★Zappak
DUO
Yukiko Shiina Sakurazawa and Kon Okuma’s DUO, distills collaboration to its most elemental form. Through piano, reeds, and silence, the album traces an unfolding conversation where each phrase is both response and provocation, moving between fragility, tension, and fleeting union.
Diastrophism Dance
Kaori Komura and Yutaka Hirose’s Diastrophism Dance, renders the Earth’s slow violence as sound. Combining environmental recordings, electronics, and acoustic fragments, it transforms geological tension into choreography—a meditation on tectonic movement, fragility, and endurance.
Particles and Waves
Takashi Masubuchi and Yosuke Morone’s Particles and Waves, drifts between gesture and suspension. With guitar, electronics, and tape fragments, the duo render vibration itself as material—each piece a study in how the smallest sonic particle can shape an immense aural field.
Idiorrythmie
Shuta Hiraki and Shuma Ando’s idiorrythmie, examines the art of moving together apart. Through fractured beats, drone layers, and asymmetrical pauses, it turns musical structure into a study of parallel autonomy—two voices in orbit, touching only at unexpected points.
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(Kiku (sense) the [drawing + sound]) 描奏をきく
Shiori Sasaki’s 描奏をきく (Kiku (sense) the [drawing + sound]), transforms visual gesture into an audible world. Merging live drawing with acoustic improvisation, it invites the listener into a synesthetic space where ink lines and sonic textures share the same breath.
Sonifying the Sun: The Mass Emergence of Brood XIII and XIX Periodical
Patrick Quinn’s Sonifying the Sun: The Mass Emergence of Brood XIII and XIX Periodical Cicadas, blurs the boundary between scientific observation and ecstatic sound art. Using data sonification and field recordings, it shapes the cicadas’ cosmic rhythm into a resonant meditation on time, light, and collective life cycles.
Otolith
Florian Kolb and Thanos Polymeneas-Liontiris’s otolith is a deep dive into the body’s hidden navigational systems. Translating sonic vibration into a study of balance and disorientation, it shifts between seismic lows and crystalline highs, mapping an aural terrain of tilt, sway, and sensory recalibration.
Notions de Confort
Lise Barkas and Jean-Baptiste Geoffroy’s Notions de Confort is a provocative dismantling of musical ease. Rooted in improvisation yet fractured by raw timbres and spatial instability, it turns comfort into an elusive mirage—challenging the listener to question habitual listening.
Rien de ça
Bruno Duplant’s Rien de ça is a sparse and spectral meditation on presence through absence. Built from near-silences, fractured tones, and shifting aural shadows, it listens like an eroded diary—each sound a ghost of intent, each pause a deliberate, resonant void.
Black Spur
Atsuko Hatano and Joe Talia converge on Black Spur, translating improvisational dialogue into a landscape of flickering tonal mirages. The album bends cello, percussion, and electronics into dark, cinematic forms—meditative, unpredictable, and haunted by unresolved tension.
Battelli a Vapore
Angelo Bignamini, Italian sound artist, presents "Batelli a Vapore," inspired by Rimbaud's "Le Bateau ivre." Gentle noise, subtle melodies, and quiet voices evoke poetic journeys, ending with a serene guitar, closing the lyrical narrative.