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Over the course of a 12", cassette, and a stream of ace youtube vids, Maria Minerva has emerged as one of the most interesting artistes to come into leftfield-pop focus over the last 12 months. 'Cabaret Cixous' is her debut album, a coruscating water-bed of mottled '90s dance-pop memes writhing under blankets of slyly sexy new age synths while her dreamy vocals whisper and croon seductively suggestive lyrics. It's not quite aural soft porn, but there's an inescapably lascivious element to …
Vladimir Nabokov: the master of "chamber music in prose" (literary critic Marcel Reich-Ranicki) and composer of crackling word sonatas. Franz Koglmann: a commuter between jazz/avant-garde and literature, and writer of intimate sound novellas. It was only a matter of time before Koglmann would create "Music on Nabokov," and transform literary motifs and characters into music. Together with his Monoblue Quartet (Tony Coe, clarinet/saxophone, Ed Renshaw, guitar, Peter Herbert, bass) the trumpeter K…
2nd full-length from self-styled black ambient guitar overlord. Like Earth's seminal "Hex" before it, this invokes the ghosts of a lost America & drags the rotting carcass of country music through a swamp of noise & drone. The chugging, blown-out treble & isolated darkness of Xasthur is all present & correct, but there are also echoes of William Basinski & Deaf Center hidden amongst the clouds of radio static.
On their seventh studio album, Sightings don’t make any radical breaks from their past. Instead, Richard Hoffman, Jonathan Lockie and Mark Morgan continue the slow evolution of their vision, a sort of "industrialization" of rock. On 2007’s Through the Panama, the trio achieved their best amalgamation yet. City of Straw doesn’t really up the ante, but it stays right there. These 39 minutes run the gamut from chittering electronics to punk chaos. When saying "industrial" in reference to …
30 years of The Ex - a double album compilation featuring songs from all Ex albums from 1980 until 2006, absolutely compehensive. All songs remastered for this release by Colin McLean at OT301, Amsterdam.
Seijiro Murayama: snare drum, cymbal, sticks, brushes. Masafumi Ezaki: trumpet. Kazushige Kinoshita: violin. Recorded live by Taku Unami at Kobe Art Village Center, Kobe, April 12, 2008. Mastered by Taku Unami. Photo by Nobuhiro Sasaki. Includes liner notes by Seijiro Murayama in Japanese and English.
USW56, USW57, USW59, USW61, USW113, these five hand-made electronics hanged from a ceiling have an ultrasonic wave transmitter, a reciever and an amplifier. Each frequency of the ultrasonic wave is about 40khz but slightly different. And when each instrument swings, each frequency changes a little caused by the Doppler effect. On thier instruments we can hear beat signals between transmitted and received ultrasonic waves changed in frequency. (Manabu Suzuki) Where does art work appear? How do pe…
"Ikef continues to mine the extraordinary musical territory of St. Louis's fervent '60s musical innovators with the reissue of the impossibly rare Collected Poem For Blind Lemon Jefferson. Originally released on the late, brilliant saxophonist Julius Hemphill's artist run Mbari label in 1971, Blind Lemon is a highly energetic, raw and primitive avant-garde take on the Blues Mythos. Hemphill, named 'one of free jazz's most visionary composers' (Chris Kelsey, All Music Guide) is in full form as he…
Eri Yamamoto released two recording in 2008, each of which—in different ways—demanded attention. In a series of duos with friends such as William Parker and Hamid Drake (Duologue), Yamamoto was expansive and free, readily finding ways to play beyond conventional harmony without sacrificing “beautiful” pianism. With her trio (Redwoods), she was more in the pocket, mining vamps and grooves for what they could say about the blues, but always keeping things intelligently sweet. If you’d barely heard…
'Returnal' is the fourth album from Daniel Lopatin's Oneohtrix Point Never project, after 'Betrayed In The Octagon' (Deception Island, 2007), ÔZones Without People' (Arbor, 2009) and 'Russian Mind' (No Fun, 2009). All 3 albums being superbly compiled on the 'Rifts' double CD set (No Fun, 2009). It sees Lopatin fine tune his craft for creation of deep atmospheres and texture even further. Starting off with the mind blowing triptych of 'Nil Admiari'-'Describing Bodies'-'Stress Waves', which …
Now I've seen the Starving Weirdos play live, which always tends to blur opinions of a band's recorded material. If you see a band play and they are a bunch of obnoxious f*ckwits with no clue what they're doing it can colour your judgement somewhat and make a record seem a lot worse than it is, and if you see a band that are just frankly very awesome indeed and lovely folk to boot, then it can give you a different focus when you hear them on cd. Thankfully Humbolt crew Starving Weirdos fal…
The best 12k/LINE release in ages - dark, Lynchian eroded tape-loops and analogue menace. ESSENTIAL PURCHASE! (boomkat) "The Transparence dubplate, developed at O ' in Milan, Italy, works within the physical limitations of the vinyl medium, employing the object as sound source and also sound medium, to become an instrument in its own right. Using the non-linear acoustics of the gallery at O', the dubplate was recorded, and later cut to disc in Berlin, at very low volume. This ephemeral audi…
It has been quiet for Flim, also known as Enrico Wuttke, since his last release 'Pola Music' and 'Ohne Titel, 1916' (the latter being his second release on Plinkity Plonk). However he still works as a designer, and creates music for dance companies and short films, as well as enjoying family life. His new release is a 28 minute EP with four pieces he created for a dance piece 'Refugium', based on the novel 'The Wall' by Marlen Haushofer. Originally published in German in 1962 and touted more rec…
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
Italian minimal synth & drum machine duo, another side project by Ottaven/Canedicoda, abstract dread sounds with elements of clinical drone and throbbing frequencies to a more introspective ambient chaos
This collection of rare album artwork reflects the independent energy of the African American jazz movement. Located in the heart of Soho in London, Soul Jazz Records is a musical oasis. While many of the quality record shops that once graced this area have closed their doors Soul Jazz seems to go from strength to strength. Stuart Baker and his partner Karen Tate oversee a thriving business which is driven by their own tastes and beliefs. A pragmatic duo, they recognize that the survival of Soul…
'Creakiness and other misdemeanours collects the long out of print 'Creakiness' lp as well as various other very limited releases. 'Sand Tangled Women' was released as a limited edition 7' by Klanggalerie. 'Little Dipper Minus Two (Echo poeme sequence 1)' was a CDR limited to 200 copies. 'A Perfectly Natural Explanation' was released on a limited edition 7'. New artwork by Babs Santini.'
Composed by Michael Pisaro and Taku Sugimoto. Performed by Casey Anderson: computer, Matt Barbier: trombone, Eric KM Clark: violin, Devin Disanto: clarinet, Paul Fraser: trumpet, Kristin Haraldsdottir: viola, Stefan Kac: tuba, Ingrid Lee: piano, Daniel Letourneau: guitar, Heather Lockie: viola, Sepand Shahab: keyboards, Cassia Streb: viola, Christine Tavolacci: flute, Chaz Underriner: guitar, Michael Pisaro: guitar, Taku Sugimoto: guitar. Recorded by Michael Pisaro at the Wulf, Los Angeles…
"Which brings me to Radian with long player 'Chimeric'. The post rock button has genuinely been pushed. This record offers a lot to bearded, stand with your arms folded at gigs nodding types. They have quite a claustrophobic quality.With vibraphone and introverted samples dominating proceedings, but does not seem to move above brooding pace, which gives it a soundtrack effect. The cover is really poncey as well its a broken vase with dying flower petals strewn about the place.Its probably meant …