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2025 stock This is the story of a life's journey to a destination, not only unknown, but wildly unexpected – filled with excitement, achievement and love, but also pain and struggle. Barbara Thompson, the daughter of an eminent lawyer, was born with a restless creative urge that her conventional education in music could not satisfy. It was when she discovered jazz that she found the freedom she had been seeking. But for a woman, the almost entirely male world of the jazz musician was a dangerous…
The re-release of the much-sought-after art book by Coil's John Balance—the first ever extensive overview of his drawings, paintings and sketches—in a reformatted and largely redesigned edition. The artworks featured in the book are both finished elaborate hallucinatory pieces as well as quick sketches with a good sprinkling of Balance's often underestimated humour. Homages to idols and inspirations next to idiosyncratic magical dreamscapes executed in a wide variety of styles and mediums. This …
*2025 stock* If you are looking for ultra-rare Softpop, you’ve come to the right place! Laminated Hardboard Tip-On Cover. With Poster, Insert and Obi Limited 500 Copies. The Canterbury Music Festival’s 1968 album, Rain & Shine, an almost willfully secret psych-pop masterpiece of sorts, on the obscure and collectable BT Puppy label out of New York City, owned by the legendary Tokens, and the source of many rarities from Canterbury Music Festival to the Brute Force classic “The King Of Fuh” (licen…
In 'Albion's Eco-eerie: TV and Movies of the Haunted Generations' Phil Smith takes us through a selection of weird films and TV shows and uncovers a wholly unexpected ecological and political message. Unlike most approaches to folk horror or hauntology, we are interested here in an alternative reading; one that attends to the unhuman characters, the materials and the edgeland spaces. A hobgoblinology.
"'Albion's Eco-eerie' is a fantastic exploration into culture’s obsession with ‘the other’. Dis…
"The bass music you will hear on this album is, it might be said, a child of the seventies. A ferociously radical time in the development of the double bass as a solo instrument found composers eager to formulate soundscapes that would send our Bottesinis and Dragonettis running for the exit !
As an emerging bassist in these heady times, immersed deeply into the art of improvisation where almost on a daily basis colleagues pushed the boundaries of instrumental possibilities, I found myself addit…
"We recorded this CD in May 2023 on the magical Greek island of Hydra in the Old Carpet Factory Studio. The title Kouartéto emanates from the cover image by the artist William Pownall who in the true spirit of Hydra has for many years been an important focus for visitors seeking original artistic creations. And so, in this spirit. The music on this CD reflects a multifaceted response to a multicultural and open understanding of how artists can work together.
Every project involving these four cr…
*2025 stock* "This latest release on Maya Recordings documents a new duo collaboration of Barry Guy together with the exceptional Norwegian saxophonist Torben Snekkestad. At convergent boundaries, tectonic plates collide with each other, sometimes slowly, other times giving way suddenly with huge energy being expended. The various plates that encompass this planet either get subducted by being bent and pulled under the crust, or they collide and fold the rock at the boundary creating mountains. …
There was a school of philosophy in ancient China whose core theory stems from a debate entitled “A White Horse Is Not a Horse.” In a book by Gongsun Long (公孫龍 320-250BC, about 200 years after Confucius) in the Warring States Period, two persons argue if a white horse is a horse: the protagonist argues it is not, because ‘white’ is the color of a (particular) horse while a ‘horse’ is a shape and a generic term. It’s a linguistic/logical paradox, or sophistry. Ridiculed by his contemporary philos…
2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…
2025 stock Released in 2015, this is arguably Dan Melchior's stand alone release in a massively impressive catalog. Eschewing the gutbucket trawl & extended electro pedal-whomp,The Souls of Birds and Mice is more fugue like; it isn’t composed of elements so much as it is composed of the composing of elements. Recorded at a pivotal time in the his life, one can detect the influences varying from his wife, Letha Rodman-Melchior to Pale Cocoon, Martin Davorin Jagodić' & Pôle running through this l…
2025 stock Thought these were long gone, but hey, not so fast! Originally released in 2013, this was Letha's 1st foray into the vinyl game AND her 1st under her own name (as opposed to Tretetam, which she'd been using since 2008). 'Handbook' is a lovely sound pastiche of everyday day life turned inside out. Both ambient & disturbing, her sound distillations are wondrous & hypnotic respites in this suffocating modernity. FFO; Moondog, United Dairies label, John Bender. Very last copies.
2025 stock When Don Fleming was doing the initial transfers of the tapes we’d gotten retrieved from Randy Cohen’s barn, every evening seemed to bring a new surprise. But nothing was a bigger jawdropper than the material which makes up the second LP of our Jack Ruby archival series.
The central core of the album is the sixteen-and-a-half minute track, “Destroy/Lost”, recorded at the band’s rehearsal space in January ’74. Robin Hall vocalizes and Boris plays electric viola, but the bulk of the pie…
2025 stock “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder ∫ gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977. Friend …
2025 stock 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. It also features one of Hazlewood’s greatest lines ever “One week in San Francisco, existing on Nabisco, cookies and bad dreams, sad scenes and dodging paranoia.”
Lee Hazlewood…
Sky Blue, a collection of unreleased songs by one of the most celebrated songwriters of the twentieth century, is a time capsule that Townes Van Zandt created forty-six years ago, and we’re only now just unearthing and opening it to find the treasures inside.
Emerging from the late 1960s underground music scene, Clark-Hutchinson's collaborative masterpiece "A=MH" broke new ground in psychedelic rock. Guitarist Mick Hutchinson and drummer Andy Clark's fusion of blues, rock, and Eastern influences created a captivating sonic journey. The Underground Impresarios label brings this limited edition LP reissue on heavyweight red and black splatter effect vinyl.
Nashville's Terry Reed-he being neither Jerry Reed nor Terry Reed-self released his 'On Way To Alpha' mini album into this universe sometime in 1975 as a 7". While novel in formant, Reed's fantastical, solitudinarian take on inchoate, Psychedelic expression is uncannily impressive. Gentle psych, loner psych, however you choose to approach it, this aural nug is a giver of tremendous reward. Little seems to be known about Reed, or this release, via the interwebs & original copies rarely turn up. S…
Zaius Tapes is proud to announce the repress of Jim Shepard's dark, cathartic masterpiece, 'Picking Through The Wreckage with A Stick' lp. Originally released by Siltbreeze in 1995, it seemed no plans were in order to see it in print again, so we took matters into our own hands. And you will all be the better for it! 'Wreckage bears little to no resemblance to Shepard's proto metal-prog rock band, Vertical Slit. If anything it follows the trajectory of his debut lp, 'Slit And Pre Slit'. Both alb…
This is the second album by an Estonian composer and pianist, Volodja Brodsky, showcasing his original cosmic compositions performed on piano and vibraphone. Limited edition of 500 copies on 180g vinyl. Comes with a download code and an exquisite insert card by Savva Terentyev featuring the musical transcription of the title track.
This album is pure weird Alpine-Folk music with martial drinking-songs, alpine battle-hymns and strange fairie-tales out from the deepest Austrian and Bavarian forests, all embedded in a breath of black Monty Python humour. A pearl of pure Alpine Folkmusic!