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Two days before the 2012 rebellion in northern Mali. Soldiers are everywhere. Guns mounted on pickups; low-flying surveillance planes. Several thousand people have gathered outside Timbuktu to celebrate the music and culture of the Sahara at the 12th edition of the Festival au Desert. Three months later, Sharia descends on northern Mali. A millennial history is suppressed. Shrines destroyed. Secular music banned. Before, the streets were alive with music. Weddings, baptisms, celebrations …
During drummer Paal Nilssen-Love's July 2013 solo gig at Auido Rebel's Quintavant in Rio de Janeiro Brazil, he was joined on stage by Arto Lindsay performing on electric guitar and voice. The result is this 180 Gram LP, one side at 33 RPM and one at 45 RPM presenting two improvisations from these powerful improvisers. Of the performance Nilssen-Love writes: The gig was organised by the guys running Audio Rebel i Rio... fantastic guys who's also musicians. Gig was amazing and we we're both drench…
Local preoccupations with rising sea levels fuel Diluvial - a work that dwells on the dynamics of flood geology and global warming; creation stories and climate change. Diluvial is an evolving soundscape and environment by Bruce Gilbert and Beaconsfield ArtWorks (David Crawforth & Naomi Siderfin). This work was initiated on the Suffolk coast for Faster Than Sound, Aldeburgh 2011 and then developed for a show at Beaconsfield, London later that year. Taking rising sea levels as its theme, Diluvial…
Spectrum Spools give flight to a right zinger from Palm Highway Chase. 'Escape From New York' has already achieved cult status in the synth interzones, notching up over 5000 downloads from the artist's myspace and bandcamp pages since 2009, before John Elliott and Peter Rehberg colluded to present the tangible artefact on wax. Flashback to 2009, maybe late winter or something like that. The Road Chief comes back from his extended stay in Belgium all laced up with new jams from the undergro…
"In December 2011 I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's the same setup that I still use nowadays, mainly consisting of an old Phillips analogue tone generator and a selection of effects units. When making Stroomtoon, it felt like moving into new territory that was worth explore more. While that album is very …
A cherry-picked compendium of EDM prototypes circa 1956-1971 by Pierre Henry, Jean-Claude Vannier, Igor Wakhevitch, Henk Badings and more "The roots of Electronic Dance Music" (EDM) by definition. An unlikely combination of early recordings by international electronic and avant-garde composers as well as infrequent collaborators retrospectively unified by their commitment to the musical enhancement of 20th Century ballet and the evolution of modern dance. Presenting key exponents of the musique …
I had heard so much about the machine created by Daniel Aspuru that my curiosity turned to desire. The transductor eolico is not an easy item to move around and as there were no concerts on the horizon I decided to follow my intuition and invite Steven, Daniel and Manrico to spend some time in La Perrera, located in my house in Oaxaca, Mexico in order to experiment with the TE and eventually produce material for a record.During this ten day residence La Perrera was transformed into a recording s…
Continue reprints of the amazing tapes by Pierpaolo Zoppo aka Mauthausen Orchestra released on Aquilifer Sodality in the early eighties. Tape after tape Mauthausen Orchestra constitute, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. 2nd Movement carry us, once again, as real rituals of a civilization without gods, in a pure world of suffering. …
2008 release. You might not think that there would be much information available about a performance artist whose entire catalog of work lasts about 40 minutes, and who vanished at sea. This release will dispel that notion. Here is Always Somewhere Else is not only a moving tribute of artist Bas Jan Ader, but a celebration of the eye, that which notices the miraculous in the small, mundane details.Ader, in that sense, was one of the first micro-historians. He was obsessed with gravity, with…
Jim O'Rourke's Old News series continues with this, the ninth installment. This new release is unique in the series in that it is the first to feature an all-new composition. The work here showcases the kind of experimental concrete drift which O'Rourke has been exploring for a number of years, resulting in a magical blend of musical abstraction. With the measured hand and alchemical technique of a François Bayle classic, Jim has us spellbound with A-side, transmuting spectral whistles in…
All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it.
Der Plan (Moritz R, Frank Fenstermacher, Pyrolator) were instrumental in ushering in the German New Wave (NDW) and are considered free spirits of synthesizer pop: electronic music created with minimal means, sometimes experimental, playful or even bordering on dilettantism, but always with a sense of humour.
Retrospectively, it makes perfect sense that Der Plan created a soundtrack. For one thing, visuals were almost as important to Der Plan as their music. And if every self-respecting pop b…
Now in their tenth year the band have been gathering plaudits and accumulating new fans with every release, and after playing to thousands at Supersonic Festival last year, things are accelerating at an even faster pace. As with each album release, Hey Colossus continue to mutate and for their eighth album they have enlisted the support of a new drummer, Part Chimp guitar/vox man, Tim Cedar, who has undoubtedly brought a whole new kind of energy that has reinvigorated the band. When the rhythm s…
"Date Palms revolve around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar…
Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
Intervisions documents select live actions by Andy Votel, Sean Canty of Demdike Stare, Jane Weaver, and N. Racker's NeoTantrik syzygy over the last 12 months. It breaks down to five parts recorded on location in Bristol, Rotterdam, and Stockport -- some previously issued on tape -- in mutating alignments of personnel all deeply focused on common goals of abstract sonic transcendence uniting a mind-field of mimetic and sensual references to nu-religious and metaphysical phorms. Three pieces…
A Sige Records repress of Mamiffer's second full length Mare Decendrii.Artwork is different from the original pressing. Edition of 600. Credits : Recorded from September 2009 to September 2010 at: Studio Litho, Aleph Studio, and London Bridge in Washington State. Produced by Randall Dunn. Co-produced by Mamiffer. Engineered by Randall Dunn. Assistant engineers: Mell Dettmer and Shawn Simmons. Mixed at London Bridge Studio by Randall Dunn. Mixing assistant: Mell Dettmer. Mastered by Mell Dettme…
The audio on this LP was inspired by early efforts to explore extreme locations on earth, and the clash between the will of humans, the limits of their bodies, and the immutable laws of the natural world - the latter which can easily destroy both of the first two. The 11° 22.4'N 142° 35.5'E side is based on the 1960 dive by Jacques Piccard and Don Walsh in the bathyscaphe Trieste to the Challenger Deep in the Mariana Trench, the deepest known point on earth. This side aims to mirror the …