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III is as immediate as a truck with failed brakes crashing through your living room wall. The third and final installment of a trilogy entitled Ceremony, its opening moments rage and wail, with distorted guitars pulling out in front of the drums like hellhounds that have slipped their master's leash. But this isn't a mono-dimensional freak-out. Smith paces himself, pulling back into brooding drones and pensive picking before lashing out once more. As befits a journey that's taken three di…
LAST COPIES...Incredible 25-minute percussion and bass variations from Japanese uber-producer Aoki Takamasa, new on Raster Noton!* Hugely respected percussive technician Aoki Takamasa has released a stream of rhythmic electronic expressions on labels like Fat Cat and Progressive Form since 2001. This is his first set of productions for the Raster Noton imprint, released as part of their 'Unun' series, after previous installments from Grischa Lichtenberg and NHK. 'RN-Rhythm-Variations' explores b…
With an eldritch terror that could just as easily be from another dimension as the darkest ocean comes the latest release from Ural Umbo, Delusion of Hope. Feedback and melody barely escape from the murky crevices, tinged with a sense of grinding tension. Sharp, acidic percussion slices through the blackness with violent urgency, while electronic blasts and organic drones entwine and ensnare. Some dim instinctive memory vaguely resurrects a shadowy scene wherein black drums roar madly, and monst…
Limited edition red vinyl 7", 100 copies. Two pieces for hand-held gas horns realized at the Music Research Centre, University of York, November 2008. Recorded using two Neumann U87 microphones and a Shure SM58 on custom-rigged pendulum.
Latest from these blackened doomdrone soundscapers, once again demonstrating that these guys definitely don't let any sort of genre classification define what they do, cuz what they do here is let their krautrock freak flag fly, whipping up a gorgeous chunk of hazy, rhythmic psychedelia, a reinterpretation of a classic Popol Vuh jam (from 1976), which does indeed channel the same sort of brooding, blissy mesmer, a dreamy, dark dirge, hypnotic and hazy, spidery guitar melodies over simple …
this is the sound that brings out the best in melted brainiacs that start producing oer klanken when seeing a white ball with black dots on it on a grass field while carnavalists run after it in between two goals, troeps that follow one colour for the rest of their days, primates that repeat what the rest of the stadion is yelling! brazil techno, football (power) elctronics, echoes from another scene. far away from the daily routines of what these italian maestros usually do with their cod…
Beautifully minimal new work by Asmus Tietchens using layers and stretch out sound fields as a compositional basis and placing miniatures inside them. 54 minutes, 8 tracks, handnumbered edition in nice paper sleeve 300 copies.
MINBLOWING EDITION! 'This might very be the first time that Staalplaat repeats a cover for their Mort Aux Vaches: the metallic cover for this one was also used for the Mitchell Akiyama release (unless of course one states that a lot where printed on paper), but with a different pin. Musicwise of course Vernon & Burns are something different than Akiyama. What many perhaps don't know is that perhaps the whole Mort Aux Vaches enterprise started with VPRO and Staalplaat was by asking people to deli…
Awesome box-set includes the lps "tesis" and "antisesis", an additional '7 and 50-pages booklet, 23 tracks. "síntesis" was el aviador dro y sus obreros especializados' second album. also featured here is the great (and quite different) 12" version of "selector de frecuencias" (dro-020, 1982), the complete "amor industrial" 12" (dro-040, 1983) and "vortex" 12" (dro-074, 1984).
The Zeitkratzer label releases a limited 3CD box documenting international avant-garde soloists ensemble Zeitkratzer, and their collaborations with groundbreaking electronic musicians spanning nearly a decade. This set collects all three previously-released Electronics recordings (ZKR 004CD/ZKR 005CD/ZKR 006CD), made in Germany, Spain, France, Italy and Austria with non-academic electronic musician Carsten Nicolai (aka Alva Noto), electro-acoustic composer Terre Thaemlitz, and legendary Japanese…
2012 repress; originally released 2006. Biosphere is Norwegian composer and performer Geir Jenssen, and this is his fifth release for Touch. In the early 1990s he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic and enduring. Dropsonde isn't a soundtrack like the interwoven Substrata nor an episodic journey in the way that Autour de la Lune is. Here Geir Jenssen is pushing new directions towards the jazz colors of Miles Davis a…
Hand-numbered edition of 300 copies art edition set that features a 10” on clear vinyl, a CD and an accompanying art book/manifesto from this obscure Japanese/South African avant garde performance troupe. Reputedly starting off in 1976 through tape experiments at home, much of Ellende’s work is based on the writings of founder member Wim Bontjes, who passed away in 1995 and if the contents of the booklet are anything to go by they share a healthy obsession with sex, ritual and radical per…
S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That’s their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! — like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It’s…
Versatility has always been what sets Luca Sigurtà apart. His new solo album ‘Bliss’ out on Fratto9. Recor- ded in 2011 and Mastered by Giuseppe Ielasi, this new offering exhibits his most dreamy side. There are five tracks which sit between cinematic drone music and that of Angelo Badalmenti.
It a soundscape through a sunny afternoon in the North of Europe, filled with white light that illuminates the port and with the presence of distant noise.
Shared between the passion for silence and …
Collaboration works. Embossed gatefold sleeve. w / poster & obi. Originally planned to be released in 2006, but not actually released until April 2007.
Relocation.Reconstruction is derived from the sound elements of the three installations in Yann Novak’s solo exhibition Relocation at Lawrimore Project (May 2009). In the original exhibition, Novak explored the multitude of emotional states experienced during and after the relocation of one’s life. With this latest work, Novak continues his exploration into this theme a year after the initial event that inspired him, with the new insight that although he has arrived at his destination, the reloc…
Recordings by Gordon Sharp (2001-2010) at Belmont shore (ca), mid-levels (hk) & Kobe (Japan) the mid-levels (hk) but manly at Roi vert, Okamoto, Japan. Cut at dubplates & mastering, Berlin, august 2010. Cindytalk have been active since 1982. During the 80s and the 90s their sound was defined by broken down rock structures and abstract piano ambience. A third side to their coin emerged at the dawn of the 21st Century with a turn towards obscure computer usage pushing all ressemblance of me…
Touch presents a 7" from Mike Harding as part of the Touch Sevens series. Recorded in West Wittering in Balham using DPA 4060s onto a Nagra Ares P-ll digital recorder. Cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
'The Icy Echoer constitutes a premiere in many respects, for both, the label and the artists. After countless collaborations with the likes of Leif Elggren, CM von Hausswolff, Bryan Lewis Saunders and others (mostly released on CD), this 7' marks the first time that Esposito's works are published on vinyl, while the same applies to the Fragment Factory. Likewise, believe it or not, it's the very first appearance of Drumm on a 7' platter. Michael Esposito is an experimental artist and long…