New Arrivals
Columns
*300 copies limited edition* Catholics Against Architecture is the name Chris Connelly has given this project that here collects twelve songs crafted from sonic collages, spoken word, fractured melodies, vocals not far removed from those that David B…
Night Falls. Music inspired by David Lynch’s Twin Peaks
*150 copies limited edition* This compilation continues a path that Unexplained Sounds Group has been developing over time, following the earlier CD project inspired by Eraserhead. While that release focused on the cinematic origins of David Lynch’s …
Big Rigs on the BQE
Prison’s third big one, Big Rigs on the BQE, finds our jammers of legend far away—miles from Downstate (2025) and Upstate (2023): driving further down the road, Prison’s guitar, bass and drums compel them to dream loud. An improvised rock and roll ta…
Blood Blood Song
"Blood Blood Song continues East of the Valley Blues’ streak of sublime, future-forward acoustic fantasias. For years, the Toronto-based duo, comprised of brothers Kevin and Patrick Cahill, has excelled at an earthy and pensive brand of instrumental …
Bury Me In A Corner Of The Yard
Death Is Not The End issue a 14-track tape of vintage and archival Cajun ft. tracks from Segura Brothers, Amede Ardoin, Blind Uncle Gaspard, Sydney Landry & more.
Curse You, Foreign Lands
A 14-track tape pulling together rural Greek demotika recordings from the late 1930s to the mid-1950s. Soaring pentatonic improvisations, odd-metered rhythms, and vocal performances oscillate between heartbreaking laments and ecstatic celebrations.
Wall of Lanterns
*20 copies limited edition* Chiming gamelan like flutterings, a clean ascendant nothingness, recorded live on two iphones.
Copper Maze
*20 copies limited edition* Shrill zen noise guitars and ornate percussion.
Matusalém
The sound of this composition comes from 2 live shows that were superimposed and than mixed with field recordings. The voice sings circular texts. One side is called Além and the other Aquém which means beyond and short of.If you are curious about th…
Il Sesso Degli Angeli
The premiere vinyl release of Giovanni Fusco's 1968 score for Ugo Liberatore's Il Sesso degli Angeli, prepared in full stereo as it was meant to appear in 1968 but never did.
Stato Interessante
Edition of 350. Built from three episodes, Stato Interessante turns on the experiences of women facing pregnancy and abortion in an Italy on the edge of profound change, the country's debate over reproductive rights reaching its height in the months …
Day of Anger (I Giorni dell'Ira)
Issued for Ortolani's centenary, the most complete edition yet of his 1967 western score for Tonino Valerii's film with Lee Van Cleef and Giuliano Gemma. Jazzy horns, electric guitar and that slow-stepping main theme, across the original mono and ste…
In Reggae Time
Cinedelig/Jamdung proudly presents the first repress of the rare UK compilation In Reggae Time (originally 1970) as a limited-edition 12" picture disc. Unearthed from original 7" single sources issued around 1967 on Ember Records and its sub-labels, …
Reliques de Roses
*300 copies limited edition* Reliques de Roses, musical tandem formed by two household names of the European underground: Laure Boer (Edition d’Art, Arbore...) and Tom Val (Orion Music Workshop, HWYUIOD...). Bridging the Berlin-Paris experimental con…
Déploiement de L’immuable
Laure Boer & Franz Wrakhowitch did again. They left our lands, for being Édition d’Art, their free-floating project with no logic. This time harvesting industrialised drones, tones, n zones, where rhythm, melody, and the idea of musical form gets cha…
Break the Faith
On Break The Faith, Repeated Viewing drags his VHS‑streaked horror synths onto the factory floor, hammering grime, dread and adrenaline into a streamlined industrial brawler built for raves in the rubble rather than candlelit cult screenings.
Nightshades
On Nightshades, Celestial Hex step out of Berlin’s mist with a sleek strain of electro‑noir: neon‑bleeding synths, darkwave pulse and vampiric hooks that feel custom‑built for creatures of the night raised on grainy 80s cult cinema.
Through a Dark Glass
On Through a Dark Glass, Jim Kirkwood peers into his signature realm of neo‑medieval gloom and cosmic dread, layering synth choirs, martial pulses and dungeon‑folk melody into a fogged‑mirror vision of fantasy where revelation always stays just out o…
