New Arrivals
I Get Along Without You Very Well
Ellen Arkbro and Johan Graden embody the limitless curiosity and fearless innovation of the Swedish and Berlin new music scenes they inhabit. Arkbro is a composer and musician whose work has been presented around the globe at prestigious institutions such as the Barbican in London, GRM in Paris and the Kölner Philharmonie in Köln. Graden is one of Sweden’s most sought-after pianists, moving freely between classical music and the European contemporary jazz scene. Currently living in Amman Jordan,…
Headdress
'I’ll set the scene – we’re all passed out face-down in the lawn of the first Bush term, scratching our heads after 9/11 and wondering how much more dystopian it’s about to get. Ash hangs in the air as we march toward endless war, and the activities of the post-hippie, post-beat, post-punk, post-jazz, post-industrial, post-experimental bohemian underground flail against the avalanche with a mystic fire you can’t get your arms around, let alone bottle up for consumption. Jars of tears, rockets fr…
In/Out/In
In mulling over their career, it’s staggering to realize that Sonic Youth not only delivered a healthy slab of releases as a unit but also have a myriad of shelved material still waiting for broader ears. While the group’s current Bandcamp abode lays out a generous amount of it, a bunch more has yet to surface. And it’s a massive mountain to chip away at in the sense of the group output alone; individual members’ projects are a whole other game, needless to say. "In/Out/In" ably delivers a new s…
The Age of the Russian Avant-Garde - Futurists & Traditionalists
Modernity in Russian music emerged despite its struggles with the Soviet regime in the early 20th century, with the mystical vision of Scriabin’s musical legacy providing a foundation on which to build. In these acclaimed albums we discover Medtner’s life affirming Sonatas, and hear Lourié’s journey from Impressionism to pioneering Cubist conceptions. Mosolov’s works are bold and complex, while Roslavets new tonal system brings ‘fi re and ice’, and Stanchinsky’s sophisticated virtuosity anticipa…
Inland Lake
This is the second Room 40 release of collaborations between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti, after ‘The Last Days of Reality’ in 2018. This release consists of two pieces: Inland Lake (le lac intérieur) (2019), and La Patience (2020). Working with Lionel is magical. Inland Lake was devised with the ensemble when Lionel visited Australia in 2019. As he sometimes does, he came with an ‘partition concrète’ that was part score, part ensembl…
Long Drove
‘Long Drove’, the title of Scott’s first edition for Room40, is a location in the Fens close to the home of British composer, multi-instrumentalist and mastering engineer Simon Scott. It is the connective pathway between two nature reserves, called Holme Fen and New Decoy, and both sites are part of a habit restoration project called The Great Fen Project and is close to where Scott grew up as a child. This area first became a location of compositional inspiration over a decade ago, when Scott c…
Bruitsss
*120 copies limited edition. In process of stocking* Produced & assembled by Jean Néant: SP-404 x tsss tapes 1-29 (& a few other samples). Dedicated to beloved drummer, Joni Sadler. Thank you to Francesco & the label's artistsss
Everything Lost In The Image
*100 copies limited edition. In process of stocking* Declan Synnott is a Wexford-born, Cork-based musician, prodigiously active in the Irish underground since the mid-2000's. Current activities include noise/dirge-rock Band of Synnotts Síoraí Geimhreadh, hardcore arm wrestling champions Horse, synth noise project Mvestle, insurrectionary electronic duo Bodycam, and no-fi noise trio Power Acoustics. In his solo guise, he makes primarily analogue synthesiser based music with an emphasis on low res…
Das Lebacher Orgelwerk - Weihnachtsoratorium (LWV 156)
*In process of stocking* Recording of the premiere performance of the "Weihnachtsoratorium" (Christmas Oratorio), an organ concert composed and played by the four hands of Daniel Löwenbrück & Fabian Löwenbrück. Performed December 26th, 2006 on the Hugo Meyer organ of the Evangelische Kirche in Lebach, Germany.
blondie - thanks for sharing
*In process of stocking* "I go out every day with a tape recorder and a new tape all the time, i record daily things, but i also give it a little break every now and again and switch tools to my super 8 camera or drawing or collages etc, and come back to tape recording with fresh perspective and new ideas etc, for this album its a mix of different things, the first two tracks were part of a five song recording i made in june 2022 using an amp and sk-1 keyboard, and microphone, i came up with lyr…
Débordements
Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.
Recorded Yesterday And On Sale Today
A pair of contemporary music giants re-release a long-lost 2003 live recording, previously available only as a CD-R.
Annular Silhouettes
With Annular Silhouettes, Brad E. Rose traces an undulating pathway through ideas of place, memory, and intergenerational exchange. The edition is a mediation on how perspective is shaped, and reshaped, in time. More so it explores how change is simultaneously incremental and accumulative. This is reflected in the compositional strategies he deploys. Elements arrive and pass with an almost subconscious logic. Their pace is measured, but entirely fluid, creating a sense of breathing or perhaps ev…
Fireside Stories
*In process of stocking* Anti-counter culture loner folk from a teenage attic in the heart of rural Northern hippiedom. "This is music that can confidently hold its own with pioneers such as Davey Graham, Michael Chapman, Bert Jansch and Jackson C Frank, as influenced by jazz, blues and steel guitar as any of the old songbook classics from ancient Albion.” - Benjamin Myers
Today the valley town of Hebden Bridge in West Yorkshire is world-renowned as something of a bohemian backwater. It wasn’t l…
Earscratcher
This newfound quartet was conceived in 2019, as a way to celebrate Austrian pianist Elisabeth Harnik’s 50th birthday in 2020. For the occasion, Harnik called on several longtime collaborators from Chicago with whom she’d connected at the Umbrella Music Festival back in 2008, on her first visit to the city. Since that time, she’s continued to stoke the fires she started there, not only in various collaborations with these three musicians, but also with Chicago legends like Ken Vandermark, Michael…
Grande Massa D'Agua
*In process of stocking* Mauricio Takara and Carla Boregas have long been key players in the experimental and underground music scene in São Paulo, Brazil and have recently relocated in Berlin. Grande Massa D'Agua (Great Body of Water) is their second album as a duo and it sees them continue to explore themes related to water as they dive into uncharted musical depths. In discussing the duo's relationship with water, Mauricio said: “...In the beginning of the pandemic we decided to take a turn a…
Echi senza fine
From a research work started in full lockdown three years ago, finally sees the light (or darkness) Echi Senza Fine, a remastered collection of sound material by Tasaday.
Kalvingrad
*2022 stock* "Avant-garde jazz fans should immediately press play below; trust me, you’ll thank me later." - Scott Murphy
Valerio Zucca Paul: ElectronicsCristina Trotto Gatta: VoiceDiego Rosso: DrumsAndrea Chiuni: Bass and VoiceAlessandro Cartolari: Baritone and Alto Sax
Music by Masche Lyrics by Cristina Trotto Gatta Recorded live on 16 December 2017 in Perosa Canavese (TO) by Alessandro Cartolari and Valerio Zucca Paul. Mixed by Valerio Zucca Paul These record sessions have been inspired by "l…
Scosse Elettriche
*2022 stock* 'He took off his earphones. Around him only fog and no sound. Where had the countryside gone? In his ears the music he had been listening to persisted. The final exploration on the piano tailpiece in search of rhythm and resonance still dilated time and space. In that music the grey that now surrounded him was not there. He had 'heard' and glimpsed yellow, red, sometimes ochre, blue, black (the shiny black of the piano, to be precise). He resumed walking, and with his steps, his tho…