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It's been nearly two years since we've heard new music from Gary War and we are excited to announce the release of his inevitable breakthrough 'Jared's Lot'.Through the years we have heard the developments from the D.I.Y. psychedelia of New Raytheonport to the more current electronic acid-prog tracks we heard from Horribles Parade and the most recent Police Water EP. Jared's Lot brings the years of laboring and hard work full circle, with every facet of the project dialed into perfection.…
Stunningly beautiful harmonium improvisations recorded in 1949 by spiritualist G.I Gurdjieff. Many who heard these performances live found themselves crying uncontrollably. After this cathartic listening experience they reached a place where they felt happy and whole. We hope this record will bring a similar experience to the modern day listener. It doesn't get much purer than this. Cover is silkscreened with gold ink. A co-release with Psychic Sounds Research."An extraordinary collection of har…
Important collection of recordings documenting and preserving "fringe" or under-represented folk cultures and voices from a unique region at the crossroads of Europe and Asia. It spans a diverse cross-section of music by Armenians, Azerbaijanis, Georgians, Chechens and many other ethnicities which fall outside their country's definition of national folk music - Azeris from Georgia, Kurds from Tbilisi, Avars and Lezgis from Azerbaijan, or Molokans in the South Caucasus - giving room for al…
In “Resorts & Ruinsâ€Â, a set of three recent sound works, Kyriakides deals with several themes in both a physical and narrative sense. All the pieces use source material that highlight specific vocal traditions, namely Turkish pop music, Cypriot epic song, and Baroque opera, but they also all make extensive use of other forms of speech and vocal acts. In “Varosha (Disco Debris)â€Â, a narrating voice is our tour-guide in the ruins of the Cypriot ghost town Varosha; the many fragm…
Packaged in a pro-press color jacket and a silkscreened pvc sleeve, Jeff Witscher, aka idiosyncratic electronic musician Rene Hell, presents a typically considered, challenging debut release via PAN. Those who've encountered his acclaimed albums for Type, or his NNA Tapes split with OPN, will hear a defined progress in 'Vanilla Call Option', whilst those new to his music should be prepared for a visceral, cerebral exploration of piercing timbres and sheer, hi-end computer sounds that in turn rec…
Julianna Barwick returns with the successor to 2011's charming The Magic Place. Given how successful that self-recorded LP was, it’s surprising to see that the Louisiana-born singer has looked to an external producer to document and frame her work this time around, namely Sigur Ros associate Alex Somers. Barwick once again uses delay-pedals to build heaven-scraping towers of chorused plainsong out of her earnestly, achingly pretty soprano, placing them in what John Foxx - whose 90s’ ambient reco…
Through several duos, a picture of improvised music in Slovenia. Tao G. Vrhovec Sambolec, computer & Vid Dra ler, drums, percussion. Andrej Fon, bagpipes, clarinet & Ana Kravanja, violin. Matija Schellander, double bass & Toma Grom, double bass. Samo Kutin, hurdy gurdy & Marko Jeni , violin. Andrej Fon, el. guitar, clarinet & iga Pucelj, feedback loops. Vid Dra ler, drums, percussion & Marko Karlov ec, alto saxophone. Vitja Bal alorsky, el. guitar, analog electronics & Bo tjan Simon, alto saxoph…
Do You Love Me? is an extension of Lutz Bacher's videos of the same name, in which Bacher interviews curators, artists, friends, and family about Bacher the person and Bacher the artist. Though Lutz Bacher is the starting point, the interviews often reveal more about the people being interviewed than Bacher herself. The publication takes the form of transcripts interwoven with images of Bacher's artwork from the 70s to the present as well as photos, letters, and ephemera.
On Onions is a photographic study of onions by Israeli-born artist Elad Lassry (born 1977). Characteristically highlighting the spectrum of hues and shapes for the vegetable, Lassry’s selected taxonomy includes sections on red, yellow and white onions, each of which possesses its own distinct taste and benefits. On Onions is Lassry’s first artist’s book, and the work will exist only in book form; it is at once wry, refreshing and disorienting in its biology workbook style, which makes fru…
"I would like to make a few notes and hopefully clear up a potential misunderstanding or two. Most importantly, no matter what you think about the original Tristano performances, this music is not "cool" – with feverish intensity, volcanic dynamics, explosive technique, aggressive attitudes ... there is an enormous amount of drama here, and none of it is sedate, reticent, or bloodless. Note the treacherously difficult heads on tunes like "Two Not One," "Dreams," "Lennie's Pennies," and "A…
It's been three years since Rhode Island sound artist Geoff Mullen released his last album for the Type label, but he's hardly been taking it easy in the interim. After a few small-run cassette releases and a string of dates in Europe (both solo and in the Oxtirn trio with PAN's Eli Keszler and Ashley Paul) he found some time to get stranded in the woods and craft this beguiling long-form record. A mono recording of a multi-channel installation piece, Filtered Water is probably the most unu…
All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it.
Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…
This is a long-awaited re-issue, unavailable since 2006. The duo had formed the previous year for ErstQuake in NYC and this was to be their second and, as yet, only other performance together. The breadth and depth of [the] music is totally inspiring, I absolutely love this piece of music. Total unity in sound to make a perfect piece in the moment. It doesn't get better than this! (Gordon W. Smith)
Keith Rowe and Mark Wastell. This last performance balanced the evening well. Louder, more gestura…
Leven Signs' Hemp Is Here came and went in 1985, as both a cassette release (Unlikely Records) and vinyl release (Cordelia) in the blink of an eye. The duo of Peter Karkut and Maggie Turner managed to craft one of the strangest, most affecting albums of new wave experimentalism of the era, but due to the album's impossible-to-find status, it's been largely forgotten and continuously overlooked ever since. A chance encounter with the cassette version of Hemp Is Here led Brad Rose of Digitali…
"Ryan Garbes is the drummer of Iowa City bands such as Wet Hair, Dunebuggy, Trash Dog, and formerly Raccoo-oo-oon. His recordings under his own name represent a unique brand of solo multi-track recording with a seamless integrity; through a skillful use of instrumentation and recording technique, Garbes eschews notions of low fidelity for songs reminiscent of traditional American garage rock produced in the haze of an early '90s UK aesthetic. Genuine pop songs, cloaked in a comforting was…
"1st time ever that two of the most legendary figures from the Turkish jazz scene (Okay & Ertunc) play/rec. together, so really an historic event ! classic pn trio + some more ethnic/otherworldly moments. special front cover artwork by Huseyin, who's an acclaimed painter (he designed also the old Intex front covers...), especially in his own country."Label press
Automatic Music: Volume II' is the mesmerising follow-up to John Chantler's self-released first volume, originally released in 2011, the same year as his 'The Luminous Ground' LP was charted in The Wire's annual top 50. Two extended pieces for synthesiser/organ yield contrasting results on each side. First, 'For Nuno' is the more melodic of the two, with melting, kinetic modular scree and wheezing organ motifs seemingly attempting to untangle a conundrum which only gets more perplexing across it…
CD. Ken Vandermark, tenor sax, Paal Nilssen-Love, drums, Lasse Marhaug, electronics. Recorded live November 23rd 2011 at the Vortex, London UK by Mick Ritchie. Mixed by Lasse Marhaug. Produced by Fire Room. Artwork by Naiel Ibarrola.
Now in their tenth year the band have been gathering plaudits and accumulating new fans with every release, and after playing to thousands at Supersonic Festival last year, things are accelerating at an even faster pace. As with each album release, Hey Colossus continue to mutate and for their eighth album they have enlisted the support of a new drummer, Part Chimp guitar/vox man, Tim Cedar, who has undoubtedly brought a whole new kind of energy that has reinvigorated the band. When the rhythm s…