We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
On Silmät sulaa, Pietu Arvola sets out to make a “summer album” and instead lands on a heat‑sick mirage: strings, tape‑scarred electronics and unstable textures steeped in memories of sunburn, burning houses and hospital fevers, where warmth tips constantly toward delirium.
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
Originally released in 1981, Mr. Circle’s Thi Nam should really have been recognised decades ago as a jazz dance classic. A beautiful example of European jazz fusion at its most sophisticated and optimistic, the album is immersed in the sonics and rhythms of pan-Latin fusion and Brazilian samba, but with one foot in the upful jazz fusion exemplified by Roy Ayers or the Mighty Ryeders. Remastered from the original tapes at Abbey Road, Outernational Sounds is proud to present a true lost gem of Eu…
On Health & Safety, Johan Surrballe Wieth drags his post‑hardcore sensibility into a hushed, modern‑classical fever dream: 25 minutes of grief‑stricken keys, corroded drones and ghost‑violin traces that move like medicated insomnia.
*100 copies limited edition* "Music, like love, surprises you, makes your heart race, gives you new eyes with which to look at yourself in the mirror..." - Gigi Masin
With an exclusive presentation by Gigi Masin, Up To 23 release their second album, now with an expanded three-member lineup following the permanent addition of Enrico Coniglio alongside founder members Marco Buffetti and Francesco Fincato. The album draws inspiration from the 1980s, evoking atmospheres reminiscent of sci-fi soundtr…
Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing d…
On Landlocked, Mo'ong Pribadi and Sholto Dobie build a clattering, breathing machine‑folk from self‑made pipes, horns and percussive junk, where air compressors and human lungs mingle into an uncanny music of phasing clicks, drones and phantom tunes.
On Attacco morbido, ATMO (Leila Hassan and Elia Buletti) let soft drum‑machine grids, quietly glowing keyboards and voice‑led fragments drift together, where programmed pulse and hand‑played percussion blur into intimate, half‑dreamt songs.
On Taillis, Roxane Métayer and Charles Dubois cultivate a sparse, alive thicket of sound where violin, prepared drums and resonant objects trade roles, letting melody, pulse and texture quietly braid into fragile, shifting song‑forms.
Alice Kemp is a British artist working with noise, performance, fetish objects, installation and many other forms of media. Throughout her work, she articulates a broken and illogical syntax of the subconscious through trance states, dreams, and disturbances. She has performed extensively, occasionally as an associate to the Schimpfluch-Gruppe of Swiss extreme aktionists.
It is a rarified violence that the Kemp invokes on her 9 Dreams In Erotic Mourning. Something disfigured. Something fucked. S…
*2026 repress* Lilith present a reissue of Os Mutantes' self-titled debut, originally released in 1968. With the release of their debut LP in 1968, Os Mutantes cracked the already red hot Tropicalia scene wide open. Fusing traditional Brazilian music, psychedelia, rock, and a good dose of pure experimentation, they quickly became giants both in Brazil and in the outer fringes of pop music, where they have managed to reign supreme for the past four decades. Not an easy task in such a crowded aren…
Analog Tara’s Life of the Mother is a sonic meditation on the depth, expansiveness, complexity, and power that this phrase holds. This album is made from layers of generative processes and interactions with them. Analog Tara uses a Zillion sequencer and Xone mixer as system guides, and sounds of the ARP 2500, Jealous Heart, Access Virus, Oberheim OB-6, Jomox XBase, Moog DFAM, and more to create a compelling electronic narrative.
Vologne debut album tells stories about loss, existence and oppression...when lost illusions turned into black rage. To the restless and misunderstood people who enjoy another kind of beauty.
Acclaimed musicians Nitai Hershkovits and Daniel Dor will release their highly anticipated album, “The Garden Suite”. Following their previous collaboration on Daniel Dor’s debut album, “Four Petals”, this new project sees the duo exploring uncharted musical territory with an innovative, Moog-based sound.
Inspired by the groundbreaking work of synth pioneer Malcolm Cecil, “The Garden Suite” marries electronic textures with the richness of orchestral sound. Drawing from a vast range of influences…
“Found & Found” - the second album from Nitai Hershkovits and Daniel Dor grew out of pure curiosity. “There was more to say, more to explore,” says Dor. Expanding from the synth-only palette of 2024’s “The Garden Suite,” these tracks include guitar and clarinet, blurring the line between acoustic and electronic. Each composition is built with interlocking, mantra-like patterns - hold onto a sound, and find yourself floating above or descending inside.
These songs are the first five compositions made by Hands. It's a live recording from their first gig at Råhuset in Copenhagen on october 8th. The digital cover art is a still from the Tim Burton film Edward Scissorhands, with Johnny Depp playing the role of Edward, who has scissors for hands.
*2026 stock* Ad old men but not down-trodden paths when the areas are only popular & sought after by the still few. For many, there’s a Milky Way between pop & this music; for fewer, it’s like standing on either side of a hybrid ant. The guitar (the chordophone) & the drums (the membraneophones) are known by most, but the sound here is of the rarer kind, although there is indeed string play & rhythmic things, just not in the usual way, but instead according to other orders & expressions, like an…
Drawings, Collages, Paintings reveals Adam Bohman as a visual artist every bit as singular as his music, collecting five decades of creatures, cowboys, food‑packet detritus and biro‑scrawled ephemera into a thick, disarming portrait of an English visionary working at the kitchen‑table edge of art history.
In The Sound of the Machine, former Kraftwerk member Karl Bartos offers a wry, detailed memoir of life inside and beyond Kling Klang, tracing how post‑war childhood, pop dreams and classroom work converged in some of electronic music’s most enduring songs.
In Futuromania, critic Simon Reynolds assembles essays and interviews into a time‑spanning narrative of machine music, tracing how electronic pop, from Moroder to Burial, has channelled science‑fiction fantasies and anxieties into new futures for sound.