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Adjustable Face, the newly formed duo of Milan-based musicians Marco Paltrinieri (Canti Magnetici, Granny Records) and Matteo Pennesi (Babau, Artetetra, {scope}), explores the intersection of glitch, ambient, and computer music through different composition and production strategies.
Their debut album "Adjustable Phase", soon-to-be-released via Kohlhaas, was built through a process of editing, reassembling, and refining extended improvisation sessions recorded throughout 2024. Primarily based on…
Performed by Giovanni Di Domenico on a late autumn night in 2021 on the 2859-pipe organ (Giuseppe Zanin, 1970) at Chiesa di Stella Maris, Milano Marittima.
Giovanni Di Domenico: pipe organ, Chiesa di Stella Maris, Milano Marittima, Italy, November 26th, 2021.
"tri-n-os" —stemming from the ancient Greek word θρήνος (thrínos) meaning lament, wail, mourn and cognate to Sanskrit ध्रणति (dhráṇati, “to sound”), Latin drēnsō (to cry, to murmur), and Old English drān (drone)— unfolds as a deep delve into the realm of improvisation, drone and feedback. A sonic exploration of the lament as an open process: unruly, fragmented, and recursive —not simply as emotional expression, but as a state of being and a resonant system. Drawing on the principles of cyberneti…
On Cafe Mirage, Satoshi & Makoto let their trademark hardware lyricism bloom into a quietly cinematic suite: refined electronica, ambient haze and soft‑focus groove tracing the contours of an imaginary café suspended between daydream and reality.
*250 copies limited edition* I don’t know how to describe myself as a musician, but I like to explore how sound events can create spatial arrangements in the mind and trigger proprioception… Or is it movement? This album collects and refines around four years of experiments and statements. Early work responded directly to the visual cosmology of Philippe Shewchenko, who created the cover art. The album title describes my attempts to process disparate influences through semi-improvisational compo…
*200 copies limited edition* The album was recorded in a small chapel of a monastery in the city center of Ghent. A chapel, by nature, is a place of contemplation and meditation, which inevitably influenced the music. Movements slow down, attention is sharpened and the overwhelming silence of the space becomes part of the music. Sound and silence are meticulously woven into each other. Even when the music grows at times dense and heavy, there is an ever-present sense of closeness and intimacy. T…
This is the first widely distributed release for Isabel Pine after a series of self released EP’s and singles on Bandcamp. She studied classical music on viola from the age of 3 through into college, where she was on a path to be a performer in a large ensemble, but eventually left after feeling frustrated and limited in a world that did not provide much of an outlet for individual creativity. But the doors of perception really opened when she moved to British Columbia and was exposed to the raw…
E The Artist presents Six, his debut album for Nyahh Records; an incendiary opus of blown-out electronics and daring sonic abstractions, inspired by the seven seals, that posits E as a daring force within the Irish underground. Garnering a fierce reputation both in Ireland and abroad despite minimal recorded output, the artist known as E instead boasts his infamy on the live circuit. The Nigerian-born, Dublin-based musician impressed over the years with a slew of memorable performances inspired …
*2026 stock* The third studio album by Kuang Program, undoubtedly one of Seoul's most daring bands. Novelist Kang Hee-young introduces that this album, which betrays listeners' traditional expectations for 'rock', most faithfully reflects the musical direction that Kuang Program has pursued. This is the first release in 5 years, with new member Seo Kyungsoo. Mastering: Roc Jiménez de Cisneros of EVOL/ Helicopter Records
Perennials is the latest full-length from Toronto-based anthéne (aka Brad Deschamps), who builds transportive, beautifully detailed sonic worlds using only a guitar, sampler, and modest cache of pedals. Here, his refined treatments, manipulations, and experimentations blend seamlessly with an innate sense of harmonic layering to create an impression of seasonal cycles and their relationship to the human experience at scale. “winter chords” opens with slow serenity and a faint suggestion of hiber…
*100 copies limited edition* Trombe's fourth album, 'Bête Noire' (2026), is a tribute to all those wild boars that tear up the countryside, slaughter sheep, and are chased and killed by bizarrely clad figures in orange vests, armed with rifles... Beware of the line of cars parked in a herd along country roads, because they're there, prowling. Don't meet their gaze, or you'll be petrified... In fact, I know some people who had to change their mode of transport after a collision with the beast... …
In between being one of the most recorded studio drummers of all time, the beat-maestro extraordinaire Bernard Purdie squeezed in a few sessions of his own. Purdie Good! was recorded early in 1971 by legendary engineer and audio obsessive Rudy Van Gelder, at his bespoke studio in Englewood Cliffs, New Jersey, and has all the quality hallmarks of that esteemed locale. Three Purdie-penned originals are balanced by three covers of hits-du-jour, utmost among them a blazing romp through James Brown’s…
2026 stock Genie Of The Keys: The Best of Korla Pandit collects 16 choice cuts from this era—all featuring Pandit’s inspired blend of Eastern, Latin, and South Pacific musical traditions. Among the artist’s original compositions is his famous “Magnetic Theme,” which opened Korla Pandit’s Adventures in Music. Genie of the Keys also includes a variety of pop covers, including “Somewhere Over the Rainbow,” “Polka Dots and Moon Beams” and “Speak to Me of Love.” This collection—which not only celebra…
Black vinyl – limited edition of 500 copies only! The Exotic Sounds of ÌXTAHUELE are back with three fresh offerings to soothe and entice your ears! Let your mind’s eye wander as this dynamic group paints an auditory landscape utilizing a wide array of both indigenous and symphonic percussion! Front and center are the vibrant, lush tones of the vibraphone, paired with piano, bass, and the occasional flute – all accompanied by an exciting and ever-changing thicket of bongos, congas, shakers, bel…
Tip! *200 copies limited edition* The Stratégies Obliques series continues with two previously unreleased tracks. Still based on the principle of randomly drawn cards invented by Brian Eno and Peter Schmidt.
*300 copies limited edition* Re-edition of the Cult Industrial-Noise / Power-Electronic split album out in 1997 on OEC. The original LP, limited to 470 copies, is long time sold-out: time for reprint it into CD format. It’s amazing, it has been 28 years since the original split LP was released. These tracks all sound better than ever thanks to a meticulous mastering job by Grant Richardson. “120 Days of Sodom” is accompanied by the only previously unreleased Deathpile track, which was recorded i…
Hopes and Dreams is the title of our brand new compilation series, which will celebrate its debut on March 20, 2026. This new series draws on the music selection of Praise Poems, not only in terms of obscurity, but also in terms of genius. Similar, but anything but a poor copy, the focus is on rare grooves from the 1970s.
Lay Llamas is an open musical project founded in 2012 by Sicilian composer, musicologist and graphic designer Nicola Giunta. Not a band, but a shifting constellation of collaborators, visions and sounds. Rooted in psychedelic traditions yet untethered from genre, Lay Llamas explores ritual rhythms, imagined folklores and escapist exoticism, where past and future blur into something new each time. The project has featured collaborations with artists such as Gioele Valenti (JuJu/Herself), Mark Ste…
Half an hour of unbroken drone from two people a generation and an ocean apart: John Krausbauer on violin, Werner Durand on reed instruments he builds himself. Limited to 150 copies.
*200 copies limited edition* "Paper Braids came out of a long collaboration between me and the wonderful musicians of the Kali Ensemble. Through a series of workshops, residencies, and performances over the course of four years, we built up a collective practice focused on three topics: listening as the basis of musical interaction, awareness of how sound interacts with the performance space, and using that spatial awareness as a basis for both the duration of individual sounds and the temporal …