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The debut release from Polish composer Adrian Aniol, It All Falls Apart, is a slow, fog-enshrouded journey upriver into the mouth of madness. Slow, frigid waves of sound seep in from the misty distance. White noise clashes with subsonic percussive crashes piling on the unease and tension that builds to an appropriately lunatic conclusion. The B-side features a remix of the entire piece by Steven Hess (Locrian, Ural Umbo). No computers were used on the remix. The piece was literally done …
T TRANCE's latest acid circus. This sparkling C30 slipslides through all his manic dual-keys modes (one hand mans the organ, the other dances up & down a wah-fucked Casio), accented w/ the occasional mushroom starchild sing-songing vocals. Ltd to 120
Cassette only - limited edition of 250 copies. A: Part One. B: Part Two. Cover features an illustration by SaxX, after Martin Sharp. Who on earth are The Van Patterson Quartet? The Tapeworm stumbled upon the lost psych rock recording, 'Live at F.W.' by The Van Patterson Quartet, late during a sleepless night. A link started a chain of events the Wormery would not sleep until the answer had been found! 'Who on earth are The Van Patterson Quartet?' we asked ourselves We sent out feelers via our co…
Palm Wine is a blog run by Simone Bertuzzi started at the end of 2009. It is described as "a possible and distant look at the post-global movement of sounds and imageries, even dazed by alcohol vapours. For this reason, it can take unexpected routes backward and forward, travels in the outer space and depicts a magic conception of distance between past, present and the next world." "Dreamachine / Beyond Digital Mix" is a C60 tape released by Palm Wine after a trip to Morocco attending a…
... probably don’t need to explain this one in too much detail ; it’s a kevin drumm tape (of scattered, alternatingly minimal & harsh guitar pieces recalling his earliest recorded/released work) ; the second “pressing” after the first (of something like 40 copies) disappeared within the opening of the “merch tables” at the no fun fest this past may ...that we got even this scant handful of copies is due mostly to the largesse of alku’s anna & roc ; i wouldn’t dawdle too long if you’re interested…
Limited to just 500 copies and already sold out at source, this latest edition from the Tapeworm cassette label is likely to be the most feverishly sought after to date. One of experimental electronic music's biggest names, Christian Fennesz has collected his library of samples (dating between 1989 and 1996) made for his old Ensoniq EPS-16 Plus and ASR-10 samplers. It probably goes without saying, but this is an amazing hour or so of music to trawl through. Any long-term fans of Fennesz's music …
First collaborative project between Pierre Gerard (Belgium) and Andy Graydon (Germany/USA). Invited by winds measure to produce a work for cassette tape, the two artists focused on the the particular materiality of this sound technology, once so common and now so rare. Tape's manipulation of a magnetic field evoked other sorts of sensitive magnetic systems, from the intuitive navigation of migratory birds to the organization of the earth's polarity. Starting from this idea of polarity and homewa…
Early merzbow works featuring Masami Akita and Kiyoshi Mizutani. Recorded & Mixed at Various Studios on 1982. Remixed by Masami Akita at Lowest Music & Arts Studio, Tokyo. Remastered from Original Master Tape on Jan 2010. Originally Released on Lowest Music & Arts 1982.
Cassette only, 250 copies. SavX (Savage Pencil) - electric rooster guitar. Sharon Gal - electric bass guitar, voice, percussion, feedback. Recorded at the SavLab 17/6/2009. Illustration SavX. Thanks to Mario and Luca Cavalli. Meltaot are a bass heavy/improvised Noise duo made up of artist/musician/broadcaster Sharon Gal and artist/writer/musician SavX. After recording together at a session for Pestrepeller (the other band they are a part of) it was decided to take the project one step further an…
Twenty-three wonderful pieces recorded live in a tower in Tuscany, in which master percussionist Marcello Magliocchi plays sound sculptures byAndrea Dami, made of various metals including iron, brass, copper, steel, aluminium and featuring other elements like strings, stones and gongs. Imagine a mix between Indonesian Gamelan, Bertoia, Alvin Lucier, obscure recordings from Africa, Beaver Harris and Don Moye, all infused with Marcello’s unique approach to polyrhythm, dynamics and modulation, the…
jjason kahn, civyiu kkliu, richard garet, scott smallwood, alfredo costa monteiro, daniel blinkhorn, stefan thut, ben owen, toy.bizarre, gen ken montgomery, robert curgenven, manfred werder / incidental music, pierre gerard, giuseppe ielasi, ferran fages, tarab, sawako, tmm mulligan, gil sansón, lawrence english, gilles aubry, takefumi naoshima, asher, ben scott, barry chabala, ubeboet, dominic lash, andy graydon, alessandro bosetti, greg davis, matt marble, andrew hayleck, seth cluett, p…
Jean Baudrillard's "Le Xerox et l'Infini" – originally published in Paris, 1987 – as read by Patricia and Ellen. Recorded on 12 July 2009 by Vicki Bennett in Hersham, England. Translation: Agitac, London, November 1988. Jean Baudrillard is perhaps the most important theorist of the 'after modern'. Though he says himself he has 'nothing to do with postmodernism', many interpret him (along with Jean-François Lyotard) as among the most important prophets of a truly postmodern era. His works have at…
Artiste sonore et visuel basé à Londres, Jim Hollands a conçu 'Télépathie 101' comme la BO d'une installation vidéo en multi-projection. Électronique façon eighties et sous l'influence de John Carpenter. Première édition de 60 exemplaires.
In the winter of 2008 C. Spencer Yeh (Burning Star Core) and Jon Wesseltoft (Tongues of Mount Meru, Maranata) would meet in Wesseltoft's native Norway to record the tracks, which comprise this tape. With Yeh on violin and Wesseltoft on harmonium the duo blazes through the northern sky unleashing a meditative eulogy to the Nordic gods of past, present and future. The reeds maintain the momentum while the strings wail in unison. Fans of Tony Conrad and Henry Flynt take note. Artwork by L…
I've first heard TELEFONO BALAFONO a few years ago on a (now)preistoric myspace website and i almost fell from my chair. A raw and plastic collection of music compositions recorded on a "broken 4 track cassette recorder" as stated by the artist that mixes unknown keyboards and drum machines with a no wave twist that for the time of the recordings was already predicting the economical-ethical crisis we're living in the now. Each fragment doesn't exceed the 3 minutes of lenght creating short a…
We had been talking about this tape for a couple years now: a buncha killer livejams by the great Swedish band Den Stora Vilan (which supposedly translates something as ‘The Great Rest’). Long mellow West Coast influenced psych jams (think ‘American Beauty’ era Gratefuld Dead) meets Neil Young with a bit of Trad Gras Och Stenar thrown in. 200
Allon Kaye is the nom de plume of R. de-Chantecler. He is the guardian and administrator of the London-based Entr’acte . C-20, professionally duplicated on Chrome tape by Adam Asnan. Letterpressed sleeve printed by Ben Owen / Middle Press. Numbered edition of 100 copies.
Editions Mego present one longform exploratory performance from Sunn 0)))'s Stephan O'Malley, recorded in Paris during the winter of 2006 and recently excavated, revamped, and mastered at Piethopraxis in Köln. The first in a series of three cassette releases for EMego, the 40+ minutes of 'Cocon & Oiseau De Nuit' are similar in form to his 'Keep An Eye Out' LP for Table Of The Elements and the 'Salt' album for iDEAL recordings, wresting the blackest sub-harmonics and inherent micro-tonal s…
Embody Problematic Behavior. These are the three words that Co La uses to describe “Soft Power Memento,” his follow-up EP to 2011′s “Daydream Repeater” debut LP on NNA. Something to mull over while immersing yourself in Co La’s vivid and constantly-evolving world of sound. The spectrum of source material is widened and focused, with an emphasis on acoustic instrumentation and jazz palettes, all diced up and run through the New Anything sound system. Concréte percussive molecules are tenderly arr…