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On P.A./Hard Love, New York-based composer and conceptual sound artist Marina Rosenfeld generates an esoteric universe of radical sonic collisions. Developed initially in 2009, the album draws its roots following a series of idiosyncratic quasi-sculptural sound-system installations Rosenfeld installed in various disused and monumental sites including New York's Park Avenue Armory and Liverpool's Renshaw Hall car park. The music she composed for these installations was heterogeneous, reposit…
I've been in touch with Ian MIDDLETON for over 13 years now, lured into contact by a remora lathe-cut lp, I believe, which sounded similar in intent to ifco material that karla and I were working on at the time. IanIan's music has always had both organic and artificial elements combined with the vague melancholy of distant beauty. With Aural spaces, Ian has refined and distilled his processes into a gorgeous electronic diamond. To quote my good friend oskar spee, 'Aural spaces is an exotic, scie…
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…
Alpen Ocean is the final recording of Carole Kojo (Swiss) and Hitoshi Kojo (Japanese) that they left behind as Jüppala Kääpiö, whilst resident in Switzerland. The sound sources are rather familiar instruments and materials for us such as voices, handmade instruments, viola, organic materials and field recordings. However, the style has evolved to a hybrid of our early style: an intense harmonic drone music that has appeared in RAINBOW MASK, and another phase which might be termed as a cosmopolit…
Landform Erosion In the sequence of the debut album Landform, Fujako releases Landform Erosion, into the cosmic wilderness of haunted grounds and landscapes. The telluric evocation of the underworld through bass and echo involves this time a new set of collaborations, a group of producers were invited to remix sound coming from the previous Landform. REMIXERS | SPECTRE explorer into the realm of low frequency manipulation, TZII Brussels based musician and video artist, the second half of …
Zola Jesus didn't need to clean up to stand apart from the lo-fi horde-- they already had Nika Danilova's voice, which tends to cut through a track and leave an indelible impression no matter how it's recorded. Whether it's wordless yowling, an extended cover of "Somebody to Love", or something as disarming as The Spoils' "Clay Bodies", her singing has a way of sticking in your memory. Even so, the Stridulum EP represents a large stride forward, not just in production quality, but in the …
Decades before the advent of 'world music', bassist-composer Ahmed Abdul-Malik introduced Arabic music into jazz, creating a distinct, unique sound that was far beyond its time. Best known in jazz circles for his solid work with Randy Weston and Thelonious Monk, Abdul-Malik, who is of Sudanese descent, was also the first to use the oud, a pear-shaped, traditional Middle Eastern stringed instrument similar to a lute, as a jazz instrument. Recorded in 1958, with tenor saxophonist Johnny Gri…
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
With each successive release, MV & EE strive to map new territory and to travel more distant orbits. It makes sense that this mission is their furthest reaching yet. While they've long been comfortable navigating the same planes as such cosmic explorers as Sun Ra and Alan Silva, Fuzzweed sees them planting their freak flag in the sorts of different galaxies where the atmospheres counterpoint the music of the spheres with the more earthbound plaints of the blues. Please remember that The …
"Swathed in hundreds of miles of snaking hinterland, the northwestern Indian state of Rajasthan is a giant canvas for the imagination of the wanderers it gives home to. Through the stark reaches of the vast Thar Desert, Rajasthan shares borders as well as bloodlines with the Pakistani provinces of Sindh and Punjab to the west and the Indian state of Gujarat to the south. The state's rough history and harsh environment is heavily reflected in the Rajasthani people and Marwari tribal culture; cent…
Double LP edition. Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba H…
"Rainbow Mask" is a 12" record which contains a long piece on each side. The sound was originally taken from our first session in Geneva in Autumn 2006.Hitoshi processed Carole's viola and voice thorough various effectors in realtime. And we kept playing until the studio space was totally filled with our harmony and noises.Although the sound was quite rough, the experience in the space was strong enough to impress ourselves.("Lunastus" in "Sporing Promenade" is also taken from a part of the sess…
special artist multiple signed edition, limited to 150 copies, this is a collaborative record by swiss artists Marc Zeier (G*Park), Luigi Archetti, and Ian Anull. Released for their Exhibition 'Made in China' at Hans-Trudel-Haus, Baden, Switzerland, April-May 2009. The music consists of (manupulations of) recordings the three artist made during their travel to China in 2008. Traditional instruments and field-recordings with electro-acoustic treatment.
Their cat may well be all too alien but there's quite an earthly feel to this epic voyage of a record from the brothers Maurizio and Roberto Opalio. It feels like you are slowly drifting through different continents perched on a floating glass-domed steel barge, observing the strangely contrasting cultures go about their business, seemingly unaware they are being watched. Though there are certain sounds contained herein that are quite familiar to many 21st century homosapie…
"Deep & sophisticated spiritual jazz, following Mr. Gale's Ghetto Music tradition... including the marvellous African Sunshine, a 17 minute piece which goes on and on, and on and on... and you'll never get tired of the on; right ON ! Inner Peace music." EP/Sagittarius A-Star. Eddie Gale - flugelhorn & muted trumpet, James Garrison - tenor sax, Emily Haozous - alto sax, Leonard Thompson - piano, Yvette Zee - violin, Colette Zee - violin, Richard Duke - double bass, Allen Santos - double ba…
In 2010, against all odds, Angola Soundtrack Vol. 1 (AACD 069CD/AALP 069LP) was awarded the German Record Critics' Prize in the category "Black Music." This victory was all the sweeter for its triumph over the predicted winner, Aloe Blacc's multi-platinum record, Good Things. Many were surprised that the award was handed to a compilation that covered obscure music, but it didn't surprise the team behind Analog Africa, who believed such an award should have come much earlier. Since discovering th…
Double LP version. This recording contains seven remixes by UK-based artist and electronic musician Mark Fell of the first three 12" singles released on the record label Sensate Focus in 2012. These were called 10, 5 and 3.3.... The first of these, 10, was itself a reworking of materials from an earlier project by Fell and Terre Thaemlitz, released on Comatonse Recordings in 2012. The seven remixes were written and recorded in June 2012 at the Upper Lounge, Chatham Street (UK) using a MacBook…
Gianluca Favaron returns on Silentes with the second release in the prestigious “Private Sounds” series. Besides having published some solo works, Favaron is part of Under The Snow along with Stefano Gentile and collaborates with Ennio Mazzon on the Zbeen project. In the past he has released music as Ab'she and was part of Lasik Surgery along with Pierpaolo Zoppo. Among his most recent releases we remember his collaboration with Corrado Altieri entitled "The System of Objects". "Surfaces" is a m…
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with a fluid non-stop dynamic and a feel of electric blues. Brotzmann has always favoured electric bassists – Bill Laswell, Massimo Pupillo – and there’s something about the unyielding aspect of the instrument that acts as a propulsive metal backbone for …
Three guys in South Africa obsessed with Can, Red Crayola, Pere Ubu & like sounds, a disdain toward apartheid, & the means to record themselves make one fantastic 200+ press LP in 1981 which disappears in obscurity. S.S. Records gives it a second life. Underground DIY classic which belongs on the NWW list (if they only knew about its existence!). 330 pressed.