Matthew Shipp on piano and William Parker on bass in only their fourth duo album, the fruit of a four-decade friendship that began in the David S. Ware Quartet. Recorded in Brooklyn in June 2025, limited LP on Tao Forms.
Marc Ribot's first all-instrumental album since Live at the Village Vanguard: a quartet with Chad Taylor and the saxophones of James Brandon Lewis, Brian Settles and Briggan Krauss, between free jazz and No Wave. On Pi Recordings.
French-Moroccan singer Basma Otmani sings in Darija over Temir Alcy's mix of ambient, leftfield and experimental folk: eleven songs on grief, a broken love and a slow return to light. Released by Stroom.
The Scholars did what they had to do. I knew too much, and it was too risky to keep me within the Walls. The Sacred Cycle cannot be touched, even by thought.ย But I had to know. I could not stop myselfโฆ
They cast me out into the desert. After two daysโฆ
In the centuries long past, the people of the province of Culhaver used to celebrate their successful harvest of the crops by travelling across Yarrowdale moor to the mountains to give thanks to their god who had sent them rain when needed and sunshiโฆ
Oh yes! The Japanese fantasy-chiptune maniac in Turbografx-16 and SuperNes style called Black Tiger is back with a new, psychedelic album that will unleash your imagination! One of HDK clandestine (and unpaid) collaborator, the fantasy blast-beat autโฆ
Near a remote village with a not-so-important name lies the entrance to a dungeon, sadly notorious among the local inhabitants. Legend has it that no one has ever come out of it alive. This is the only certain truth; all the rumors about what awaits โฆ
Arriving from the island of Cyprus to the HDK catalog is the Mediterranean dungeon-synth of "Idylls of the Last King." The prolific artist continues his tale of suspended narratives, ancient stones, and echoes of bygone splendor.ย "A Year at the End oโฆ
Somber, damp, and tactile, the sound emerges slowlyโlike water timidly seeping through rock, swelling drop by drop into a steady flow: stern drones, buried melodies, and musique concrรจte chase one another, transforming a sparse landscape into an incrโฆ
Welcome to the second chapter of โGlimpse into Horror,โ a journey into the most twisted and bizarre corners of pulp horror.ย We return to the United States of the early 1950sโthe brief but glorious era of horror comics that predated the Comics Codeโa โฆ
The first album of new studio recordings of Philip Glass's film scores: Brussels Philharmonic and Dirk Brossรฉ play 29 pieces, from Koyaanisqatsi to Kundun, with over half an hour of unreleased music from the composer's archive.
Goblin's score for George Romero's Dawn of the Dead, released for the first time under the film's original title: New York Comic Con 20th anniversary edition on black vinyl with new artwork, limited to 750 copies.
Museo Rosenbach's 1973 debut on Ricordi: a Nietzsche-inspired suite of Mellotron, Hammond and heavy guitars, sunk at the time by accusations of fascism and now one of the cult records of Italian progressive rock. Music On Vinyl reissue on 180g transpโฆ
The producer of Sunn O))) and co-composer of the Mandy score makes his own 'science fiction music' from a Philip K. Dick lecture, with Jim Jarmusch, Cyro Baptista and Charmaine Lee.
A canon for three bassoons inspired by Hilma af Klint's 1915 Altarpieces: multiphonics, beating dissonances and whistle tones, between Scelsi, Radigue and Sunn O))). Produced by Randall Dunn.
Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.
Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.
William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.
First archival volume of the Swiss pianist and composer Lotti Tauber: minimalist, intuitive piano music from her privately pressed albums of 1981-1986, restored and mastered by Stephan Mathieu.