New Arrivals
Waterkil
After meeting for the first time in Beirut during the Irtijal Festival 2006, Axel Dörner and Jassem Hindi had their first musical collaborationin Switzerland two years later in 2008. From that time on they have regularly performed as a duo on different occasions.The music of the duo is electroacoustic music with trumpet and electronics, both musicians using their musical equipment and systems in an unusual way, developing their own techniques of sound creation.They are interested in explorin…
Wounded Laurel
Hospital Productions present a heavy 30-minute session of layered drone and tormented, bass-heavy bombast from Max Gudmunson's Virile Games project, now available on vinyl for the first time after a sold-out micro edition of cassettes in 2013. Operating somewhere between his label-mate Lussuria's gothic ambience, the ear-bleaching concrète of Helm, and the more blown-out cinematic visions of Leyland Kirby, Wounded Laurel oscillates between sublime and wretched with a gripping night-time narrat…
Tobel II
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole purpos…
2nd Movement
Continue reprints of the amazing tapes by Pierpaolo Zoppo aka Mauthausen Orchestra released on Aquilifer Sodality in the early eighties. Tape after tape Mauthausen Orchestra constitute, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. 2nd Movement carry us, once again, as real rituals of a civilization without gods, in a pure world of suffering. …
Dropped Pianos
This Tim Hecker release is composed of sketch pieces recorded in 2010 in preparation for what would become the Ravedeath, 1972 album. All of the compositions are piano driven and minimal in nature. This is not a new Tim Hecker album, but rather a peek behind the curtains into the working process. That these pieces stand on their own as compelling soundworks is a testament to the fact that Tim Hecker is at the absolute top of his game at the moment, and has been for years.
Jessica In The Room Of Lights
Reissue of this largely unknown yet spellbinding touchstone in the canon of Sheffield's industrial music heritage, the album was recorded in 1986 as a soundtrack to a theatre performance recorded by John Avery, a contemporary of Cabaret Voltaire and Clock DVA. Forced Nostalgia's sixth release imposes the uncannily affective melancholia of John Avery's 1986 soundtrack to a theater performance Jessica in the Room of Lights by the coincidentally-named Forced Entertainment company. Avery employs pi…
Nihtes niht
'The music supposed to be a soundtrack for lonely ice-soundscapes... when you stand there on lonely wide inhuman places and feel lost, but you still stand on ice...' - Baraka[H] The newest collaboration between masters of evocative noise/drone ambient is divided into four long tracks, four directions of nothing. The tracks are entitled in middle ageindo-german language, for north, east, south, west. And the album title means nothing from nothing - very weird notion, as it doesn't exist anymore i…
The Plain Where The Palace Stood
Drag City drops the sixth and latest David Grubbs pop album, The Plain Where the Palace Stood, which finds David once again twining together the diverse strands of his vast interests. Working with Andrea Belfi (drums, electronics) and Stefano Pilia (guitar) - plus Attila Faravelli on electronics - creates a sympathetic groupthink that David expects more and greater from in the years to come. The welcome return of his distinctive overdriven guitar tone is a highlight of the record. And C. S…
Cheap imitation
Recorded at Mills College in Oakland, CA in March 1976, this LP represents one of the very few examples of John Cage performing his own work. Actually written in 1969, Cheap Imitation, composed for solo piano, is based on Erik Satie’s symphonic drama “Socrate”. An example of one of Cage’s indeterminate pieces, here Satie’s “Socrate” undergoes a series of variations based on the random extraction of hexagrams from the I-Ching. Inside pocket gatefold sleeve with liner notes.
NYC, Hell 3:00 AM
James Ferraro takes inspiration from "the things I see" in his 'NYC, Hell 3:AM' dystopia. The follow-up to 'Sushi' is a wry reflection of his locale, "a surreal psychological sculpture of American decay and confusion" evoking imagery of "rats, metal landscape, toxic water, junkie friends, HIV billboards, evil news, luxury and unbound wealth, exclusivity, facelifts, romance, insane police presence and lonely people... all against the sinister vastness of Manhattan's alienating skyline." Of course…
Tram Vibration
Date : December 28, 2006. Place : Inside a tram on a round trip from Ebisu-cho to Hamadera Ekimae on the Hankai Line (12:03- 13:46) in Osaka, Japan. Tsunoda captured solid vibrations using a piezo-ceramic sensor and a stethoscope, and Haco used her 'stereo bugscope' (two inductive microphones) system to catch electromagnetic sounds.
Dust & Mirrors
Dust & Mirrors’ is the second full-length album by the trio of Andrea Belfi (drums, percussion, electronics), David Grubbs (electric guitar, piano, voice), and Stefano Pilia (electric guitar). It follows 2010’s ‘Onrushing Cloud’ LP and finds the trio confidently taking stabs in a number of opposed directions. It dramatically widens the terrain in which the group operates. Between albums, the three musicians worked together on David Grubbs’s 2013 album ‘The Plain Where The Palace Stood’, and took…
Sleep (An attempt at trying)
Sleep (an attempt at trying)“ is a radio suite for vocalist, narrator, improvising ensemble and electronics. In this project Bumšteinas explored the subject of insomnia which makes it a very autobiographic project. The main sound material for “Sleep” came from the sleeping-aid and relaxation tapes, that Bumšteinas bought for himself in various fleamarkets around Europe. The course of personal therapy wasn't too successful and due to nocturnal boredom Bumšteinas started dabbling with the function…
Audience of one
On Audience of One, Oren Ambarchi, presents a four-part suite which moves from throbbing minimalism to expansive song-craft to ecstatic free-rock. While his previous solo albums for Touch have exhibited a clear progression towards augmenting and embellishing his signature bass-heavy guitar tones with fragile acoustic instrumentation, Audience of One, while also existing in clear continuity with his previous recordings, opens the next chapter in his catalogue of solo works. Remarkable in i…
BIPPP : French Synth-Wave 1979/85
Sounding as current as any of the recent output from France's Ed Banger, Kitsune or Institubes labels, and on influential blueprint for the evolution of the French electronic music genre at large, the majority of the performers featured on B.I.P.P.P. never made it beyond limited DIY pressings of 500 or 1000 copies of 7" vinyl singles.
Brombron 27: Nijmegen pulse
Korm Plastics is proud to present the twenty-seventh release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in …
Mantle
Mantle is Pixel's fourth release on Raster-Noton since his debut in 2003 and a further exploration of his approach to rhythm-driven electronic music. The overall atmosphere which is produced by the fragile but nevertheless complex sounds is gloomy and quite threatening. Deep, pulsating basses are accompanied by ominous and fierce tones which emerge like flashes of light or shock waves, giving the impression of being warning signals. The few calm moments are constantly disrupted by dark dr…
Mask of the Maker
Fuses deep kosmische moods w/ jet-propulsion lab experiments, classic galactic Italo, soaring starblood synth workouts, funky astral ragas, psychedelic dust coulds & rare mantric guest vocals
Cat mask at huggie temple
“The outcome of a collective trudge across the European/American desert for 40 days and 40 nights.†Cat Mask at Huggie Temple is the superb debut 12†by Desert Heat, a dust bowl rock trio of Steve Gunn, John Truscinski and Cian Nugent. The trio originally came together when they played a bowling alley followed by an appearance at Tusk Festival in Newcastle, UK where the trio jammed together like they had been a band for years. Part of the group\'s success hinges on John and Ste…
The Ocean Above Your Heads
Limited edition vinyl LP in super deluxe, full-colour printed jacket, featuring cover artwork by Roberto Opalio. The idea of a recording collaboration by Nels Cline and My Cat Is An Alien was born one day in Torino, Italy, while Cline was touring with Wilco in 2007. After two other intersections of their respective orbits (first at Victoriaville, then at a UK All Tomorrow’s Parties festival in 2006), Cline eventually mailed them a CDR of prepared and heavily effected electric guita…