New Arrivals
Vain
All analog - no computers or instrument overdubs - The prodigal return of Venezuelan artist Carlos Giffoni to the avant-electronic music scene he was instrumental in shaping with the seminal, hybridising No Fun Fest and No Fun Productions label, which was home to debut releases by Oneohtrix Point Never, and classics from Haswell and Prurient during the late ‘00s to early part of this decade. If yr into 0PN or Keith Fullerton Whitman, this album f u c k i n g r u l e sCarlos’ first new release i…
Face Time
Face Time is the second release from the trio of Oren Ambarchi, Kassel Jaeger, and James Rushford, following on from their 2016 debut Pale Calling (BT 020LP). Recorded at the GRM studios in Paris in June 2017, the record immediately returns to the idiosyncratic sound-world of the trio's first release, a simmering stew of electronic smears, pitched-down animal moans, and mysteriously emotive microtonal organ chords. But before long the record takes an unexpected turn, as sounds that initially ent…
Live At Dreamland
sold out at source, Edition of 150. Cover art Bill Nace. Paste on covers screened by Alan Sherry. Mastered by Mark Alan Miller. Recorded live by Tim Barnes. Twig Harper--electronics, voice. Bill Nace--electric guitar, voice. .
Alien Encrypted Message
Proper lysergic melters from Bear Bones, Lay Low on No ‘Label’ - a sometime home to Jamal Moss, Torn Hawk, Morgan Buckley, among many othersPushing the label’s boundaries for psychotomimetic behaviour, Atlantean Encrypted Message bubbles up from a place usually only visited in the throes of a full blown acid trip. On the A-side, the Belgian artist Ernesto González Rondón tilts in steeply with the warped wormhole of the EP’s title track perhaps meant as gateway as much as a test of the listener’s…
Canaxis 5
Exact LP repro edition. A few months after the foundation of Can, Holger Czukay recorded his first solo album ‘Canaxis’, in conjunction with producer/engineer Rolf Dammers, this album was assembled from thousands of snippets recorded from short wave radio, a long standing obsession of Czukay's which he also incorporated into some of Can's later albums. A refugee during the Second World War, Holger Czukay famously studied with Karlheinz Stockhausen in the early ‘60s. That direct exposure to the c…
Il Etait Une Fois Le Diable (Aka Devil Story) LP
**Limited edition of 500 coloured LP** « It's stressfull! It's shocking! It's everything a disturbed mind can imagine! » A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directe…
Soundtracks - 3° Collection / 4 LPs in bundle
All the four new Spettro groundbreaking Soundtrack LPs in bundle!
Pur En Finir Avec Le Jugement De Dieu
Fantôme Phonographique present a reissue of Pur En Finir Avec Le Jugement De Dieu by Antonin Artaud. Antonin Artaud was a French poet, dramatist, and director and one of the most important figures in 20th century European theater, and especially the avant-garde. His piece "Pour En Finir Avec Le Jugement De Dieu" was recorded in 1947 to be aired on French radio. But the project was shelved not only for its scatological, anti-American, anti-religious content, but also for its avant-garde sound, wi…
Failed Celestial Creatures
Empty Editions is pleased to present Failed Celestial Creatures, the unanticipated debut collaboration between composer and writer David Grubbs and musician and sound engineer Taku Unami. Recorded at the Kyoto underground performance space Soto, the album takes inspiration from a reading list which Grubbs refers to as something like an “assignment” exchanged in emails between the two artists before the recording sessions.Primarily recorded in Kyoto, the album takes inspiration from the duo’s sha…
Struggle Artist
Shelter Press continue to pull us deeper into their uniquely curated soundworld on this exceptional new album from prolific composer and synth builder Justin C. Meyers, an artist who has had a cult following in the US underground noise and electronic scene for many years. This new album is a staggering collection of complex but gradually immersive modular compositions; a jittery, fragile thing that attempts to catalogue the precarious life of an artist with all the despondancy and joy that can e…
The Unstruck Sound Centre
Edition of 250 copies. "Premiere loop-age and analogue slurping from Brighton’s F.Ampism. Put simply this record is a jitterbug in a bubbling pond, coz this collection of nine fine sound pieces are all about fluid movement and itchy digit fidgets. Songs like ‘The Loosest Caduceus’ ripple like time waves, setting off yeasty fireworks behind my eyes. ‘Sand/Blood/Glass’ becomes a relic from my formication nightmare. And ‘Absolute Beyond Ill’ drives gravity back into a wood-lined barrel. Oh yeah Amp…
Live Blood
**warehouse find, last copies, originally this LP was available only as a part of 4LP boxet Musick For Liberation And Ecstasy** and unavailable as stand alone release** Formed in Japan after the collapse of the noisy, SPK-ish White Hospital — the other half of which, Jun Konagaya, went on to continue as Grim — Vasilisk consisted of Tomo Kuwabara and Yukio Nagoshi, with other members (including longtime fixture of the Japanese underground, drummer Tatsuya Yoshida) joining in from time to time. L…
Movements
A seminal album from Johnny Harris – the David Axelrod of the UK! Like David, Johnny worked heavily at the end of the 60s and early 70s – blending funk and jazz influences with older styles of soundtrack and instrumental work, coming up with a sublime style that was never duplicated, and barely understood at the time of release. (That's one reason why this album's lain under-appreciated for years – and why we're so happy to have it back again now!) Movements is a brilliant suite of tra…
Gönül Baglarinda
Orhan Gencebay-Gönül Bağlarında Türküola continues to recreate its tradition with its new vinyl reissues that has been a great catalogue already. Orhan Gencebay’s LP called Gönül Bağlarında is not a reissue but an album that displays the early years of Gencebay that were not previously presented in an album form before. The songs were generally released on Türkofon and Topkapı singles between 1968-1970. Some of them reflect the folkloric period of Gencebay while others give us a retrospective of…
A Page To A Corner (Ep)
**Edition of 200** The unfathomable quantity of Pan Daijing meets Werner Dafeldecker’s mercurial sound art on this surprise, limited edition 7" pressing.
Leading on from her heavily arresting Lack album for the PAN label, A Page To A Corner is Daijing's first collaborative release. The title track is a lethargically hypnagogic thing, with Daijing lamenting an unseen force, bound into a mesh of monotone drones and keening strings to ultimately quease-inducing effect.
On the B-side, Daughters…
Sterile Hand
Juan Mendez, aka Silent Servant, finds his ideal EBM vocal foil in Ori Ofir under their Sterile Hand moniker. The duo's first vinyl round for Not Waving's Ecstatic label is a dark and sleazy run of deviant industrial techno and pugilistic EBM cuts made over the last year. Following Silent Servant's killer split 12" with Not Waving and Pye Corner Audio in 2017, and two fierce 12"s with Marcel Dettmann and Phase Fatale in 2018, the L.A.-based artist behind Sandwell District and Jealous God is a…
Kantamoinen
Kantamoinen is perhaps the most intimately beautiful yet little known LP in MIka Vainio's Ø canon, bridging the gap between his classic ‘90s minimal techno productions - compiled in the vital Metri and Olento collections - and the project’s subsequent turn to more ambient, kosmic and dub wise dimensions in the coolly brilliant Oleva and Konstellaatio albums.
Upon original release it was an immediate favourite of ours - a go-to disc for hazy daydreaming and post-club head salvage alike, dr…
Deproduction EP2
Presenting vinyl versions of the bonus reworks to his 43 minute Deproduction album track Admit It’s Killing You (And Leave), the A-side includes Terre Thaemliz's haunting 14 minute Piano Solo, where he drops the unsettling backdrop of samples to leave the keys suspended in reflective space, reverberating in plangent overtones which take on a starker effect if you care to play it at 33rpm.
The B-side is Sprinkles’ uncanny, brilliant Dead End house mix, a more percussive adjunct to the House A…
Yellow / Ivory / Rust
Will Long X DJ Sprinkles’ journey to the heart of deep house culminates in the third and final volume in a series of three, offering the broadest yet most subtle, spine-tingling session of the lot, presenting the former’s raw and ‘floor-ready originals backed by the latter’s inimitably sumptuous overdubs... Will Long X DJ Sprinkles' journey to the heart of deep house culminates in the third and final volume in a series of three, offering the broadest yet most subtle, spine-tingling session of …
Mint / Clay
Second in a series of three releases, a 45 Minute doublepack featuring some of the most engrossing House music you’ll likely hear this year or any other... You may still be dazed from the first volume (C 026-1EP), but Will Long and DJ Sprinkles have already cued up their second session, with Mint / Clay landing on Terre Thaemlitz's Comatonse Recordings. The format and aesthetic remains the same as Purple / Blue, namely two raw pieces by Will Long, backed with overdubs by Sprinkles, amounting to …