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The debut LP from eccentric ambient-psych pair Sherri West and Taylor Clark was recorded at a self-described "mountain fortress" in California, despite the couple generally residing in Tulsa, Oklahoma. And like their disparate locations, the duo dabbles in varying forms of weirdness, from the amateurish, Deerhoof-esque racket of opener "I Am A Pony" to the dreamier blips and bleeps of songs like "Particles," which evoke a Hawaiian vacation as narrated by Rod Serling. LAVA CHILDREN strikes a uniq…
LP edition: Link Wray became the thematic soundtrack for a 2008 JACK ROSE tour with D. CHARLES SPEER & THE HELIX. Jack got so excited by the vibes emanating from these songs that he thought to break with his usual acoustic approach & enlist the Speer band to join in some unhinged & unrepentant fun in the studio. Recorded using an all live, no overdub approach, a gleaming bottle of Buffalo Trace helped shepherd them through the night. Feat. the original Helix lineup in peak form & lap steel & Ros…
These sample-based constructions incorporated sounds from free-jazz, new electronic-generated sounds, classical modernism & vintage geographical recordings. Discordant segments of wailing, top-end violins give way to clunking rhythmic passages of metal marimbas & tuned percussion; free-roaming passages of rasping, low-end bass & the shuffle of free-jazz recall the work of Prestige-era Moondog, as well as aspects of Harry Partch's instrumentation via mid- to latter-day period Tom Waits. Atonal am…
Now Voks is finally presenting his first full-length album (though only 30 minutes long this is epic in Voks' universe - both 3"CD's included 10 tracks each within 20 minutes). While keeping his trademark style of hyperactive and nervous high-pitched twisted pop songs a newborn interest in (italo-western) movie soundtracks seems to be evident. The sound of super fast surf guitars is colliding with what seems chinese opera samples, world music is combined with children's whisteling tunes. Think R…
"When witch-gods collide, it might sound something like this. Six Organs of Admittance...Richard Bishop...Chris Corsano. Riders of the apocalypse, it's them vs. us. After absorbing their über-holy dynamo, you'll be prepared to join up with these wraiths, making it all of us against...well, whomever's fool enough to stand in our way. To evil! Rangda's been building up behind the scenes for some time now. As label mates and members of an exclusive mutual admiration society, Sir Rick …
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
An excellent compilation of beautiful early 70s folk tunes from three LPs that that legendary acid-folk hippy-goddess Collie Ryan recorded in 1973, pretty much in Fahey/Basho vein
Even though Warmth main man Steev Thompson still appears to be incommunicado, totally epic recordings continue to surface. Before Roxanne Jean Polise was officially over and Steev still lived in Chicago, he joined up with another then-Chicago resident Branden Diven of Quilts/American Grizzly Records. The jams that were created filled a couple of CD-Rs and the Warmth side of the split with Quintana Roo on Not Not Fun. This LP consists of a remixed and edited version of the original CD-R ru…
"Nottingham duo Felix make their Kranky debut with this fine and idiosyncratic collection of songs. The main focus here is the vocal/piano/cello talents of Lucinda Chua, whose sparse yet quirk-loaded minimalism receives guitar and bass backing from Chris Summerlin, who's probably best known for his work in the rock band Lords. Chua's writing is quite unlike anything else currently out there; her lyrics convey strange or often very simple, domesticated ideas delivered in a pared-down, plaintive f…
for almost 10 years, the québécois collective napalm jazz gets its hands dirty with its unorthodox approaches to improv.' 'mostly activ as a duo with erick d'orion and philémon they like to get different guests like for example a_dontigny, arnaud rivière, erikm or erik minkkinen. limited to 181 copies and coproduced with notype from montréal." (label info)
Rerelease of Tochnit Aleph 034 LP from 2001 on CDR. Packaged in the original fullcolor LP Sleeve. Edition of 100 Copies. Pop are Peter Rehberg (Pita) & Zbigniew Karkowski.Data retrieved from the following Live-Actions:271097 @ Chelsea, Wien160199 @ ICC, Tokyo200199 @ Milk, Tokyo290199 @ Ufo, Tokyo200399 @ Webbar, Paris (PR)200399 @ Bunker 301, Tokyo (ZK)Edited on Twisted 2 & Subhuman Harddiscs @ Baby Studio, Wien, 200500A Product Of Power.
The title Ex Patris (from the fathers) plays on the idiomatic baroque lute compositions presented here which emulate the classical repertoire. It also refers to this almost forgotten instrument, which was passed on by the fathers. The aim is to bring back and liberate the lute. The four compositions on Ex Patris form a circular narrative of interlocking repetitive melodic series. The follow up to Important release “ It is all that is made” kicks off with the pro apocalyptic track “The Day is Com…
The product of more than a year's work, finds Caminiti shifting away from the evocation of the land elements and towards the urban- the coarseness of blood on the streets and people living in squalor juxtaposed with beautiful, fleeting moments like sun reflecting off of glass buildings into dingy puddles- to produce a dialogue where guitars float through the air weightlessly, weaving around each other like butterflies and other moments that are more solitary, monolithic excursions into the night…
Limited to 455 transparent vinyl copies, including remixes from Vatican Shadow, Roly Porter and Kangding Ray* Violetshaped is a collaboration between the enigmatic Violet Poison and Berlin-based artist Shapednoise. "Violetshaped Remixes Part 1" is the first of a remixes series divided into several parts. This first instalment features remixes from Roly Porter (formerly of Vex'd) following on from his acclaimed debut album for the Subtext label, Vatican Shadow - aka Dominick Fernow, owner …
The Slaves may well have gone and made one of the standout debuts of the year - a layered mass of ethereal vocals most reminiscent of Grouper with a brutal, doom-stricken underbelly that at turns sounds like My Bloody Valentine, Sunn O))) and Slowdive, massively recommended if you're into any of the above and available in a limited edition run of 500, with initial copies on pure white vinyl* The Portland, Oregon duo of Barbara Kinzle and Birch Cooper, aka The Slaves, operate in the void …
What mischief can be made with just cornet, vibraphone and drums. Rob Mazurek has scaled back considerably since Stars Have Shapes, the 2010 record from his Exploding Star Orchestra. His new project, the curiously named Starlicker, is a mere trio, with Chicago vibraphonist Jason Adasiewicz and Tortoise drummer John Herndon. But this group emits more sound and energy than do some sextets. Double Demon is Out to Lunch! for a new generation. Powered by Herndon’s hyperkinet…
** Private edition, only a handful available. ** Man Leaving Harbour On a Ship (In a Room) is the title of a sound installation (for record player, vinyl record, speakers, found photograph, steel wires) by Vittorio Santoro to be presented in June 2010 at La BF15 Contemporary Art Space in Lyon. For the art installation of this sound piece, side A of the LP record (titled 'Commencement') is played over and over for a whole day. The organizers will take care that the side B (titled 'Conclusion') is…
Red Planet establishes Arborea's complex synthesis of acoustic folk and minimalist drone right out of the gate. From the opening motif of the acoustic guitar lament "The Fossil Sea", Red Planet conjures a panoramic aura, like a lost outtake from Ry Cooder's Paris, Texas soundtrack. As that echoes its way into "Black is the Colour", an eerie and utterly transcendent take on the traditional tune, it becomes mesmerizingly clear how the soft confluence of texture, sound and style meld to create the …
Max goldt always knew how to take the rope off the german neck by using our language in a light and ironical way. however, before he became a national celebrity for his poetic satirical writings, he had produced a vast amount of home recording pieces whose quirky complexity and uber-earthly beauty has hardly been recorgnized and appreciated until today. after some years of silence, mr goldt - who never gives any interviews - has handed out a bunch of audio tape tracks to the soul scratchers of g…
Recorded live in June of this year at PIANO.LT in Vilnius, Lithuania, this new limited edition LP on the NoBusiness label will surely please the fans of Charles Gayle, who has now completely switched to alto. Dominic Duval plays bass and Arkadijus Gotesmanas drums, the latter one having taken the initiative for this session that is dedicated to the late Rashied Ali with whom Gayle performed a lot."Hearts Cry", the long first piece has Gayle on alto, playing quite intensely around a limited tonal…