New Arrivals
Tanz In Dem Himmel EP
"Superb cosmic and minimal synth/coldwave German underground masterpiece recorded in the early 1980s and released exclusively here on super-loud high quality 12" vinyl on Soul Jazz by popular demand! This is extremely limited (500 copies only) and contains three exclusive tracks of cosmic heaven by the cult German electronic group E.M.A.K. -- none of which appear on Soul Jazz Records' recent E.M.A.K. album. E.M.A.K. were a main feature on Deutsche Elektronische Muzik, Soul Jazz Records' j…
Mad Dog\'s Hustle
A too long unheard blacksploitation soundtrack from the Fantasy Productions house -- grooves from the pool of players who laid down the sounds on Secret Stash's fantastic Porno Groove compilation -- the score for the very little seen and long lost Mad Dog's Hustle from 1974! The music is credited to The Upstroke -- the same unidentified musicians from Fantasy's adult film scores -- and in a similar fashion to the porno soundtrack material, they're working very much in the appropriate idiom, but …
Convulsive Threshold
Two heavyweight explorers of sound and technology, Russell Haswell and Yasunao Tone, both undertaking separate rigorous experiments into the synthesis of sound and all its remits, converge for one helluva collaborative work. ‘Convulsive Threshold’ is the result of years of research and experimentation, Haswell’s systems of hybrid analogue/digital audio generation acting as one of the starting points for this relentess piece of material, which are then subjected to Tone’s MP3 Deviation tec…
Neposlusno / Sound disobedience
Through several duos, a picture of improvised music in Slovenia. Tao G. Vrhovec Sambolec, computer & Vid Dra ler, drums, percussion. Andrej Fon, bagpipes, clarinet & Ana Kravanja, violin. Matija Schellander, double bass & Toma Grom, double bass. Samo Kutin, hurdy gurdy & Marko Jeni , violin. Andrej Fon, el. guitar, clarinet & iga Pucelj, feedback loops. Vid Dra ler, drums, percussion & Marko Karlov ec, alto saxophone. Vitja Bal alorsky, el. guitar, analog electronics & Bo tjan Simon, alto saxoph…
Vaseline Race
Here’s a very limited coloured vinyl thing by Cicciolina Holocaust. There’s one of those photocopied pictures on the front where I’m pretty sure I don’t want to look at it for long enough to figure out what’s going on, much like Urashima seem to specialise in - it looks like some people are doing something very bad to another person. The tracks here originally came out on cassette in 1984 and have been remastered for this release.It’s dark industrial droney harsh no…
Alien, All Too Alien
Their cat may well be all too alien but there's quite an earthly feel to this epic voyage of a record from the brothers Maurizio and Roberto Opalio. It feels like you are slowly drifting through different continents perched on a floating glass-domed steel barge, observing the strangely contrasting cultures go about their business, seemingly unaware they are being watched. Though there are certain sounds contained herein that are quite familiar to many 21st century homosapie…
Don't tell the driver
Finally, after 15 years, Big Mick Turner has turned in the big rock record we always knew he had in him. Yeah, Don't Tell the Driver is a different kind of record from all the Mick Turner records -- not just his own, but the ones he's done with Dirty Three, Bonny Billy, Cat Power, Fungus Brains, and Venom P. Stinger put together. So, what's so different about Don't Tell the Driver anyway? Well, Mick grew a mustache for this one. That must mean it's his Sgt. Pepper; a consolidation and developmen…
Tram Vibration
Date : December 28, 2006. Place : Inside a tram on a round trip from Ebisu-cho to Hamadera Ekimae on the Hankai Line (12:03- 13:46) in Osaka, Japan. Tsunoda captured solid vibrations using a piezo-ceramic sensor and a stethoscope, and Haco used her 'stereo bugscope' (two inductive microphones) system to catch electromagnetic sounds.
Live at the Cairo High Cinema Institute
I saw him at a street party in Giza where a few hundred people had amassed to dance and scream into the night. Flanked by Khaled Mando and Islam Tata, his two drummers pounding furiously asthe signature tone of his synth intensified for almost two hours, Islam Chipsy demonstrated his completely revolutionary take on modern Egyptian Shaabi. The sound was raw and distorted, thevolume was deafening, and the energy was high. Thirty minutes into the set, the trio pulled out blindfolds and put them on…
In a Fung Day T!
Since 2001, Duchess Says have been spreading the gospel of the influential and mysterious Church of Budgerigars. Their learned mix of hypnotic rock and saturated keys, concocted by Phil C., Ismael and Simon Says, is delivered by A-C, a sermon laden with the teachings of the novice Mere-Perruche. The congregation has prayed the three Ts; now it's time to reiterate. In a Fung Day T! is their second offering. Adrian Popovich and Joseph Donovan of the Mountain City studio have succeeded in r…
Revelation
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
The Background Noise
Under The Snow is a project by Stefano Gentile (guitar, objects, field-recordings) and Gianluca Favaron (microphones, field-recordings, processing). Stefano Gentile is well known for his work as owner of the Silentes and Amplexus labels; he is part of Maribor (along with Maurizio Bianchi, Nimh, Andrea Marutti and Gianluca Favaron) and in the past he has collaborated with Aube and Amir Baghiri. Beyond releasing under his own name, Gianluca Favaron collaborates with Ennio Mazzon on the Zbeen proje…
Five Poems for the Swamp Ghost
Recorded at Soopa studio and featuring Arthur Doyle (sax, flutes and voice), Jonathan Saldanha, Gustavo Costa and Filipe Silva (assorted percussions and electronics), this is a beautiful, wild, cut, with Doyle's touch being so deep, rough and gentle at the same time, while his band gives him plenty of room to spread out through minimal rythm patterns and a hypnotic work on bells and cymbals. Closing with an anthem that will give you shivers down your spine, this recording will bring you to an an…
Afro Noise I (Volume 3)
Dirter Promotions presents another volume of Cut Hands material, containing reworked and remastered versions of some tracks from his Afro-noise project. Comes in a beautiful special edition on 180 gram vinyl mastered by Noel Summerville and featuring the magical vévé artwork of Mimsy DeBlois, in a one-off pressing of 750 copies. The entire 750-limited pressings of Volume 1 and Volume 2 sold out on release day, so don't miss these! A reclamation of the conscious through 16 pieces (split betwe…
Champion of the world has no monopoly on the legions
Recorded by Bartek Kalinka, Jan-Sep 2012 using acoustic guitar, modular synthetizer, percussion (sampled and live)
Cafe Cicago
RESTOCKED things were different in thailand a few years back, since it's inhabited by the sleazy christophersons or lou de preycks of our time, you can not just enter cocktail bars anymore without showing your ID! the idea is simple and plain though: watching the sunset with purple sunglasses and a fresh strawberry diahreah with ice in your hands while listening to classic german kraut or early kraftmenship from the same country! sliding over the autobahn while dreaming away on the analog…
Krionika Soshiki
In the early 80s Paolo Bandera was a founder (along with Eraldo Bernocchi) of the monumental collective post-industrial Sigillum S. In 1993 he created his solo project SSHE Retina Stimulants ("Super Sound High Energy" Retina Stimulants), devoting himself to sharpen the edges of concepts and noise extremes. Krionika Soshiki is one of his most representative works of the first period of solo activities. The six tracks run through subliminal arenas, with flows and ideas collapsed to state of …
Surveillance
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
See the World Given to a One Love Entity
Guardian Alien is a free wheeling ensemble coming into its own, having found just the right balance between structured arrangements and wild abandon. Helmed by Greg Fox, who has lent his percussive force to the likes of Teeth Mountain, Dan Deacon, and Liturgy, the ensemble was initially an extension of his solo music (GDFX). It rapidly took on its own identity and expanded to a core group of Greg (drums, vocals, electronics, arrangements), Alex Drewchin (vocals, synth), Turner Williams Jr…
Neuro Habitat
Reissue of the private LP, issued in an edition of 300 copies in 1982 and titled in original Mörder Unter Uns/Neuro Habitat , considered with Regel one of the Maurizio Bianchi's most representative works , Neuro Habitat is finally reissued for the first time in vinyl and remastered under the supervision of the Milanese artist. Side A "Morder Unter Uns" made of puzzled motifs and effects is a dark, sinister mantra to oppressive musical experiences. The piece finishes in an industry of molecular, …