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The only early album in this American cult group's discography that hasn't been made available on CD yet. "Satanic Sanction" is one of the darkest, most ritualistic works ever to be recorded by the band, and has for this edition been enlarged by John Zewizz including tracks from the same recording session that didn't make it onto the original vinyl. Featuring the grand voice of Jonathan Briley this is *the* classic …
Malpais is the first collaborative effort between William Fowler Collins and Gog. With both musicians based in the American Southwest (WFC in New Mexico and Gog in Arizona), the music is layered with hallucinatory visions of abandoned mines, atomic bomb blasts, genocide, and space travel. The listener is taken to a place that feels as though it could be the surface of the moon or a scorched earth strewn with bone dust and ash. Photograph by Max Aguilera-Hellweg.
The Preservation label presents From Here To There, the debut album from San Francisco’s Ben Swire. While From Here To There can sit snugly in the canon of electronica, it’s played out with expansive vision and immediate warmth. Woven together with a deft sense of minimalism and melody using double bass, interlocking guitars and crisp percussion, the use of live instrumentation against densely layered field recordings finds great balance between elasticity and deep ambient underpinnings. The acc…
A new label (The Fader) brings a deluxification of 2009's Psychic Chasms, which now also contains the bonus album Mind Ctrl: Psychic Chasms Possessed, featuring nine exclusive remixes and cover versions by Toro y Moi, Body Language, Javelin, Bibio, Yacht, Darby Cicci of The Antlers, Twin Shadow, Dntel, and Anoraak!An elusive new project from composer Alan Palomo, Neon Indian delivers equal parts synthetic nostalgia, dream-pop lullabies, and grinding guitar noise to create something eerier t…
Rogelio Sosa was born in Mexico City in 1977. His work explores a wide range of aspects that deal with sound morphology, structures of auditory reference, intensification of the acoustic space and performativity. His projects include solo and collective improvisations, music compositions, sound actions and sound installations. All of these are produced using electronic media. He started studying musical composition with Julio Estrada and then electroacoustic music at the Ateliers UPIC and IRCAM …
Ben Frost and Daníel Bjarnason are two composers used to shrugging off the distinction between experimental sound-art and deeply felt melodies. frost's vast, blackened post-industrial works often crystallize in moments of quiet beauty before disintegrating in pure visceral noise; bjarnason's orchestral music marries brutal modernism to classical aesthetics one moment and soaring ethereal harmonies the next. and yet here, on the tail of two widely acclaimed releases; bjarnason's procession…
Experimental tape recordings by Rodger Stella from the early to mid nineties. Psychedelic analog noise and drone consisting of tape manipulation, obscure electronics, shortwave, field recordings and acoustic delay. Edited by Dan Johansson.
Kari Rønnekleiv, violin. Ole-Henrik Moe, viola. In 2011 Rønnekleiv/Moe released the album “A summer’s night at the crooked forest” on SOFA. The London based music magazine WIRE wrote that the album is a technical tour de force. And a musical one, too, each track structured with composerly precision. On this sequel we meet an extraordinary duo with an almost telepatic interplay. Recorded in the middle of the forest in a cabin with no electricity (the recording equipment was run on solar en…
Lost and found all of a sudden, this album is the exploration made with the chanting voices of unknown nature. Choral fragments were decomposed and restructured, arranged with the effects and atmospheric shifts, creating the mysterious soundtrack to the otherworldly ceremony. These echoing voices are going directly from the lost memory or the daydreams, nobody can tell you where they are from, where they are calling you. Here are some words of the author, giving you just the hint but not t…
ESSENTIAL RELEASE: The impulsive and electrifying Ata (1987) was referred to as "a kind of shifting of the senses" by the composer. The task of sketching N’Shima (1975) was actually assigned to a computer, whereas Metastaseis (1953-54) is devoted to architecture; the composition was derived from the bases of calculation used for the pavilion for the Brussels World's Fair of 1958 and is famous in particular for its glissandos and thickening clusters. Ioolkos, written for Donaueschingen in 1996, a…
“intersezioni di vortici, studi ritmici e false chimere” is a suite of ten short compositions for modular analog synthesizer (except for one track that incorporates a few sounds recorded with a microphone). Initially conceived as series of studies on panning and phasing, the work ended to incorporate parts of two other series, all realised in Bologna between November 2011 and March 2012. The cover includes some of Maggiore’s drawings from the same period. Luciano Maggiore lives and w…
Another album of unclassifiable experimental songs from British band the Sian Alice Group, who blend elements of avant-rock, folk and dark, cinematic tones for a uniquely atmospheric, inter-disciplinary sound. A Stereolab-like mix of pop modernism and Terry Riley minimalism gets the album started ('Love That Moves The Sun'), before all momentum is dismantled in favour of fluid ambience on 'Airlock'. From here on the band continue to genre-hop before stumbling upon a rich vein of balladry on trac…
Per Anders Nilsson (computer and synthesizer), Sten Sandell (piano, prepared piano, electronics and voice) & Raymond Strid (percussion). Beam Stone was founded a year before this October 2007 recording. The trio consists of three free improvisers, each with a distinctive personal sound. Their aim with Beam Stone is to explore sonic territories with the guidance of different pre-defined concepts. Listening and sonic exploration are considered the essential points of departure.
For more than 15 years, Tokyo, Japan's Tenniscoats have been keyboardist/vocalist Saya and guitarist Takashi Ueno. The duo have brought equal parts meditative intensity and whimsical humor to a series of acclaimed psychedelic albums, beginning with 2000's The Theme of Tenniscoats. But Tenniscoats have rarely released music without collaborating with others. Most famously, they teamed up with Scottish indie-pop legends The Pastels in 2009 for the wonderful Two Sunsets album on Domino Records…
With a title like ‘Improvisation Anarchy’, you pretty much have the blessed assurance that the record will be either a right-on, spontaneous surge of electricity, or at least an entertaining disaster. Recorded in 1978-79, this patchwork quilt of straight-arrow punk and meandering synth-assisted psychedelia manages to be both at the same time. It should be noted that this kind of music was not common for 1970s West Japan before the ‘bubble economy’ of the 80’s allowed for more impulsive consumpti…
Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? Whatever the…
Karl Naegelen and the Risser/Rühl duo share a common interest in the quest for new sounds and sound illusions. Creating a confusion of sources, suggesting various acoustic spaces, evoking the sound of a sewing machine or a hard shoulder, making a rubbing sound sound like breath and making breath sound like creaking, this is the type of urge that stimulated collective research. The grand piano had to become a wind instrument and the clarinet a water instrument ; the pianist had to play per…
The Preservation label presents Home, the third album from Olan Mill from Hampshire in the United Kingdom. Olan Mill is the recording project of composer and producer Alex Smalley, who to-date has received rapturous acclaim for his work that holds a sublime measure between the realms of modern neo-classical composition and ambience. On Home, Smalley has mined his most expansive territory yet to create a thrillingly evocative and deeply felt body of work. The tender clusters of sound that ha…
This is an exceptional collection of pieces by one of the pioneers of electronic and tape music. Halim El-Dabh began experimenting with wire recorders in Egypt even before Pierre Schaeffer inaugurated the practice of Musique Concrete in France - one piece here dates from that period ('Wire Recorder Piece', 1944) and is thus of great historical importance. Most of the other works were recorded in 1959 and evidence a remarkable body of work and experimentation. El-Dabh does not sound like his fell…
Billy Gomberg (b 1979, Chicago) is a musician and video artist living in Brooklyn, New York. His studio practice incorporates analog synthesis, digital treatments, acoustic recordings and custom programming that gives rise to electronic sound caught gazing at its own physicality, acoustics in love with their own abstraction. Billy's debut CD release displays abstract and complex dimensions of texture and tone that might make more sense at first on a subconscious level before it will on a conscio…