New Arrivals
Assume Intimacy
Shattered, I began to turn to the core. The swirling ease that is shedding its skin to remember me; In my deepest, I always assumed the intimate. Dawning in me gently and unaltered I can feel you, you unnamed. Inward, my beloved—are you the world? Can you touch me with your quiet?
Me, looking through you; you, nesting in me.
Naturally, you place your melody in the shell of my ear. Ever listening, I find myself playing the strings of your instrument that bodies my imagination.
Come closer, my …
Text-Sound Compositions
On Text-Sound Compositions, Sten Hanson distils his radical vocal practice into a suite of works where language is shredded, stretched and reassembled. Breath, syllable and tape splice replace melody, turning the voice into an instrument of pure sonic and political pressure.
Ite, Missa Est (Computer Music)
On Ite, Missa Est, Tamás Ungváry turns computer music into a spiritual pressure chamber: gliding spectra, organ remnants and razor‑edged noise collide in a twelve‑minute ritual where Catholic dismissal becomes a launch command into pure, disembodied sound.
Electronic Music
On Electronic Music, Pär Lindgren turns the studio into a charged, architectural space: three acerbic, abstract works where voltage, noise and spectral residue are shaped into disorienting landscapes with no obvious landmarks, only shifting fields of tension.
Swedish Contemporary Music
Swedish Contemporary Music on Fylkingen Records captures a snapshot of Sweden’s postwar avant‑garde: electroacoustic experiments, new chamber works and text‑sound pieces shaped at the nexus of Fylkingen, EMS and the ISCM, where technology and radical composition meet.
Light
On Light, Palle Mikkelborg condenses a lifetime of orchestral colour into a quietly radiant final opus: solo trumpet, flugelhorn and piano drift through self‑designed soundscapes, joined sparingly by harp and guitar, like hymns remembered in slow motion.
Autobahn
**2025 Stock. 180g translucent blue vinyl, Includes full-size 12-page booklet and picture inner sleeve.** The fourth studio album by the German electronic band. It was the band's first album to fully embrace the repetitive electronic sound they would become known for, although organic instruments still remained part of their sonic palette, and was inspired by the titular German highway system."Though they'd recorded three previous albums, Kraftwerk's modern pop legacy starts with the sounds of a…
Tour de France
**2025 Stock. 180g One Translucent Red and one Blue Vinyls, Includes picture inner sleeves and a full-size (12") 20-page booklet with lyrics/text. ** Released in 2003 as Tour de France Soundtracks and later remastered simply as Tour de France, this eleventh studio album by Kraftwerk takes their long-standing fascination with movement and technology and applies it to one of their great offstage obsessions: road cycling. Conceived to mark the centenary of the Tour de France, it arrived seventeen y…
Die Mensch-Maschine
**2025 Stock. 180g Translucent Red Vinyl, German version ** Released in 1978, Die Mensch-Maschine (issued internationally as The Man-Machine) is Kraftwerk’s seventh studio album and the moment their cool, mechanised aesthetic snaps into its most iconic form. Built around the idea of humans and machines merging into a single functional organism, the record imagines the band as a kind of in-house design team for a coming cyborg society: four immaculately dressed figures fronting a music that is al…
Computer World
**2025 Stock. 180g translucent yellow vinyl ** Released in May 1981, Computer World (Computerwelt in the German edition) is the eighth studio album by Kraftwerk and the point where their fascination with technology locks directly onto the coming age of personal computing. Conceived as a concept album about the rise of computers in everyday life, it cycles through themes of data networks, digital communication, electronic banking and social control with an almost childlike lyrical simplicity that…
A Run Through The Forest
*100 copies limited edition* Ryggen Fri Records, the vinyl powerhouse from Gothenburg, Sweden, is thrilled to unveil the pre-order for A Run Through The Forest by Jukka Rintamäki – a limited edition white 180-gram vinyl pressing that's set to vanish as quickly as mist in the morning woods.
This captivating album plunges listeners into an immersive sonic landscape, where brooding atmospheres collide with raw, emotive composition work and haunting melodies. Jukka Rintamäki is known for his intrica…
Massimo Pupillo / Rouilleux
*30 copies limited edition* Acclaimed guitarist Massimo Pupillo (Zu) and visionary French multi-instrumentalist Rouilleux join forces on Echoes of Rust, a blistering new album that redefines the boundaries of experimental rock.
Pupillo, renowned for his seismic riffs and genre-defying work with Italian noise titans Zu and projects like Microfiche, teams up with Rouilleux – the enigmatic force behind blistering acts like Le Son Du Froid and his solo noise odysseys. Together, they forge a soundsc…
Takla Makan
Sai Yoshiko (佐井好子) - one of Japan's most legendary and enigmatic singers - made her debut in 1975 with Mangekyou, an album of superbly crafted songs and crystal-clear vocals over Yuji Ohno's lush, funky arrangements. Three more masterpieces followed in rapid succession: Mikkou (1976), Taiji no Yume (1977), and Chou no Sumu Heya (1978). Her melancholic, poetic lyrics drew from the gothic imagination of Japanese novelists like Ranpo Edogawa, Mushitaro Oguri, and Yumeno Kyusaku - dark fairy tales s…
Chou no Sumu Heya
The room where butterflies live. A place between worlds. Enter at your own risk - you may not find your way back out. Sai Yoshiko's fourth and final album of the 1970s stands as one of the most singular documents in Japanese music - a jazz-inflected fever dream that marked the end of an era. Originally released in 1978 on Columbia (LX-7058-A), Chou no Sumu Heya represented a dramatic departure from her earlier psychedelic folk explorations. Here was something else entirely: a surreal and dynamic…
Forever
It's been a long ride to Forever - but now that they've arrived, the vibe's lightning and the blink of an eye. Glyders have been dreaming up this sound for over a decade. Joshua Condon and Eliza Weber founded the band in Chicago back in 2014, building a reputation through countless shows, late nights at the tape machine, and a revolving door of drummers that never quite clicked. They self-released EPs (DIM, Lend a Hand) and in 2023 delivered their debut full-length, the acclaimed Maria's Hunt - …
Radio Lusaka
Includes deluxe 12-page booklet with unpublished photos, lyrics, translations, and liner notes written by NTS radio host Jamal Khadar. Before there was a Zambia, there was Alick Nkhata. Born in Kasama in 1922 to a Tonga father and Bemba mother, Nkhata would become the voice of a nation that did not yet exist - and help sing it into being. Vocalist, guitarist, bandleader, broadcaster, archivist, freedom fighter: he moved between these roles as effortlessly as he moved between lonesome country sli…
Maggots On The Cliffside
Two names. Four decades of uncompromising noise. One collision. Genocide Organ - the masked Mannheim collective who have defined the outer limits of power electronics since 1985, founders of the legendary Tesco Organisation, architects of Leichenlinie and Save Our Slaves - meet Prurient, the Wisconsin-born, New York-forged vessel of Dominick Fernow, the man who built Hospital Productions from a teenager's bedroom label into the most influential noise imprint of the 21st century.
This is not thei…
LA Dusseldorf
Gatefold cover, blue vinyl. Düsseldorf. Düsseldorf. Düsseldorf. Düsseldorf. The mantra repeats for thirteen minutes, hypnotic as a highway journey, ecstatic as a stadium anthem. It's 1976 and Klaus Dinger - the drummer who invented the motorik beat, the man who alongside Michael Rother created Neu! and redefined the very concept of rhythm in rock - has a new machine to drive. He's christened it with the name of his hometown on the Rhine. And the first record he makes with this new formation is c…
The Madcap Laughs
On The Madcap Laughs, Syd Barrett turns his post-Floyd fracture into a stark, lopsided songbook: blues shuffles, nursery-rhyme mantras and bare confessions recorded as if they might evaporate mid-take. The result is intimate, unsettling and enduringly luminous.
Opel
On Opel, Syd Barrett’s lost songs and alternate takes surface like fragments from a parallel 1968–70, exposing the raw circuitry behind The Madcap Laughs and Barrett. What was once fan lore becomes a fragile, disorienting self‑portrait in real time.