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"Second chapter on the Bröselmaschine saga after a four-year hiatus. The band's second incarnation came to life in 1975, when Peter Bursch reformed the group together with old member Willi Kissmer and new recruit, Klaus Dapper (flute, sax, tuba). Helped by such honorable guests as Mani Neumeier and Roland Schaeffer (from Guru Guru) or Jan Fride from Kraan, their 1976 album was a solid session of progressive folk, very different than its predecessor but also with an atypically hypnotic and…
Meeting between visual artist Beni Bischof and electronic musician Norbert Möslang. Limited to 200 copies and hand signed by artists. With this somewhat confused, absurd or primitive Bishop chant, the result could be to remembered as a crashing jumbo jet
"Date Palms revolve around the core duo of Gregg Kowalsky (keyboards, electronics) and Marielle Jakobsons (violin, flute, electronics). They employ traditional rock instrumentation to create music informed by Indian classical music, country, minimalism, and spiritual jazz, arriving at a style that is wholly their own. On their third album, The Dusted Sessions, the duo expanded the line-up to include Ben Bracken on electric bass, Michael Elrod on tanpura, and Noah Philips on electric guitar…
To this day, Nicholas Bullen is best-known as a founding member of arguably grindcore's most important act: Napalm Death. Although he decided to call it a day before the band slipped into the mainstream circuit, his sonic fingerprints were all over their influential debut Scum, and he's been breaking boundaries ever since. A key figure in Birmingham's experimental scene, Bullen was also a founding member of Scorn and has been involved in a variety of projects since. Over 30 years later we …
Mordant Music beautifully join the dots between the hauntological zeitgeist and original library music with the 2nd of two vinyl reissues of seminal tape music by Tod Dockstader. Born 1932 in Saint Paul, Minneapolis, Dockstader majored in psychology and art but would go on to explore his interests in painting and film as an apprentice editor in Hollywood. This led to a job as a sound engineer in 1958, employed at Gotham Recording studios, where he started meticulously composing during lon…
This Tim Hecker release is composed of sketch pieces recorded in 2010 in preparation for what would become the Ravedeath, 1972 album. All of the compositions are piano driven and minimal in nature. This is not a new Tim Hecker album, but rather a peek behind the curtains into the working process. That these pieces stand on their own as compelling soundworks is a testament to the fact that Tim Hecker is at the absolute top of his game at the moment, and has been for years.
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
We're thrilled to announce the next release available from OTOroku! Recorded in October 2011 - 'Spontaneous Combustion' splits the second set of the first night of Decoy's two day residency with special guest Joe McPhee across two sides of heavyweight virgin vinyl with two colour artwork by Oliver Pitt.'a show that surpassed all expectations to become one of the very best things I've seen this year.'The Liminal Alexander Hawkins, hammond B3. John Edwards, double bass. Steve Noble, drums. Joe M…
Back when I was about six months older than I am now, I used to see these bumper stickers around town that said, "There is Nothing Like a Grateful Dead Concert." My first reaction was to say, "Thank fuck," since the last Dead show I saw (Jersey City 8/6/74) pretty much blew. Then I remembered that last goddamn Dead show anyone saw was almost 20 years ago (Chicago 7/9/95) and it makes me wonder what kinda stupid pills the cars' occupants have been snorting. 'Cause Jesus, there're all sorts of thi…
Since the late 1980s, dieb13 is one of the european key figures in the harnessing of tape players, vinyls, CDs, hard dics and IP protocols as instruments. It's been a while since he has released his last Solo album. After extensive touring and releasing CDs among others with Phil Minton, Mats Gustafsson and John Butcher Group, his latest solo output "trick17" is an enjoyment for both the ear and the eye. Side A ("audible") is a 25 minute solo piece that he developed in an Ping Pong method…
Jigokuhen is the final instalment in Masami Akita's 15 part Bird Series for Important Records. Inspired by Olivier Messaien's Catalogue D'Oiseaux, the Bird Series saw the release of one CD per month for 13 months while a 14th disc was released free via download to series subscribers and on CDr with the purchase of Merzbow's EcoBag. This 14th Bird Series release is being issued on the 2 year anniversary of the start of the Bird Series and in conjuntion with Vampilla's new album on Important …
"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble's unique sonic resources in diverse stylistic settin…
perfect encapsulation of the “music as sculpture” aesthetic ; the two excerpts here arrive fully formed & don’t develop themselves inasmuch as develop you ; the purely natural-sounding environments slowly reveal themselves as partial synthesized affairs, with lieven’s sly midi log-drum improvs & echo-jams resisting center-stage to remain as mere elements of a live-in-able ”real space” ... lovely record ; comes in a deluxe full-color gatefold with a detailed insert .. (Mimaroglu)
"Deep & sophisticated spiritual jazz, following Mr. Gale's Ghetto Music tradition... including the marvellous African Sunshine, a 17 minute piece which goes on and on, and on and on... and you'll never get tired of the on; right ON ! Inner Peace music." EP/Sagittarius A-Star. Eddie Gale - flugelhorn & muted trumpet, James Garrison - tenor sax, Emily Haozous - alto sax, Leonard Thompson - piano, Yvette Zee - violin, Colette Zee - violin, Richard Duke - double bass, Allen Santos - double ba…
At first look this might seem like a weird move for the Constellation label as Matana Roberts’ debut for the imprint is pretty much straight-up free jazz. But she’s got some serious history with the Montreal collective, even throwing down horns with Godspeed Thinking about it too, there’s always been a nod towards the free jazz scene (not least on Colin Stetson's recent genre-bending LP) but where others were a nod, ˜COIN COIN Chapter One : Gens de Couleur Libre…
Korm Plastics is proud to present the twenty-sixth release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a …
These works are a collaboration between the Japanese figure of experimental electronic music, KK Null, and Mexican artists and brothers Israel and Diego Martinez. Diego is best known as Lumen lab, and both are mentors of the label Abolipop - Suplex. The process started at the end of 2012 when Kazuyuki Kishino, based in Tokyo and Israel Martinez in Berlin, started to share electronic sounds and field recordings. They tried making new pieces exploring various approaches to composition such as the …
Michel Doneda, soprano saxophone and radio. Joris Rühl, clarinet. 'Le Linge was my grandparents' old farm in the East of France. It is there, in the barn full of old hay, abandoned wasp nests, murmurs and memories, in its sweltering, dusty heat, that we played for three days and recorded several sequences. We had no precise direction in mind for the record. We focused on the present moment, and then on the next. The barn's structure elegantly cracked with the wind, and the church bells brought t…
MM schumend. Wepa. Wirbel und einzelene Schlge für kleine Trommel. Ertrumtes Konzert. 34 Photos - Solo Performance 1986. SÂÂÂÂJ is someone, who, austere and prosaic, but with subliminal passion pays attention to the \'things\': in particular the lackluster \'byproducts\', the bulky till tongue-tied circumstances, the useful coverings of the alleged precious where he draws out the last, extracts a ghost. Thomas Groetz. Video dokumentation by Teresa Iten. 16 page booklet with a text by Thomas Gr…
Tired of quarreling endlessly with his imperious brother Klaus, Thomas Dinger quit the production of Viva, the second La Düsseldorf album, and promptly set off for the south of France. Frustrated and far away from home, his mind turned to the possibility of a solo album. An album devoted to his own musical ideas, free from domineering voices telling him what to do. Presenting his own vision in the context of a La Düsseldorf LP would have been difficult at the best of times. "I wanted to cre…