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In recent years, there has been a surge of electronic artists, for the most part new comers, who have rejected the digital approach which had dominated since the nineties in favour of the more organic analogue textures pioneered during the late sixties and well into the seventies by German experimental musicians, from the most exploratory, with the likes of Emeralds or Oneohtrix Point Never, to the bulk of the Scandinavian disco scene, spearheaded by Lindstrøm, Prins Thomas and DiskJokke.…
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
"Iowa City silver apple-pickers Wet Hair pitter-patter into yet another picture-perfect futurist synth-pop raga, 'Blessed.' Yes you are. On the flip, kindred midwestern matrimony team Peaking Lights hotbox a basement of black ark basslines and waterlogged reggae 45s. Sleeve art by Robert Beatty."
Wire's Bruce Gilbert restarts Touch's 7" series, which has previously seen highly collectable shortform releases from Mika Vainio, Fennesz, and Phillip Jeck. Following an Editions Mego reissue of his seminal mid '80s works and recent live outings, these two tracks comprise his first new material since 2009s 'Oblivio Obligatum' and find him working to typically stoic, yet subtly dynamic scheme of electronic sound art. Both tracks deliver cold, metallic drones with a "coruscating" resonance, all p…
jeph jerman + albert casais, ting ting jahe, richard garet, alfredo costa monteiro, ben owen, lawrence english, jeph jerman, civyiu kkliu, tommy birchett, ilya monosov, mpld, andy graydon, and ben scott. edition: 350 7" black vinyl record letterpress sleeve and insert. custom die cut sleeve. designed and printed by ben owen.first in a series of compilations for winds measure. these collections focus on the work of past, present, and future collaborators with the label…
After 2 full-lengths mining vintage horror scores and Italo/Goblin-isms for inspiration, Kansas City riddler and composition whiz Umberto slow-pans his focus out of the graveyards and black widow cobwebs into the celluloid-stained artificial streets of Beverly Hills police beats and pop culture ghost-busting. Freeze! is an inscrutable but impressively legit reinvention of Jan Hammer-style 80’s soundtrack cheese: soaring keyboard lines, fast-tappin’ piano, locked-in bass grooves, goofy canned dru…
Finally arrived, very few copies available left, both wooden Boxes (VOD74 and VOD75) delivered in deluxe silk-screened and embossed fine-linen folder to complete and protect the 2 wooden boxe. Already sold out at source, an extraordinarily beautiful and monumental release from Vinyl on Demand
Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…
A numbered edition of 400 copies in an embossed hard bound box featuring four 180-gram vinyl records. Vinyl versions of Dream Logik Part One and Dream Logik Part Two with the bonus vinyl only album Dream Logik Part Three.
This one-time limited edition of 750 copies comes from Austria's Comfortzone label and catches Mika Vainio in swaggering backroom dancefloor mode again for a 2nd, Jukebox-styled 7". A-side is a corrosive, killer slice of Industro-Bashment called 'Rasputin 3000', all skeletal rhythmic swagger and elemental distortion. B-side features an even more stripped down and haunted number called 'Devil Arrives To Finspång'. Nobody does this thing quite like Vainio - miss out at your peril!
special gallery edition artists book, issued for the 2009 exhibition held at Villa Romana (Florence), a research project on the deserted island of mediterranean by visual artists Amedeo Martegani, Armin Linke, Giulia Di Lenarda, Giovanna Silva and the sound artists Giuseppe Ielasi and Renato Rinaldi. A lavishly b/n illustrated catalogue contains a exclusive 7" with music based on field recordings of the islands, very few copies available
Alessandro Bosetti‘s music for the last decade has documented the de- and re-contextualization of the human voice through a variety of means. Il Fiore Della Bocca achieved this through the natural alterations of ‘normal’ speech exhibited by the voices of individuals with speech impediments, such as stuttering and phonetic disorders. Africanfeedback did so through vocal mimicry of contemporary music and through a simple ignorance of the languages his subjects were speaking (often Dogon). T…
Vibractions, a sound installation and performance by Ferruccio Ascari, was conceived and created in 1978 within a program of sound installations organized by the center for visual arts Sixto/Notes (hich included site-specific works by Giuseppe Chiari, John Duncan, Walter Marchetti, Gianni Emilio Simonetti, along with contributions by representatives of the most radical researches of those years: Ant Farm, BDR Ensemble, Chris Burden, Paul Mc Carthy, Fredrick Nilsen, Barbara Smith, and Demetrio St…
Second 7" release for Dirty Knobby takes us on another diversion through a hellish landscape peppered with brittle discordance and fuzzed out string burn, courtesy of an old cheaply produced Indian 'banjo', or bulbul tarang, which had the wooden keyboard removed, a contact mic attached and then thwacked repeatedly with a screwdriver head. The track evolves from this nightmarish scenario into something utterly transfixing, again created using a contact mic, rubbing on a table top and fed through …
september 2009 release ; excellent (if painfully brief ; could really use an lp-length recording of this stuff !!!) single of ghostly guitar passages (recorded in harlem, usa, no less) from italian artist stefano pilia ...two mazzacane-connors-esque figures, drenched in amp-buzz (incidentally, the only way we could solve the ages-old 33/45 dilemma was to run the 60-cycle ground-hum through a frequency counter) ; impeccably channeled & gorgeously presented ... highly recommended !!! (MIMAROGLU)