New Arrivals
Rules
2012 Reissue. Ektro Records proudly presents the pioneer of Finnish electronic and experimental music - Mr. Erkki Kurenniemi. The tracks released here - produced during 1963-1975 - include Kurenniemi's focal works and previously unreleased raw material composed as solo works - as well as works in collaboration with Kari Hakala, Jukka Ruohomäki, Otto Donner and Eino Ruutsalo. Kurenniemi's impulsive attitude towards his art - including electronic music, films, media art, instrument design - is per…
Making real
Making Real, an exercise in creating reality. Created by Gerritt Wittmer in 2012-2013. Mastered by Giuseppe Ielasi. Featuring the artwork of painter Nicola Samori. Gerritt Wittmer is a sound and performance artist based in Oakland, California. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He has performed and recorded as Gerritt, Ginnungagap (with Stephen O'Malley and Tim Wyskida), Deathroes (with Sixes), and has perfo…
Live
Founded in 1970 in Dusseldorf, Kraftwerk was the only German band to rise from the so-called 'krautrock' scene to true international stardom. Of course, it was partially their distinct look that set them apart. At a time when long hair and scruffy clothing was the norm for musicians, Kraftwerk cut their hair short and wore handmade suits. And at a time when guitar rock reigned supreme, Kraftwerk did not even have a guitar player. In fact they soon did away with instruments altogether, beco…
Psychedelic Sax
Grey-area exact LP repro edition, originally released on Fahey's Takoma label in 1967. Charlie Nothing was the fractured-psyche pseudonym of author, organic farmer, beekeeper and philosopher/clown Charles Martin Simon, inventor of the dingulator (guitar sculptures made out the metal from American cars). The Psychedelic Saxophone Of Charlie Nothing made a minor splash in the European free jazz melting pot upon its initial release, but the album's non-dingulating psych sax improvisation, acc…
Menses
Originally released in a private edition of 300 copies in 1982. This vinyl re-issue comes in a beautiful picture disc and includes a replica of the original and hard to find insert. The copies I have here include a page of a medical book handsigned by Maurizio Bianchi himself.
The End Of An Ear
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
Format
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
Berberian Sound Studio
To coincide with Halloween we can announce that Warp Records will be releasing Broadcast's original soundtrack that accompanied the recent Warp Film 'Berberian Sound Studio' - Peter Strickland’s brilliant homage to 1970s Italian horror. The film's integral soundtrack was composed by Broadcast before Trish Keenan's untimely passing last year.
Black wooden
6 songs, 21 minutes. In high summer of 2007, Phil Elverum, in the guise of Mount Eerie, found his way to Southern Studios. Armed with a borrowed guitar and some notebook paper, and with little time before an evening gig, Mount Eerie and Southern's engineer Harvey Birrell recorded the six songs of Black Wooden.Black Wooden is the coming together of ideas that had travelled with Mount Eerie for months and had solidified into compositions in the days and hours before the studio session. The title i…
Scott 2
2013 repress. "Originally released in 1968, Scott 2 made it all the way to number one on the UK pop charts, perhaps the strangest number one hit in pop history. Continuing with his orchestral obsession, Scott 2 features over-the-top string and horn arrangements, occasionally veering into dangerously schmaltzy territory. This production style is in drastic contrast to the lyrical content, songs of despair, prostitution, homosexuality, and brutal honesty, indicting the same glamorous and gli…
No Input Mixing Board #8
Toshimaru Nakamura returns with another outstanding full-length of no-input mixer improvisations. Hello, Dear…ah, anyone who takes this up in front of your eyes and ears. Here’s my new (in 2013) solo album. I hope you find it worthy enough to take your time and have a listen. It was recorded in one day. Compared to my previous releases, “Maruto” on Erstwhile Records (2 years to produce), “Egrets” on Samadhisound (5 years), it came to life quite quickly. Almost like it popped out. But it took thr…
Partikel III
The third and final part of the Partikel trilogy is finally here! Another beautifully constructed collaboration from the two noise giants - Japanoise King Masami Akita (aka Merzbow) and Swedish Overlord Henrik Nordvargr Björkk (MZ.412, Folkstorm, Toroidh). The styles on ÔPartikel III' range from total noise barrages, to intelligent electronics, to subtle dark ambient pieces. Essential! Presented in a luxurious matt laminate digipak.
Backpages
Ron Morelli returns to stare down the 'floor with four pieces written during the stress-busting sessions for Spit (HOS 407CD/LP). The muggy, droning welt of "Public Consumption" kicks off with the sound of New York techno shot from the hip, while "Another Hit" vents a vintage era-Regis style built on skull-chipping snares and effluent acid modulation. The album's writhing batacuda banger, "Crack Microbes," reappears here as an extra-ferric extended "Version," sustaining the hypnotic intensi…
Jack Allett / Kalbakken
"Relay I" is the first in Smeraldina-Rima's Relay Series. An artist for the A-side is chosen by the Smeraldina-Rima clan, after which the A-side artist decides upon who will get to fill the B-side. For every Relay 7" a different artist will be chosen to create the outside artwork. The A-side of "Relay I" fell to Jack Allett, the fingerpicking whirlwind formerly known as Spoono. Allett chose Kalbakken for the B-side. A great choice, Kalbakken, with its shamanistic folk, offers a great supplement …
I am the Center: private issue new age music in America, 1950-90
One of the best things about Seattle label Light in the Attic’s new new age compilation I Am the Center is that it doesn’t try and pretend that new age music was something that it’s not. Look at the album’s cover illustration and you’ll see an angel-like creature carrying an orb of yellow light through the clouds; open the gatefold and you’ll see what appears to be a bird made of stars launching itself out of the ocean. Press play and be delivered into over two hours of mind-numbingly mellow mus…
Revelation
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
Bandits of Stature
LP edition, sold out at source: Darla is pleased to offer a new record of string quartets by Harold Budd. Bandits of Stature is a first as it comprises 14 compact Budd composed string quartets played by the Formalist Quartet. Harold Budd is a one-of-a-kind, modern neo-classical artist with a career spanning 40 years. Bandits of Stature has the characteristic Budd minimalism one may expect, yet in new, or classical, form. On Bandits of Stature, he has created 14 elegantly simple, av…
Abandon debit
Chrs Galarreta (Peru). Very active in the South American experimental scene since 1995. Founder member of the independent label and association Aloardi. The sublime and the uncertainty are present in his actions, he gets them using broken electrical appliances, homemade audiovisual instruments, field streaming, field recordings, feedback systems, the induction of errors in the software-hardware and in the way to play musical instruments. Born in 1979, Anthony Baron lives and works in Paris. It i…
The Electronic Belt
Jamal Moss aka Heiroglyphic Being presents The Electronic Belt, his second release for Alter, and perhaps his most dancefloor-oriented release. The EP is made up of three choice cuts from 2012's Man with the Red Drum transmission with each track bearing the signifiers of Jamal's rough and distinctive production; melodies twisting themselves into psychedelic wormholes, raw kicks and toms that hit hard and tight. Yellow vinyl edition in five different colored disco bags, mastered for vinyl by Step…
Mask of the Maker
Fuses deep kosmische moods w/ jet-propulsion lab experiments, classic galactic Italo, soaring starblood synth workouts, funky astral ragas, psychedelic dust coulds & rare mantric guest vocals