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Merzbow (aka Masami Akita), animal rights activist, writer, and musician, an Iconic figure in International noise scene. Renowned for his pioneering contributions to the noise music genre, Merzbow has solidified his position as one of its most significant and recognizable figures. From his groundbreaking utilization of tape loops to craft expansive industrial landscapes in the late 1970s, to his transition to laptop-generated static noise at the turn of the century, Merzbow has consistently push…
“Soogie” (1969) was Willie Rodríguez’s first album for Mary Lou Records. Mary Lou Records, at that time, was also one of the labels in the right place at the right time, just before Fania smashed almost all the competition. The album is mostly comprised of guaguancós, boleros, and improvised-space-filling descargas (jam sessions). This is remarkable, as it hardly includes boogaloo, which was still prevalent during those years, yet already on the way out.
According to Bobby Marín, its musical dir…
In 1970, after four fantastic singles under the name New Juggler Sound, the Peruvian band formed by Saúl Cornejo (guitar), David Levene (lead guitar), Ernesto Samané (bass), Carlos Salom (organ) and Manuel Cornejo (drums) changed their name to Laghonia and recorded their debut LP "Glue" for the MAG label. It was an album influenced by the British rock of the era to which they added fiery guitars full of fuzz and wah-wah, the omnipresent and hypnotic Hammond organ sound and Latin American percuss…
After four brilliant singles, in 1969 the Peruvian band New Juggler Sound, formed by Saúl Cornejo (guitar), David Levene (lead guitar), Ernesto Samané (bass), Carlos Salom (organ) and Manuel Cornejo (drums), changed their name to Laghonia and released their debut LP "Glue" on the MAG label. The album included those previously released tracks, which were very influenced by the British rock scene of those years, to which they added fiery guitars bursting with fuzz and wah-wah, the ever present and…
The music on “Green Prism” is rooted in the last of the many commissions Keith Tippett wrote in the latter part of his career. The original compositions featured on this album are arrangements drawn from a suite composed by Tippett entitled "Winter's Welcome" in 2018 for the brass ensemble Zinc & Copper, which premiered in Berlin on 17th February 2019. Due to ill health Keith was unable to attend the final rehearsals, which meant the project was never finished as originally envisioned. After Kei…
This 1971 album by the Hungarian jazz guitarist Gábor Szabó is a smooth jazz-fusion record blending psychedelic jazz, pop, and Latin influences. It includes one of Szabó’s best-known tracks, "Breezin’", later famously reworked by George Benson. The album is marked by melodic guitar lines, cinematic arrangements, and a polished, atmospheric sound typical of early-70s jazz fusion. Szabo also delivers a few stellar originals, showcasing his signature fusion of Hungarian folk music, jazz, psychedeli…
Dino Valente (1968) is the first and sole solo album by American singer‑songwriter Chester (Chet) William Powers Jr., widely known as Dino Valenti or Valente and celebrated as a founder and early leader of Quicksilver Messenger Service. Blending rock, folk and country with psychedelic undertones, the record pairs introspective, evocative lyrics with the quintessential West Coast sound of the era. Though it was largely overlooked upon its original release, the album has since been embraced as a c…
Get ready to ignite your turntable: Cal Tjader's seminal 1965 Latin jazz masterpiece Soul Sauce is back on vinyl for the first time since 1993. This vibrant reissue celebrates the album's enduring groove, fusing the vibraphonist's shimmering melodies with irresistible Afro-Cuban rhythms like mambo and boogaloo.
A cornerstone of Latin jazz, Soul Sauce captivated audiences with its tight, danceable grooves and accessible yet sophisticated arrangements. Tjader, the vibraphone virtuoso who bridged j…
Far Out continues its exploration into the singular catalogue of Argentine guitarist and songwriter Agustin Pereyra Lucena with a special Record Store Day edition of his most celebrated album Ese Dia Va A Llegar. Agustín Pereyra Lucena was one of South America’s outstanding guitarists. Hailing from Buenos Aires but obsessed with the music of neighbouring Brazil, Agustin abandoned his architecture studies to pursue music full-time, earning friendship and collaborations with Brazilian music's grea…
Among the most luminous records ever issued by Popol Vuh, and one of the high points in the singular spiritual arc traced by Florian Fricke across more than three decades of work. Esoteric, reissuing the album on vinyl on July 31st, 2026 in a fresh cut prepared at AIR Studios, London, returns to print one of the essential statements of 1970s German music.
By the time Fricke entered the studio in Munich in 1974 with Daniel Fichelscher on guitars and percussion, Djong Yun on vocals, and Olaf Küble…
*100 copies limited edition* 'Kiliae' is a collection of pieces that tell the story of a homecoming. It is a cohesive narrative that captures the feeling of what a home can be, drawing its inspiration from life in that place itself—life that has now become something different after having lived in foreign places for an extended period of time. Kiliae captures a certain atmosphere, a feeling that has built up during countless walks and bike commutes in and around the city of Kiel.
In the late 1960s, the coastal city of Paramonga, just a three-hour drive north of Lima, gave rise to a vibrant music scene shaped by surf, rockabilly, and tropical sounds. Among its protagonists were two musicians, Víctor Ramírez and Maximiliano Chávez, who, with their psychedelic guitars, Fender amplifiers, and wah-wah pedals, would define not only their own sound but also shape the musical identity of the region. Under the mentorship of their manager, Néstor “Romanito” Robles, the two guitari…
Join the Kyle Shepherd Trio on “A Dance More Sweetly Played” as they explore, collaborate and improvise on the ‘songs we like to play’. The album’s title is a dedication to the celebrated South African artist William Kentridge, with whom Shepherd collaborated on a joint-work “Waiting for Sybil” that has toured world-wide. In addition to ten Shepherd originals, perhaps most unexpected is the inclusion of an exquisite reading of Massive Attack’s ‘Teardrop’ and a deconstructed take of Journey’s ‘Do…
Formed in 2022, Fjall features a cornucopia of instrumental sounds, both acoustic and electronic, which the group uses to create soundscapes rooted in folk and ceremonial music, together with field recording material drawn from the sounds of the natural world - all mixed together on a canvas of open ended improvisation. This release documents in full two performances by the group, both in front of large and attentive audiences.
Departing from a run of releases for Discus Music featuring mainly large group composition, this stripped down, free-blowing session features a group of great players on top form, delivering music which is in turns heavily incisive and delicately traced. Dunmall himself has never sounded better than he does here.
*2026 stock* Originally released in 2020 as a double 12", Tides marked Joachim Spieth’s second full-length album on his Affin imprint. The record quickly sold out and has now been reissued as a carefully crafted CD edition presented in a 6-panel digipak.
The album unfolds across eight tracks, shaped by endlessly interwoven layers and subtle shifts of tone, tracing a path between immersive, melancholic, and euphoric moments. Flowing textures and atmospheric depth merge into a vivid emotional land…
* Edition of 199 copies * Originally released on cassette in 1985, H·A·D·A·Y·R·O is a landmark of Japanese noise music. It documents the early vision of Solmania and the singular sonic approach of Masahiko Ohno. For years, it remained a cult artifact among collectors and underground enthusiasts. This vinyl edition renews its impact, feeling more like a rebirth than a simple reissue. Solmania was far more than a band; it was Masahiko Ohno’s personal sound laboratory. At the heart of the album are…
* Edition of 199 copies * Government Alpha, the project of Yasutoshi Yoshida, is one of the central figures in Japanese harsh noise, emerging from Tokyo's early 1990s underground scene. Through his Xerxes label, he developed a style that is both extreme and meticulously constructed, balancing ferocity and precision with remarkable control. Even at its most chaotic, every sonic eruption feels carefully placed.
Originally released on cassette in 1994, The Human Race Was Restored To Life Repeatedly…
A long overdue gathering. For more than half a century, Cyrille Verdeaux's Clearlight project has occupied one of the strangest and most overlooked positions in the landscape of 1970s European progressive music - a French ensemble whose foundational works were recorded in England, issued by Virgin, and shaped, in no small part, by the orbit of Gong. Now, for the first time, Esoteric collects the five essential Clearlight albums into a single remastered 5CD clamshell box, with a new booklet essay…
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep listening pull the music in multiple directions at once.