★Sony
Kind of Blue
*Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.
As Bill Evans…
Opus
In the autumn of 2022, knowing his time was running out, Ryuichi Sakamoto summoned every ounce of his remaining strength to give us one last, definitive performance. Opus is that performance - a solo piano concert capturing one of the world's greatest musicians in his most vulnerable and transcendent moment. Curated and sequenced by Sakamoto himself, the twenty pieces wordlessly tell the story of his life and his vast body of work. The selection spans his entire career: from his pop-star period …
Raw Power
On Raw Power, Iggy And The Stooges compress lust, nihilism and amplifier abuse into eight songs that still feel like a structural flaw in rock itself, James Williamson’s scorched‑earth guitar and Iggy’s feral charisma defining the template for punk and everything unwholesome that followed.
Banco
On Banco, Banco Del Mutuo Soccorso refine their baroque, hard‑charging Italian prog into a fiercely lyrical epic, where Francesco Di Giacomo’s operatic voice rides labyrinthine suites of piano, organ and guitar that feel both fiercely intellectual and wildly emotive.
Sketches Of Spain
On Sketches of Spain, Miles Davis floats through Gil Evans’s lush, flamenco‑tinged orchestrations like a solitary witness, turning Spanish folk and classical themes into slow‑burning tone‑poems where jazz improvisation melts into modal ritual.
Hegel
Hegel by Lucio Battisti offers a boundary-pushing, introspective journey through philosophical concepts, poetic abstraction, and experimental electronics. Its eight tracks unfold with Panella’s cryptic lyrics, reflecting on beauty, identity, and the passage of time within meticulously programmed synth-pop arrangements. As Battisti’s final work, it stands as a compelling testament to the possibilities of Italian songwriting and sonic innovation.
Cosa Succederà alla Ragazza
Cosa Succederà alla Ragazza by Lucio Battisti deepens the exploration of electronic sounds and playful, surreal wordplay from Panella. The album, centered around the mysterious figure of the “girl,” combines pulsating, synthesized arrangements with a cut-up poetic style, producing a work both hypnotic and elusive. Through eight tracks, Battisti turns pop into a puzzle, rewarding repeated, attentive listening.
La Sposa Occidentale
La Sposa Occidentale by Lucio Battisti marks a further evolution in his sound, with surreally poetic lyrics from Panella and a sonic palette that merges synth-pop and dance electronics. The album presents a concept around a female protagonist, while adopting minimalist visual cues—a white cover with a stylized drawing—and delivering tracks of subtle complexity and rhythmic invention. The result is a sophisticated and enigmatic work that expands the boundaries of Italian pop.
L'Apparenza
L'Apparenza by Lucio Battisti marks a pivotal moment in his career, expanding on electronic and lyrical experimentation begun in his Panella phase. The album’s multilayered arrangements and poetic ambiguity invite listeners into an abstract space, where meaning slips between lines and melodic innovation comes to the fore. With tracks like A portata di mano and Lo scenario, Battisti tests the boundaries of Italian pop, offering an album that is as challenging as it is rewarding.
Don Giovanni
Don Giovanni by Lucio Battisti redefines Italian pop with a distinctive synthesis of minimal electronic textures and enigmatic poetic imagery. With Panella’s elliptical lyrics foregrounded, the album resists straightforward interpretation, instead encouraging listeners to linger over its paradoxes and musical subtleties. Each track oscillates between melodic openness and experimental abstraction, weaving a soundscape that is both contemporary and timeless.
Il Nostro Caro Angelo
Il Nostro Caro Angelo by Lucio Battisti is a crucial milestone marking the artist’s shift towards rock-oriented structures and deeper, more critical lyricism. The music is more electric, the arrangements more varied, as Battisti and Mogol probe the complexities of ideals and disillusionment, forging a sound that is both accessible and challenging. Each track acts as both confrontation and invitation, demanding listeners reassess inherited truths through fresh sonic and poetic codes.
Umanamente Uomo: il Sogno
Umanamente Uomo: il Sogno by Lucio Battisti reinvents Italian pop with a poetic blend of nostalgia, emotional candor, and stylistic exploration. Mogol's lyrics navigate the complexities of memory, longing, and everyday struggles, set against Battisti's evolving sound, which balances melodic intimacy with touches of folk, progressive, and pop arrangements. These eight tracks, including enduring classics, reveal an artist at the peak of his expressive powers, fusing personal narrative with broader…
"Chaire" and "Live at Pomigliano D'Arco - 1973"
Chaire is an album built on compositions written between 1974 and 1983, newly arranged, restored, and recorded by Cervello with voice tracks of Gianluigi Di Franco restored from archival tapes. Centered on the multifaceted meaning of its Greek title—blessing, greeting, care—the album moves between memory and present, fusing Mediterranean roots, symphonic structure, and visionary arrangements into a contemporary progressive suite. Paired with Live At Pomigliano D'Arco - 1973, which documents a hi…
Melos
Cervello's Melos stands as a singular gem in the Italian progressive rock canon. Released in 1973, the album draws inspiration from Greek mythology, weaving Mediterranean folk elements into intricate prog rock compositions. Dominated by dense flute harmonies and shifting time signatures, Melos envelops listeners in a dreamlike blend of mythic storytelling, technical virtuosity, and poetic lyricism.
Montreux II – Recorded Live At The Montreux Festival, 1970
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evans’ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds “the pianist in peak form” presenting “a terrific live perfo…
Metal Machine Music
Lou Reed's infamous Metal Machine Music returns for its 50th Anniversary. The most notorious album in rock history returns – Remastered, Revisited, and Still as Radical as Ever
Feed Back
*Limited edition of 500 copies, handmade numbered edition.* Nearly half a century after its original release, Franco Battiato's seminal 1976 compilation Feed Back is receiving its first faithful vinyl reissue as a lavish double LP set. This collector's edition meticulously recreates the original release that captured the Sicilian maestro's radical early period, now presented on 180g marbled vinyl in a strictly limited numbered edition. Feed Back stands as a crucial bridge in Battiato's evolution…
Anima Latina
‘Anima Latina', Lucio Battisti's ninth studio album. It is considered one of the most beautiful and important records in the history of Italian music.
The album was conceived after a trip to Latin America and marks a clear break from previous production.
Amore E Non Amore
Released in 1971, it is Lucio Battisti's first album composed entirely of unreleased tracks. The record is a concept album that explores the concept of love seen from multiple angles. Among the musicians who participated in the recordings are members of the future Premiata Forneria Marconi.
Audio remastered at 24Bit/192kHz from the original tapes. White vinyl mix red 180 gr.
Orang-Utan
Following his success with “Blow Up,” the once-weekly favorite bassist Isao Suzuki returns with his fourth release under the Three Blind Mice label. The heavy, groovy sound he crafts alongside the eccentric talent Kenji Mori remains timeless and undiminished by the years.