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We're thrilled to announce the next release available from OTOroku! Recorded in October 2011 - 'Spontaneous Combustion' splits the second set of the first night of Decoy's two day residency with special guest Joe McPhee across two sides of heavyweight virgin vinyl with two colour artwork by Oliver Pitt.'a show that surpassed all expectations to become one of the very best things I've seen this year.'The Liminal Alexander Hawkins, hammond B3. John Edwards, double bass. Steve Noble, drums. Joe M…
D. Charles Speer, aka Dave Shuford, is a founding member of both Rhyton and No Neck Blues Band, and also known for his work with Enos Slaughter, The Suntanama, Egypt Is The Magick #, and Coach Fingers. On ‘Doubled Exposure’ The Helix take their loose and free country rock boogie and enhance it with the blistering psych Speer explores in Rhyton, and the traditional Greek melodies delved into on the Speer solo album, ‘Arghiledes’. ‘Doubled Exposure’ was recorded by Jason Meagher at the increasingl…
Recordings of a stand-out gig at Doornroosje in Nijmegen (NL). By 1982 De Brassers had been playing in almost every small public space or squad in the area and logically they had gathered a cult following. Sporadicly they also performed in The Netherlands. Doornroosje was / is the club where underground music groups performed before they became well-known, especially the 80s were an interesting period with Joy Division, Nick Cave and many local punk / new wave bands hitting the stage. Here we fi…
'Shopping features the title track in two versions (Vocal and Lo Cal'), The Crunch, plus a formidable remix by Shelley Parker (second part of the audio sample), whose Structure imprint will shortly be releasing more excellent work by Filter Feeder, amongst others. Played, recorded and processed by Julian Doyle (acoustic and synthetic percussion, analogue drum modules, turntables, digital samples and delays). Mastered by Jason Ward at Chicago Mastering Service. See also Filter Feeder (E8), Filter…
Three guys in South Africa obsessed with Can, Red Crayola, Pere Ubu & like sounds, a disdain toward apartheid, & the means to record themselves make one fantastic 200+ press LP in 1981 which disappears in obscurity. S.S. Records gives it a second life. Underground DIY classic which belongs on the NWW list (if they only knew about its existence!). 330 pressed.
After ten years from the date of its recording (2003), this surreal jam between kaleidoscopic Stuttgart's collective Metabolismus and evergreen American improviser Eugene Chadbourne, is finally turning into a wax. You'll have the cheerful feeling of listening to Sun Ra jamming with Stockhausen while together on a trip to Stonedland! What's on this record is basically high lysergic psychedelia meeting crazy free jazz, with some spared funky grooves and fragmented tapes manipulations. You'll be…
When does modern composition become drone?  When the original elements are sunk into a sea of strings, brass and electronics, as they are on this evocative split release.  Each of the artists composes, but in a modern fashion, either by manipulating source elements or by rearranging them to make a different sort of sense.  Both pieces are based on recordings of the Antonio Lomatto choir, conducted by Davide Mainetti.  The phantoms of these recordings remain, spectral yet in…
2010 release. Beautifully presented three-track 12" from Jamal Moss in his enigmatic Hieroglyphic Being guise, presented in a run of 500 copies on London's excellent Alter label - who're responsible for that OPN/Tomuttontu split 7" some months back. Jamal's unique and impregnable style is in full flow on the 12-minute A-side 'Sphere Of Madness', divining wandering, astral synthlines and frothing machine rhythms, all equally informed by vintage Chi-House, Industrial and New Age memes but entirely…
Kouhei Matsunaga's 'Dance Classics Vol.III' is the continuation of his ongoing development of his more dance oriented material, as seen from his sets with Sensational and also his other minimal techno project NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, and however that isn't to say that he is dance per se as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or alt…
Important collection of recordings documenting and preserving "fringe" or under-represented folk cultures and voices from a unique region at the crossroads of Europe and Asia. It spans a diverse cross-section of music by Armenians, Azerbaijanis, Georgians, Chechens and many other ethnicities which fall outside their country's definition of national folk music - Azeris from Georgia, Kurds from Tbilisi, Avars and Lezgis from Azerbaijan, or Molokans in the South Caucasus - giving room for al…
The meeting of composer Arnold Dreyblatt and psych-folk trio Megafaun shouldn’t be seen as unlikely just because it’s cross-generational, or even (arguably) cross-genre. Such categorizations have to be set aside before taking in their Appalachian Excitation. Born in New York in 1953, Dreyblatt came up under such lauded experimental groundbreakers as Alvin Lucier, Pauline Oliveros and La Monte Young, obtaining a Master’s degree in composition from Wesleyan University. Now based in Berlin, where h…
Awesome brand new LP that marks the band’s first full length album foray in to the exploration of duo improvisation. Recorded over an extended period of time, in a secret midtown Manhattan location high above the city streets, this is their first record devoted entirely to duo improvisations. The LP also features striking silkscreen cover art by Yoko Tack.Since their late-1990s inception, White Out - as comprised by multi-instrumentalist Lin Culbertson and drummer Tom Surgal - have been one of t…
N. is loyal to the most obscure and malevolence side of Power Electronics sounds and concepts. Closed in a total nothingness and nihilism, N. creates minimal violent sound texture to express his exasperated no-sense of existence. N. is the genial work of an autistic mind, closed to the rest of living beings… His first tape (self-titled) debut on the legendary Slaughter Productions in 1997. Tracks remastered from the original tape and the record has been pressed on 140 gr black vinyl with black l…
A rarity, while not being in higher atmospheres of any kind, the film "Kodomo Ga Mushi No Shigai Wo Umeni Iku" aka "A Child Goes Burying Dead Insects" forced up a third sleep state, third dream state and third reality check.., wishing the colours were really the colours one would see everywhere, instead of the disgusting digital prints or pixelated madness that get shoved up our body holes! It makes me wonder if I am really here right now or if I had seen the film before 2009 which is not …
Now in their tenth year the band have been gathering plaudits and accumulating new fans with every release, and after playing to thousands at Supersonic Festival last year, things are accelerating at an even faster pace. As with each album release, Hey Colossus continue to mutate and for their eighth album they have enlisted the support of a new drummer, Part Chimp guitar/vox man, Tim Cedar, who has undoubtedly brought a whole new kind of energy that has reinvigorated the band. When the rhythm s…
Opportunities for introspection have come few and far between for Canadian-born, New York City-based cellist Julia Kent. After coming to prominence as a member of the cello-driven group Rasputina in the ‘90s, she went on to arrange and play on numerous recordings and tour extensively as a member of Antony and the Johnsons, among other projects.The opportunity to explore her own emotional and creative world came with her solo LPs, Delay (2007) and Green and Grey (2011), and it is something she ap…
Elsewhere, ‘The Love Didn't Go Anywhere’ sees Leafcutter John play guitar on a beautifully loping piece that has the subtle afterglow of classic Roxy Music, with Bryan Ferry’s vocal replaced by the rapier glide of the two reeds, while Tom Herbert’s hefty double bass pounds out concise but penetrating lines. Interestingly, prior to the sessions, Rochford listened to a lot of ‘60s soul (“Aretha and Marvin Gaye”), an influence that he has channelled with more guile than is immediately discernible. …
A new 7" from Sissy Spacek on Wendy. If you have asked yourself this you know how this new vinyl sounds.Short crazy blast of terror, insane fast drums, screaming vocals, feedback and shards of noise. Play it loud. Play it at 45rpm. Flip side. Do it again. This time SS are John and Charlie. Essential lineup.
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
Novaya Zemlya (lit. "New Land"), also known in Dutch as "Nova Zembla" and in Norwegian as "Gåselandet" (lit. the "Goose Land"), is an archipelago in the Arctic Ocean in the north of Russia and the extreme northeast of Europe, the easternmost point of Europe, lying at Cape Flissingsky on the northern island. The artwork, by Jon Wozencroft, includes an essay by Thierry Charollais, "Thomas Köner's Novaya Zemlya: towards a metaphysical geography"... Of course we find the unique Köneresque glow…