★Sub Rosa

Sub Rosa presents Youuu + Mee = Weee (First), a vinyl edition of the first disc of the three CD set Youuu + Mee = Weee (SR 367CD, 2014). Youuu + Mee = Weee is the first recorded collaboration between Charlemagne Palestine and Rhys Chatham. And it's precious. Following the musical meetings with Z'ev (Rubhitbangklanghear Rubhitbangklangear, SR340CD/LP), and with Tony Conrad, these new Sub Rosa sessions create a sort of trilogy. Rhys Chatham began his musical career as a piano tuner for avant-gar…

A milestone!! Sub Rosa presents another installment in its Early Electronic series, a silver vinyl reissue of Trevor Wishart's Red Bird: A Political Prisoner's Dream, composed between 1973 and 1977 using the studio of the University of York, and originally released in 1978 by York Electronic Studios. Wishart's compositional interests deal mainly with the interpolation by technological means between the human voice and natural sounds. He has been very active since the early 1970s in the area…

Selected unreleased works by André Stordeur, a key composer of Belgian electronic music, recorded from 1980 to 2000. Perfect complement to Analog and Digital Electronic Music 1978-80 (2015). Released as part of Sub Rosa's Early Electronic series. Belgian electronic music composer André Stordeur, born in 1941, started his musical career started in 1973 with a tape composition for the soundtrack to a film on Gordon Matta-Clark titled Office Baroque (1977). Later in the 1970s, he participated in …

In the pieces featured on this record, I have chosen simple electronic means - the kind that are commonplace, accessible, cheap, and easy to use - and I put them to work in a mostly-theatrical way: a situation of representation, one that is unique, new, and creative, where the focus lies in esthetics and poetics instead of in technological prowess. An imagination of otherness, where you don't know anymore whether the other is the soundworld produced out of time in the 'black box' of electronics …

Early Nights can be seen as a music box of musical and nocturnal atmospheres. Belgian musician Jean D.L. guides us on this album through a collection of fragments and pieces of recollection collected over a period of seven years. The music, both recorded live and at home, meanders between improvisation, experiment, drone and ambient guitar, exploring the places where it originated. Jean D.L. develops a universe at once intimate and noisy, made of hazy soundscapes. Jean D.L. has worked sol…

First limited edition: solid blue, black and clear mixed vinyl. Gatefold sleeve. Founding members of the original "Rock In Opposition" (R.I.O.) movement and the inventors of "chamber rock," mythic Belgian band Univers Zero have continued to change and grow and develop over their entire career, while still keeping an ensemble sound and spirit that is easily recognizable. These recordings were previously unavailable in an LP format. Longstanding dark-hued Belgian chamber rockers and avant-pro…

Outstanding reissue, part of Sub Rosa's Early Electronics series. During the 1950s and 1960s, Roberto Gerhard gathered a significant magnetic tape collection in his home studio, creating a major repository of early electronic sound recordings of his own works. The pieces on this record present a complex set of challenges for audio restoration, requiring a complete understanding of his compositional process and allowing the spirit and vitality of his electronic work to speak clearly to the l…

An incredible energy took over Brussels at the onset of the Eighties. It is a strange and rare feeling when you tell yourself that something is happening. And it always happens through an accumulation of very small facts. Then, suddenly, it is there. This collection basically attempts to capture this emerging will. But before that, there was punk rock. In Brussels, it was a handful of venues, improvised concerts, a few dozens of people recognizing each other, and a festival that gathers everyone…

As a body of repertoire, these works are remarkable for their freshness of musical thought and energy (John Cage considered Wolff to be the most 'musical' of the experimental composers). Christian Wolff uniquely blends experimental concerns with classical tendencies. In these pieces not only are older composers referenced (Ives, Schumann) but Wolff's love of clarity of line and transparency of texture betrays an empathy with Webern, Haydn and Bach. This aesthetic is, however, combined with a ten…

Sub Rosa presents another release as a part of their early electronic series. Drone-based experiments from Angus MacLise (notably with Tony Conrad extremely present on the album, and John Cale), and purely electronic compositions -- a path (almost) nobody knew MacLise had explored. Miraculously salvaged by Gerard Malanga, these archives provided a new perspective on the artist's whole body of work and considerably expanded his artistic palette. And so Sub Rosa is able to present a whole recor…

A real event: Jac Berrocal has not released disc for 20 years. The legendary French trumpeter is back with its special atmosphere and feeling. Lot of guests too. Jacques "Jac" Berrocal (born 22 October 1946, Saint-Jean d'Angély) is a French trumpeter, singer and composer. He has been active since the 1970s in the independent and avant-garde music scene (he recorded/played with Steven Stapleton/Nurse With Wound and collaborated with Sunny Murray, Pascal Comelade, MKB (F. J. Ossang), James Chance,…

Robin Rimbaud was both a friend and collaborator over the years and this CD is his tribute to an important figure in both his life and others'. Using recordings of Derek Jarman's voice as well as location recordings around his home, he creates a graceful and delicate sculpture in sound. This is a close friend's tribute, backed by a profound understanding of the filmmaker's sense of intimacy, atmosphere and drama.2014 - on the 20th anniversary of the passing of Derek Jarman and this reissue Robi…

Youuu + Mee = Weee is the first recorded collaboration between Charlemagne Palestine and Rhys Chatham. And it's precious. Following the musical meetings with Z'ev (Rubhitbangklanghear Rubhitbangklangear, SR340CD/LP), and with Tony Conrad, these new Sub Rosa sessions create a sort of trilogy. Rhys Chatham began his musical career as a piano tuner for avant-garde pioneer La Monte Young, also working as a harpsichord tuner for Gustav Leonhardt, Rosalyn Tureck, and Glenn Gould. He soon studied und…

A "classic" from the Sub Rosa catalog, never released on vinyl before. An astonishing piano-player drifts on beats and soundscapes. Recorded during a magical night in the courtyard of a Siena Renaissance Italian Palazzio where the lightness of Harold Budd meets Eraldo Bernocchi's deep electronics. Beats and bass, drones and soundscapes tie together harmonically to meet one of the most emotionally-involving piano players/composers.

The SalMar Construction is an amazing large music synthesis engine conceived and constructed in the early 1970's by a composer for use by a composer. These unreleased recordings were made at IRCAM in Paris in 1983. It illustrates the power that an electronic composition can achieve when the composer arrives at a true synergy with his synthesizer. This LP represents a significant performance by Salvatore Martirano (1927-1995) on his unique instrument, the SalMar Construction. Under developm…

Works by Matthew Shlomowitz and Peter Ablinger for piano and found sounds. Mark Knoop performs Matthew Shlomowitz's "Popular Contexts", for piano and sampler keyboard and selections from Peter Ablinger's ongoing cycle "Voices and Piano". Both works deal with collected sonic objects - Shlomowitz's widely varied samples, ranging from insect noises to airline safety announcements, and the recorded speech of Ablinger's subjects - forcing them into musical juxtaposition with the piano. "Popular Conte…

Oiseaux-Tempête debut album retraces, in a sonic odyssey, the qualms and queries of a sickly and dysfunctional Western society. Experimental, Stoner, Post-Rock, Ambient, Free Music. The trio was created in Paris in 2012 by the musically versatile pair Frédéric D. Oberland (guitar) and Stéphane Pigneul (bass) (members of FareWell Poetry and Le Réveil des Tropiques) and percussionist Ben Mc Connell (drummer for bands such as Beach House, Rain Machine, Au Revoir Simone, Marissa Nadler and Winter Fa…

This 2LP is the first Luigi Russolo's Intonarumori complete reconstruction ever attempted. Some of the Russolo instruments have been reconstructed here for the first time. The famous intonarumori (or 'noise intoners') of the Futurists could be considered the earliest 'techno music' instruments of the twentieth century. The 1st public performance of Luigi Russolo's intonarumori project took place in 1913 at Modena's Teatro Storchi, Italy. Luciano Chessa conducted this new orchestra of early Futur…

Sub Rosa reissues Belgian composer/violinist Baudouin de Jaer's Gayageum Sanjo (SR 347CD), with a complete new design and an additional CD of new compositions for another ancient Korean instrument: the geomungo ("black zither"). "Baudouin de Jaer chose a highly delicate musical instrument, the geomungo, and has drawn from it a marvelous creation; I can only congratulate him with all my heart for such an accomplishment, and for the release of this beautiful CD. I hope he will continue to make gre…

The complete version, as premiered in 1982, of one of the François Bayle's masterpieces. François Bayle studied with Stockhausen and Messiaen. He joined the ORTF Groupe de Musique Concrète in 1960. He later led the group when it became the Groupe de Recherches Musicales in 1966. Most of his compositions are electronic, and his first important work, 'Espaces inhabitables' (1967) is suggestive of an imaginary world in which nature is distorted in a dream-like fashion. He later utilized natural …

All the music for Jean Dubuffet's "animated painting" spectacle Coucou Bazar. Disc one is Ilhan Mimaroglu's 1973 electronic score for the Guggenheim staging (originally on Finnadar); disc two is Dubuffet's own 1978 Turin soundtrack, long buried in a rare catalogue. Digipak with 40-page booklet. 2CD.

This record highlights Leo Kupper's earliest unique compositions produced during the 1960's when he was ardently seeking out structures distinctly applicable to purely electronic sounds. Leo Kupper was born in Nidrum, Hautes Fagnes (Eastern Belgium) on the 16th of April 1935. He studied musicology at the Liège Conservatory, then became the assistant of Henri Pousseur who, in 1958, had just founded the Apelac Studio in Brussels. Kupper started to work on his first pieces there, but he would final…

Classically trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improvisor, producer, writer and teacher based in Seattle. Her voice as a cellist, amplified or acoustic is full, textured, committed and original. A perpetual inquirer, she wanders recklessly across borders that separate genre, discipline, time and geography, performing in clubs, cafes, galleries, arenas, concert halls, sheds, ceremonies, barbecues, and sanctuaries.

Reissue of their 1982 mythic album: Europa. In that time, the onset of the eighties, we had the opportunity to create from sound itself instead of notes, from noise, screams, any chord, relevant or irrelevant.Xavier (with Stéphane Barbery, Digital Dance), had been in one of Brussels' first punk bands, Thrills. Alain had over 10 years of music experience and was influenced by Kosmische musik and all kinds of weird and experimental music; he had put together several improvisation ensembles in the …

Cristian Vogel is a composer, music producer and music theorist. His work is known worldwide through state-of-the-art DJ and Live performances to compositions for choreography and many studio productions. Born in Chile 1972 and raised in the UK, he is now based in Berlin. Cristian Vogel has been a long-term innovator in the composition, mixing and performance of electronic sounds. Over a 20 year career at the vanguard of European electronic music, his work has been highly acclaimed for its quali…

Berangere Maximin was born in December 1976 on the remote French colonial Island of Reunion in the Indian Ocean where she resided until the age of fifteen. Performing first as a singer, she later studied electroacoustic music with the composer Denis Dufour (a member of the Ina-GRM from 1976 to 2000) at the Perpignan Conservatoire. Her first professional experiences occurred in Paris, and in 2002, she moved there permanently. From 2002 to 2007, whilst running the organisations Motus (concerts pro…

I had heard so much about the machine created by Daniel Aspuru that my curiosity turned to desire. The transductor eolico is not an easy item to move around and as there were no concerts on the horizon I decided to follow my intuition and invite Steven, Daniel and Manrico to spend some time in La Perrera, located in my house in Oaxaca, Mexico in order to experiment with the TE and eventually produce material for a record.During this ten day residence La Perrera was transformed into a recording s…

Neuroplanets' is a project by Novi_sad (Thanasis Kaproulias) which explores the aesthetics of information on sound. Initially based on multiple ways of audio analysis in rare sonic phenomena taking place on other planets, this project has been developed and executed by applying data and numerical elements from Neurosciences, on tracks commissioned from BJ Nilsen, Daniel Menche, Francisco López and Mika Vainio. Neuroplanets is the follow up of Inhumane Humans (Sub Rosa New Series Framework 3/SR30…

The third chapter in the Sufi Word's series. Jean-Luc Fafchamps on the release: "The Sufi Letters is a vast project of 28 compositions (for the 28 letters of the Arabic alphabet) undertaken in 2000 and still ongoing. I am drawing inspiration from the symbolic charts found in Sufi mysticism. Each Letter is a sonic meditation on the frontiers of conscience and the paradoxes of time. Today's word, 'Du seuil' ('From the threshold'), is the third word to be released by Sub Rosa. It is a journe…

"My second complete Sufi word -- or cycle -- consists of five contrasting letters -- or movements -- calling for various combinations of soloists [2, 3, 4, 5], instrumental ensemble [1, 3, 5], and real-time electronics [2, 4, 5]. It confidently extends a global poetic design made of a quest for meaning, a taste for extraordinary adventures, an interest in the perfume of mystical ecstasy, and the pleasure of carefully sculpting the time and shapes that make up writing." Jean-Luc Fafchamps i…

New Series Framework is an extension of Sub Rosa's Concrete Electronics Noise, a mix-up of unusual conceptions of sound material by young unknown composers, well-known not-so-young composers and old but clever composers. Limited editions. For Lith, Francisco López and Aernoudt Jacobs shared their original sound recordings from the Brazilian Amazon, Mexico, and the UK and created four compositions with each other's recordings. Francisco López is internationally-recognized as one of the majo…

This is #12 in Sub Rosa's limited edition Framework series -- an extension of their Concrete Electronics Noise series. Antimatter is the sound work of Xopher Davidson -- an ongoing exploration into the material of sound. Xopher builds his experiments in electronic sound from a basis in painting, photography, and film, and through an interest in electronic circuits going back to building radios and homemade circuits as a kid. Over the last 11 years he has built and explored the sound world of…

DOUBLE CD EDITION: For the second time in 20 years Charlemagne Palestine and Z'ev performed together, and this was the first time they recorded it. Part of the Sub Rosa/Laboratoire Central sessions, this is unreleased material from Charlemagne's lair -- a place now called "Charleworld," where both fellows spent three days in June 2010. "I first started to play the bells while at a high school for music and art in the '60s at St. Thomas Church across the street from the Museum of Modern Art…

Red vinyl edition, limited 250 copies. to Sub Rosa presents two substantial pieces from electro-acoustic musique concrete innovator Luc Ferrari: "Programme commun pour clavecin et bande magnetique" (1972), performed by Elisabeth Chojnacka, and another previously-unreleased piece that he held dear: "Les emois d'Aphrodite" (1986/1998), performed by San Francisco's MC Band under his direction. "'Programme commun...': Although cheerful, this piece of music asks a serious question: can one separate …

These seven volumes represent a strong listening base, as incomplete as it may be, the basis for a near-infinite exploration through one's self, in the present tense.All in all, if I add up all these tracks, there are 176 of them, created between 1921 and 2012, for a total of almost 18 hours of music. The sphere of geographical propagation was kind of programmed at the start (between 1952 and 1970 there have been over one hundred national studios, mostly tied to radio, on all five continents), b…

Génération Sans Futur (Generation Without a Future), Art Zoyd's third LP originally released in 1980 through Atem Records, returns to the sound (and lineup, plus Daniel Denis (Univers Zero)) of the group's first album, Symphonie Pour le Jour où Brûleront les Cités (SR 330CD/LP). The 17-minute "La Ville" is a powerful epic, featuring Thierry Zaboïtzeff's prehistoric grunts, complex time shifts, and a tribal/ritualistic feel once again close to the spirit of Magma. But unlike "Musique pour l'Odys…

Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-piercing. At times, the music seems to lead us to a meaning that is deeper than the textual level. or is it the depth of another possible song? That's when the music takes us to areas that seem perpetually urging, more than their simple addition of voi…

A study of free-form improvisation, rhythm and language using vocalizations, cello and analog electronics. These recordings in two movements can be taken as, on the one hand, pieces for two voices and improvisation chamber orchestra (which is what the musicians felt throughout the recording session) and, on the other hand, pure free improvisation. Both voices in interaction, perpetually urging the other on, producing more than their simple addition, producing a third voice -- like a semi-au…

This CD represents the end of his trilogy, but certainly not the end of his adventure into Sound. Concerning this new opus, he says: I was going for a raw sound, close to the actual sounds made by the instruments and sources, with minimal dressing-up. The organ's sub-bass frequencies include extremely low frequencies. His range of instruments: Church organ, tympanies, bass drum, large drum, tubular idiophones, toms, cymbals, hi-hat, voices (sped-up, slowed-down, texts in Latin) + stokes and hits…

LP version: This second Art Zoyd cult album has been unavailable for many years. Originally released in 1979, it is now re-released with new artwork and additional tracks. Released almost three years after Art Zoyd's first LP, Symphonie pour le Jour où Brûleront les Cités (SR 330CD/LP), Musique pour l'Odyssée (trans. "Music for the Odyssey") presented a slightly different version of the band. The nucleus of Gérard Hourbette (violin), Thierry Zaboïtzeff (bass guitar, cello, vocals), and Jean-P…