★Troniks
Gong
Gong, newly reissued on CD with bonus tracks, finds Sissy Spacek at their inventive peak, transforming the noise duo format into a meticulous, sprawling environment. The album’s two extended pieces are collages of violently manipulated junk noise, shattered electronics, and warped musical fragments, merging chaos and structure. Through masterful tape edits and dense, eerie atmospherics—including glass, metal, piano, and field recordings—the band delivers an immersive, unpredictable journey into …
Raiser
Raiser captures a 2013 Bronson session of Sissy Spacek—Phil Blankenship, Charlie Mumma, and John Wiese—in Los Angeles, channeling an intense fusion of harsh noise and noisecore. The album is a relentless, cathartic experience: shriek-laced blasts, searing electronics, and disintegrating metal fragments, all reassembled into monstrous, meticulously pieced sound collages. The result is sonic destruction made compositional, a full-spectrum assault that melts into jittery static and transformed debr…
New York About the Polywave
New York About the Polywave chronicles both recent and archival New York performances by The Haters, the iconic noise and conceptual art collective led by GX Jupitter-Larsen since 1979. The collection includes the ferocious 2025 “Digging Through Time” show at TV Eye, where shovels and a large wooden clock met their entropy-fueled fate, as well as earlier interventions involving calculators against fans and amplified hole-punch devices. These actions expose The Haters’ unique sonic and conceptual…
Los Angeles, Not the Totimorphous
Los Angeles, Not the Totimorphous surveys The Haters’ uncompromising presence in Los Angeles, led by GX Jupitter-Larsen since 1979. This documentation compiles both contemporary and archival performances: the 2024 45th Anniversary Show at Coaxial Arts Center with GX, AMK, John Wiese, and Elden M weaponizing transistor radios, turntables, tape, and rust; a 2011 suitcase-smashing set at LACE; and a 1991 event devoted to tearing paper. Each iteration presents entropy and action as its own aesthetic…
Porch Music
Porch Music is a double album uniting Mitchell Brown (Gasp), Paul McCarthy, Joe Potts (Airway), Alex Stevens, and John Wiese (Sissy Spacek) from the Los Angeles Free Music Society, documenting the group's studio session at McCarthy’s studio and their inaugural live set from The Box gallery. Crafted from melting cinematic sounds, this release captures the ensemble's exploratory spirit with artwork by Ace Farren Ford.
These Graves
2005 release ** "Justin Meyers of Devillock distinguishes himself from the mediocre masses with the release These Graves, or, if one combines the track titles, “The Blood From,” “These Graves,” “Weigh Forever,” “On Rotten Creatures”. To me, the mark of a good noise, experimental, or ambient disc is the ability to make me uncomfortable. To take me out of the daily comfortable reality and make me feel fear, dread, hate, melancholy – this is the reason I listen to noise. These Graves combines drone…
Dawn Of The Bloody Tapes
The Cherry Point returns with the long gestating follow-up to Night of the Bloody Tapes, a speaker-shredding demolition across two tracks of unforgiving hell. Recorded in Los Angeles, 2020–2024, Dawn of the Bloody Tapes is an unrelenting underground audio annihilation fueled by xeroxed zines, shot-on-tape traumas, and scrambled late-night broadcasts. All electronics by Phil Blankenship. Mixed by John Wiese.
It's exactly what you think it is.
EKA Varna
Nearly 20 years after the release of their landmark collaboration Multiplication, and nearly 25 years since their first live partnership, Merzbow and John Wiese reunite for a deep immersion into chaotic, raging electronics. Recorded on stage at Koiwa Bush Bash, Tokyo, Japan, December 2023. Digipak CD presented by Helicopter and Troniks. Art and design by John Wiese.
Live At 落合 Soup
In a follow-up to their duo debut, 2016’s Oblique No Strategy, T. Mikawa (Incapacitants, Hijokaidan) and John Wiese (Sissy Spacek) document a blazing live performance and rehearsal at the legendary Ochiai Soup, presenting an energetic explosion of free form electronics. Recorded at Ochiai Soup, Tokyo, Japan, December 2023. Digipak CD presented by Helicopter and Troniks. Art and design by John Wiese.
Multiple Density
Kimihide Kusafuka and John Wiese capitalize on their common language of concrète cut-up sounds for their first ever duo album, following many collaborations with Sissy Spacek. In a roaring daytime session, the pair performed two sets, approximately 20 minutes each, of finely detailed fast paced electronics. Recorded November 2023 at Technology Hour Extra Volume 3 at Freaky Show, Shizuoka, Japan. Digipak CD presented by Helicopter and Troniks. Art and design by John Wiese.
Amplified Crystal
A howling vortex of psychedelic whiteout and swirling shimmer by trailblazing Japanese icons C.C.C.C. (Cosmic Coincidence Control Center), featuring the core foursome of Mayuko Hino (electronics, voice, performance), Hiroshi Hasegawa (synthesizer, voice), Fumio Kosakai (electronics, tapes), and Ryuichi Nagakubo (bass). Originally released as a legendary, limited vinyl LP on the group’s own Endorphine Factory label, this seminal release has been painstakingly remastered in 2023 by John Wiese and …
Community Center Cyber Crash / Live In Pittsburgh
A searing document of C.C.C.C.’s indelible live performance at Wilkins School Community Center on October 11, 1992, Community Center Cyber Crash/Live In Pittsburgh voyages into an abyss of scorching sound featuring the lineup of Mayuko Hino (electronics, voice), Hiroshi Hasegawa (synthesizer, voice), and Fumio Kosakai (electronics, tapes). Originally released as a vinyl LP in 1993 that helped cement the ensemble’s legacy and influence, the album has been meticulously remastered in 2023 by John W…
Tractor 2023
The Haters classic remixed, remastered and reenvisioned! A full volume grinding cacophony of entropic sound and amplified destruction across three reworked live actions—8/15/87 San Francisco (tearing large sheets of paper & fire sounds), 10/11/87 Colorado Springs (sledgehammers smashing holes through the brick walls of an abandoned metal refinery), 12/16/88 Salt Lake City (destroyed junk on an overflowing club stage). Newly mixed from vintage material by GX Jupitter-Larsen & John Wiese exclusive…
Coronado
In their first collaborative album, pioneering Japanese sound artist Merzbow and prolific outsider outfit Sissy Spacek unite to unleash an unstoppable firebomb of frenzied electronics and raging percussion across two 45-minute discs in this monumental set. Assembled July–September 2023, it features a lineup of Masami Akita, Charlie Mumma, and John Wiese, with a special appearance by Phil Blankenship (The Cherry Point). Beautifully packaged in a metallic gatefold digipak with artwork by John Wies…
3
Tip! A Phil Blankenship/John Wiese maelstrom at maximum pressure. The duo behind LHD continue their five-year White Gold cycle, unleashing a blistering new cascade of deafening sound, desiccated crumble, and rusted shriek recorded in 2022, featuring over forty minutes of heavy electronics for shredded speakers.
Plays
Available for the first time as the artists originally intended!
XCIII
More than 25 years after their first partnership, international collaborators Smegma and Merzbow reunite for an all-new album that pushes the conceptual springboard of random composition generation even further. Consisting of two movements spread over 93 tracks, XCIII presents a collage of abstract electronics, unconventional instruments, reel to reel tape manipulation, loops and effects, best experienced in unique combinations on shuffled play.The first movement, Climactic Gruesome Costumes (wh…
Lacerations
Six international artists showcased across two compact discs of shredding sound, clattering depths, power electronics violence, and deafening discordance. Though a diverse compilation, Lacerations plays out like a cohesive extended nightmare. Twenty minutes each of essential material from Bacillus, Richard Ramirez, Rusalka, Interracial Sex, Vms Elit, and Cost. Mastered by Grant Richardson at extreme volume. Play loud.
Mutant Stomps
These American legends of outsider avant-garde need little introduction. Since becoming core members of the Los Angeles Free Music Society five decades ago, they have retained their focus, determination and unmatched originality, influencing generations and never seizing to advance further avenues of progress. Mutant Stomps is a result of Smegma’s living room recording sessions at their pink house in Portland. All tracks were produced 2012–2013, with one dating back to 1975 for good measure. The…