New Arrivals
Decay Music 9: Liminale / Decay Music 10: And I Entered Into Sleep (2LP bundle)
*200 copies limited edition* This bundle includes the latest and final releases in Die Schachtel's Decay Series: Luigi Turra & Elio Martusciello "Liminale", and Sergio Armaroli & David Toop "And I Entered Into Sleep".
Returning with its ninth and tenth instalments, Die Schachtel's Decay Music series extends its explorations of inspired contemporary experimental efforts of the ambient, ethereal, and emotively abstract with Luigi Turra and Elio Martusciello’s “Liminale” and Sergio Armaroli and D…
Decay Music 10: And I Entered Into Sleep
*200 copies limited edition* Reconfiguring the notion of bridge building on a multitude of terms, it feels fitting that the tenth and final installment of Die Schachtel’s Decay Music series, Sergio Armaroli and David Toop’s “And I Entered Into Sleep”, was co-created by an artist whose work featured in the first suite of LPs issued by Brian Eno’s Obscure Records in 1975, the groundwork toward which Decay Music’s own efforts nod. Since that auspicious debut, “New and Rediscovered Musical Instrumen…
Decay Music 9: Liminale
*200 copies limited edition* Since its founding in Milan during the early years of the new millennium, Die Schachtel has occupied a singular place in the landscape of experimental music, issuing a carefully curated body of reissues and archival releases by historically significant figures and projects like Christina Kubisch, Luciano Cilio, Marino Zuccheri, Prima Materia, Claudio Rocchi, Lino 'Capra' Vaccina, Gruppo di Improvvisazione Nuova Consonanza, Roland Kayn, and numerous others, balanced a…
TV, Anime & Manga New Age Soundtracks 1984-1993
When Japanese composer Yas-Kaz left Tokyo for Bali in the mid 1970s he had little idea of how influential his trip would become. In studying the storied art of gamelan, the jazz and avant-garde percussionist opened a door to a world of sound and rhythm left behind by the West. The music he and his contemporaries made would become known as new age. It also happened to soundtrack the golden era of anime. Awash with money and with the prerogative to entertain the burgeoning middle classes, anime in…
Upside Down
The debut release from emerging artist Polygonia arrives as a stunning statement of organic minimalism, channeling the ethereal spirit of Japanese 80's kankyo ongaku through contemporary electronic exploration. Introduced through label artist Simone de Kunovich, this remarkable multi-instrumentalist presents four compositions that blur the boundaries between ancient traditions and futuristic sound design.
Polygonia operates as a complete artistic vision - singing, writing lyrics, and performing …
Il Dio Sotto La Pelle
Piero Piccioni's hidden masterpiece finally emerges. His 1974 Il Dio Sotto la Pelle soundtrack fuses jazz, psychedelic orchestration, and world music into transcendent spiritual journey. Ethereal strings, exotic instruments, and contemplative atmospheres mirror the film's exploration of identity and the sacred. Double transparent orange vinyl edition of 500.
Kill!
Berto Pisano's lost 1971 masterpiece finally surfaces. His Kill! soundtrack blends gritty funk, sophisticated lounge, and psychedelic experimentation into magnetic perfection. Wah-wah guitars, hypnotic grooves, and exotic instruments create a seductive world of espionage and eroticism. Holy grail for collectors, now on transparent yellow vinyl edition of 500.
Cry! Tender
Although his main instruments were the tenor saxophone and the flute, Yusef Lateef was known for his innovative blending of jazz with Asian music. In addition to the oboe and bassoon (which are both unusual in jazz), he played various instruments. Lateef began recording as a leader in 1957 for Savoy Records, a non-exclusive association that continued until 1959. The earliest ofhis albums for the Prestige subsidiary New Jazz overlap his Savoy Recordings. Cry!-Tender was one of these early albums …
East Coasting
Recorded in 1957 this is one of Charles Mingus's lesser known sessions. Here the master was at the head of an awesome band including some of his regular sidemen. Jimmy Knepper - trombone, Shafi Hadi - alto saxophone, tenor saxophone and Dannie Richmond - drums, along with nothing but Bill Evans on piano! This is dense, lyrical and very stimulating music deeply rooted in the bop tradition yet with an open ear to other sound territories.
Tomorrow Is The Question!
This was definitely a perfect title for Ornette Coleman's second and last album for Contemporary before switching on Ertegun's Atlantic label. Originally released in 1959 "Tomorrow is the Question" was an early evident step towards the revolution to come. An adventurous yet accessible, bluesy album with Coleman and Don Cherry tasting for the first time the freedom of a pianoless rhythm section featuring Percy Heath or Red Mitchell on bass and the great Shelly Manne on drums.
Coltrane Plays The Blues
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Released by Atlantic in 1962 from earlier sessions, "Coltrane Plays the Blues" showcases the quartet’s innovative blend of blues, jazz, and avant-garde, earning cult status and critical acclaim.
Jazz Composers Workshop
Charlie Mingus’s 1956 Jazz Composers Workshop showcases his visionary blend of hard bop, classical, gospel, and avant-garde. The album captures Mingus’s restless innovation—by turns explosive, tender, and genre-defying.
Anthology Of Experimental Music From Australia
*100 copies limited edition* For over a decade, the Sound Mapping series has traced the evolving landscapes of experimental music across the globe. This chapter turns its ear to Australia, a continent whose sonic expressions are as vast, isolated, and idiosyncratic as its geography. The artists featured in this compilation explore a wide terrain of auditory possibilities, from shimmering drones and granular textures to fractured electronics and abstract field manipulations. There’s a rawness her…
Mörk Borg
2025 Vinyl Repress. ONE DAY ALL WILL BLACKEN AND BURN. Just as the two-headed basilisks predicted. Lies, Truth, Denial and Envy embodied. Their riddling yet oddly accurate prophecies were put in ink by Anuk Schleger the monk, in the scrolls that now hold many names - The Nameless Scriptures, The Unwritten, The Dirt Pages. And so far, every promise therein has been realized, hence why both kings and beggars now cry and wail. Everything will blacken and burn. The stormy, Endless Sea will boil and …
Disguise In Love
"Disguise In Love" released in 1978, is the debut album of British punk poet John Cooper Clarke. Renowned for his quick-witted delivery and sharp humor, Clarke fuses punk rock with spoken word, resulting in a one-of-a-kind sonic experience. The album includes tracks such as "I Don't Want To Be Nice," "Valley of the Lost Women," and "(I Married a) Monster from Outer Space," highlighting Clarke's talent for social commentary and dark comedy.
Produced by Martin Hannett, known as (one of) the creat…
Fireside Spells
Klaus Morlock returns with Fireside Spells, an album blending eerie folk, vintage synth, and psychedelic soundscapes into a world of supernatural encounters, Cold War conspiracies, and time slipping away. Inspired by 70s horror soundtracks, lost transmissions, and forgotten folklore The title track evokes woodland rituals and ancient myths, while Henderson Makes Time shifts into 60s psychedelia, following a protagonist caught in a web of espionage and dark magic. The spectral synth work of A Gat…
Robyn Rocket And People You May Have Heard Of
What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Polic…
Forma
CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Ma…
Spool
Spool is a multi-disciplinary, collaborative project by musician and producer Florian TM Zeisig and artist and perfumer Angel Paradise. The project came about when both artists were living in Hinang, a small farming village in the Bavarian Alps. The work embodies a period of isolation, reflection and personal awakening. Florian TM Zeisig has a distinctive ability to weave compositions that feel weightless yet deeply evocative. His music carries a profound tenderness—a soulful presence that linge…
Montreux II – Recorded Live At The Montreux Festival, 1970
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evans’ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds “the pianist in peak form” presenting “a terrific live perfo…