life (trains, a demonstration, a voice, …) and tells a story t…
s/t
'Behind bowline we find the more and more present musician David Maranha, who was once best known as Osso Exotico, and these days also works as a solo musician and one Francesco Dillon. He is from Italy and studied the cello. These days he is a member of Alter-Ego (see Vital Weekly 602 for their work with Gavin Bryars) as well as playing with people like Matmos, Pan Sonic and Scanner. A man of many talents. Here too Dillon plays cello, whereas Maranha gets credit for 'hammond organ, violin, vox …
belle confusion 969
long out of print, Produced in part by the Center for the Diffusion of Contemporary Music (CDMC), and the Spanish National Radio (RNE). Recordings made between 1990-1996 in tropical and sub-tropical forests of Brazil, Argentina, Venezuela, Costa Rica, Senegal, Gambia, and China. Composed during fall of 1996 at Messor Studios and Musica 2 Studio, RNE, Madrid.
Presque_chic
Poire Z is almost like a super group, as it’s collaborative work between drummer Gunter Muller, electronics by Erik M and the cracked everyday electronics of Moslang and Guhl – the latter two known as Voice Crack. Presented here are two lengthy and heavy weighted pieces recorded at two different festivals. Overall the music is densely layered (although I can’t say if this is a straight recording or a mixed multi-track version; I assume the first) which moves into various places and spaces. Small…
Verklärte Tage
Released in Digipak. Tracks 1-5 recorded late 1998 until 1999, track 6 recorded late 1996.
Tionchor
cardboard digipack edition, 11-page booklet features recording details and discography. All the tracks had appeared on different compilations (from X / 1982 to VII / 1986) before they where restored and compiled during 1986 for Tiochor which was released II / 1987 as LP (Selektion SLP 013). Three bonus tracks (recorded 1987 - 1991 ; N° 16 - 18) have been added for this CD reissue
L-fields
Some records will please you, others will disturb or mystify you. And then some rare specimens will extend your conception of life. Michael Prime's l-fields is of the latter category. The source material on l-fields consists of bioelectrical recordings of hallucinogenic plants. Yep. Prime records the fluctuations of the electric guitar field of a plant, fluctuations that trigger an oscillator. Prime later compresses, overlays, and integrates sounds from the surrounding environment to the signal …
Le luxe de la réflexion
For his first CD, Laurent Grappe has created a fascinating electro-acoustic tale. Le Luxe de la Réflexion! (The Luxury of Reflection!) blurs distinctions between field recording and acousmatics, urban and rural, French and Arab. At the center of the work is Isabelle Bassil, a Lebanese woman splitting her time between France and Lebanon. Her life experience, bridging two cultures, provides the main thread. Her interventions are spoken in Arab and other protagonists speak French, but comprehension…
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Kozo Inada is a japanese sound artist who has previously released records on various labels around the world (Staalplaat, Selektion, Digital Narcis, V2). His last record published is a collaborative work with Philip Samartzis on the australian label Room40.His music is a balance between austere minimalism and immense spaces in sound that creates a very strong tension and keeps the listener captivated from the beginning to the end.For J[], he uses samples and loops of classical music as sound mat…
Piano suspenso
Reissue of this 1999 release and out of print since a long time. Some reviews at the time of release : ' After a tentative opening consisting of damp harmonic scrapes, the piece takes off like a single-engined light aircraft when Maranha kickstarts his four-motored Piano effect and then starts to tease single notes from the bubbling background with his bow. This is a great and physically affecting slab of sound, where the slightest minimal shift causes tectonic plates to groan. It's gravy train …