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On 'Gramercy', we find clarinet abuser Gareth Davis (who might be best known for collaborations with Machinefabriek and Steven R. Smith) paired with virtuoso cellist Frances-Marie Uitti. Uitti is widely revered for her unusual and original twin bow technique, which allows her to eke out far more sounds from the humble cello that you might initially expect. These sweeps and drones are matched perfectly with Davis's patented haunted drones and breathy chokes resulting in a deftly academic yet unne…
Norway's Smalltown Supersound label is just one of those imprints that you have to keep an eye on, because if not you're sure to miss out on some nugget of psyched avant-metal or North European disco that you'll be kicking yourself over neglecting in 10 years time. 'Smalltown Supersound On Fire' is a very handy and rather essential compendium of forthcoming releases on the label, including tracks from Arp, Meanderthals, Diskjokke and Tussle alongside remixes from the likes of Prins Thomas and Bj…
Few critics in their right minds would hail Colorado as a hotbed of early punk rock, but the vigor of our state’s late-’70s punk and new wave scene should not be forgotten. Joseph Pope and Dalton Lawrence Rasmussen give it a proper salute with “Rocky Mountain Low,” an exhaustive, lovingly assembled compilation on CD and double LP. Like countless music scenes of the time, we had our own versions of the Stooges, the Velvet Underground, Buzzcocks, X-Ray Spex and others. And while locals like the He…
What's in a name? Good question. On first glance, Deutsche Elektronische Musik gives the impression that the pieces for Soul Jazz's new collection were selected for how they later fed into house and techno. But then there's that subtitle—"Experimental German Rock and Electronic Music 1972-83"—one which gently reminds listeners that much of the most fertile music from Germany in the '70s wasn't electronic at all. So why not Krautrock? Well, that doesn't quite work either: A title like that…
A mammoth, fifty-person enterprise featuring the cream of the early-seventies jazz-rock brigade, Centipede's 1971 album 'Septober Energy' proved to be an exercise in both gargantuan excess and instrumental brilliance. Naturally, opinions on the release are divided. The line-up is far too numerous to list here, though it did include the likes of Soft Machine alumni Marc Charig(cornet), Elton Dean (sax), Roy Babbington(bass), Robert Wyatt (drums), Nick Evans(trombone), John Marshall(drums,…
Fuck Nostalgia. Live the truth. Truth is feeling, Truth is sound, Truth is motion. I am believing. I am seeing. I am moving. TRUTH IS FOREVER. Meet The Presley/ White Fence Truth Serum. Imagine if you will, that your uncle frank, aunt jane and cousing ricky all made out with George Harrison at the same time and felt good about it. Thats what the family perfume smells like. Like the real shit. This aint your regular mutton chop rock. This is freak your fucking mom out cause she caught you n…
The Octopus Project as a performance piece meant to bring the audience into a world of total sound and image submersion, Hexadecagon is now an album. The special vinyl version of the album is a bit complicated, so I’ll let the band explain: “The vinyl is a gatefold double LP spanning three sides. The fourth contains several unique tracks unavailable on any other format, interlaced in concentric spiraling “roulette grooves,” so that the listener never knows which track they’ll get when they pu…
Finally the fifth KTL studio album is ready for release. Whereas their previous album IV (EMEGO 089CD) was recorded and made in a relatively short period in a more traditional rock environment, V turns full circle, takes its time and tackles the complex working processes of the European avant-garde. Rooting themselves in such legendary electronic music studios such as EMS in Stockholm and GRM in Paris, Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.) have delivered …
Debut vinyl by this post-Anschluss project. Basement experimental sound & collage recordings from Amherst, first released in about '93 or so. Tapes, keyboards, synthesizers, harp, piano, percussion, etc.
Barbara Manning and S. Glass lead a small army of guest readers and musicians through barely musical versions of tunes, texts, and tracts. A survey of the exceptional, the eccentric, the feverish, and the pathologically peculiar within popular religious faith, to paraphrase William James, made by others, communicated by tradition, determined to fixed forms by imitation, and retained by habit. 70+ minutes of music fragments leached of melody and harmony, looped, hacked, noisified and depas…
Dustin Wong's second LP Dreams Say, View, Create, Shadow Leads, is a departure from Dustin's previous methods but more closely a distillation of his live show into recorded form. The pieces are so intricate and detailed that we've asked Dustin to explain his process and he happily obliges us: "When I begin to explore and to build a song through a series of pedals, I begin with the tuner. It helps keep my guitar's pitch consistent. An octave pedal and the distortion pedals allows me to …
More archival works from Jim O'Rourke see the light of day on Old News #8. Recorded in 1991-1992. Originally released as part of Disengage by Staalplaat. Special thanks to Geert-Jan Hobijn and Frans de Waard for their years of support. Jeff Cortazzo (trombone), Sue Wolf (cello), Michael Prime (shortwave), Geoff Fontaine (voice), Gretchen Wells, Matt Guerierri, Scott Shell. "Merely" recorded live at DePaul University, 1991 -- Carrie Biolo (percussion). Remastered in 2012, Steamroom Tokyo. This on…
"Recorded in April of 2008, Weight/Counterweight, the new release by Bill Dixon marks his return to small group playing, his first trio since the Dixon/Taylor/Oxley Victoriaville recording. The group, assembled by Hall at Dixon's suggestion, marks a new direction in Dixon's instrumentation with no untreated trumpet whatsoever and a barrage on pitched and unpitched concert percussion creating landmark skeletal architecture which Dixon pushes out from into unmediated solos of gravity and we…
The Nihilist Spasm Band (John B. Boyle, John Clement, Bill Exley, Murray Favro, Art Pratten, Aya Onishi) + Sun Plexus 2 (Laurent Berger, Sébastien Borgo, Rémy Bux). Limited edition of 300.
While Grail’s studio records are expertly crafted affairs, full of expert production and cinematic flair, but the Black Tar Prophecies series has been the set of songs which has brought Grails to the forefront of the instrumental scene. Lo-fi and bared back, it gives the band a place to experiment outside of the norm. Volume 4 of the Black Tar Prophecies series utterly drips in dark atmosphere; opener I Want A New Drug starts with a tape recording which slowly descends into warbling, becom…
"David Daniell and Douglas McCombs's first collaborative LP, Sycamore (THR 216CD/LP), was assembled from seven hours of in-studio improvisations. Daniell and McCombs sifted through the material looking for their favorite moments, then combined, cross faded, mixed, and matched those moments into something that made sense to them as a long player. For their new release, the double LP Versions, they gave the same seven hours of material to noted recording engineer and producer Bundy K. Brown…
Whereas previous works by Mika Vainio have utilised guitar Life (… It Eats You Up) is the first to use the instrument as its primary sound source. A fascinating, sometimes disturbing and deeply personal work this new 10 track set bears all the hallmarks (exacting attention to detail of tone, rhythm and texture) of Vainio's previous works with some stunning surprises, such as his cover version of The Stooges' 'Open Up and Bleed'.Tracks such as ‘Mining’ hark bark to the banging beat exces…
Goodiepal or Gæoudjiparl van den Dobbelsteen, whose real name is Parl Kristian Bjørn Vester, is a controversial Danish/Faroese musician and composer. The eccentric and self-made Goodiepal has influenced the course of modern music through radical excursions into computer technology and media art. Until recently he has been employed as a teacher at DIEM (Danish Institute for Electro-acoustic Music) at the Royal Academy of Music in Aarhus, Denmark. Goodiepal declared intellectual war against …
LP version. “This is his second album for Touch, after the highly acclaimed “Englabörn” [Touch # TO:52], about which The Wire said: “...expressive leitmotifs that unveil a profound sadness without ever wallowing in pathos” and Boomkat called it “a work of rare beauty and ... a rare jewel.” “Virthulegu forsetar” contains one hour-long piece for 11 brass players, percussion, electronics, organs and piano. The piece had its live debut in Hallgrimskirkja, a large church in Reykjavik and the city’s t…
Limited edition, audiophile pressing, with original spiral bound 1970 calendar w/ photoLive Peace in Toronto 1969 is a 1969 live album recorded by John Lennon and Yoko Ono, as the Plastic Ono Band, at the Toronto Rock and Roll Revival festival. Lennon after being asked by local promoter John Brower if he and Yoko would accept an invitation to emcee the show on short notice instead decided to make his post Beatle debut at this festival. Featuring Eric Clapton on guitar (fresh from the breakup of …