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Calling someone "ahead of his/her time" is straight out of Music Marketing 101 and is a claim that rarely holds much merit. On occasion, though, it's a phrase that is entirely appropriate and accurate. Joel Brindefalk was as integral a part of Sweden's premiere off-kilter dance label, Börft, as anyone outside its founders, Jan Svensson (FRAK, etc), Birre Isgren (FRAK, etc), and, eventually, Joachim Nordwall (Skull Defekts, etc). While Brindefalk's work under monikers such as Contemporary …
Winds & Skins transpired to be the very last set of recordings made by Afro-Cuban percussionist Sabu Martinez, who sadly passed away precisely one month after this December 1978 session was committed to tape. The album draws a line under a career that saw the illustrious musician performing alongside Dizzy Gillespie and Art Blakey as well as releasing a string of out-and-out classic Latin jazz records. Here the noted conguero teams up with the lauded saxophonist/flautist Sahib Shihab, who himsel…
Gerald O'Connell and Mark Harvey began recording as Mystery Plane in 1980, although they had worked together since 1978 in two other more conventional five-piece bands ( The End and 3D5). The very early stuff ( for instance Death Sentence contained on the bonus 7" for members) was recorded in Gerald's living room on a two-track Akai reel-to-reel with a primitive internal overdub facility. For the most part Mark wrote and sang the songs, while Gerald created the backing tracks. In 1981 they were …
Mauricio Kagel’s 1970s film Ludwig Van, a rather critical piece of avant-garde cinema, asked pointed questions about the ways in which later audiences appropriate and interprete Beethoven’s music. Pianist F. Blondy and turntablist DJ LENAR reclaim and reinterpret the soundtrack in this post-modern mashup that includes source material such as Herzog soundtracks, a lecture by Alfred Cortot, samples of string playing and percussion from contemporary improvisation records, and numerous other …
Continue reprints of the amazing tapes by Pierpaolo Zoppo aka Mauthausen Orchestra released on Aquilifer Sodality in the early eighties (Conflict also released on Broken Flag). Tape after tape Mauthausen Orchestra constitute, in a few years, the backbone of what we will know as an alienating and extremist style, made of metal nightmares and sonic torture , often dilated, dissected and extended up to the limit of endurance. Conflict carry us, once again, as real rituals of a civilization without …
A facsimile edition of Derek Jarman’s only poetry collection, A Finger in the Fishes Mouth, originally published by Bettiscombe Press, Bridport, Dorset in 1972, is due to be published by Test Centre, with a new Foreword by Sophie Mayer and Afterwords by Keith Collins, Jarman’s partner, and Tony Peake, his biographer.Postcards from Jarman’s own collection, here gorgeously reproduced in an evocative green, preface each of the 32 numbered poems, written when he was in his early twenties. The impact…
333 Loops (Volume 1) is the first chapter of a CD/DL live series, which documents the sound events generated by the homonymous modular system, designed in 2011 by the Italian musician Emiliano Romanelli.
The system is composed by an archive of 333 pre-recorded sound loops, produced between 2008 and 2011 by a sound synthesis software played in different acoustic environments, and documented mainly with internal microphones of several digital and analog portable recorders. Subsequently, by a custo…
Michael Morley, Nina Canal, Sara Stephenson : electric guitars. Recorded by Roland Groenenboom at De Player, Rotterdam, August 2009 mixed at My Pit, Port Chalmers, 2011. Artworks: Eric Claridge Owl Moth & Mothface 2012 oil on canvas 30,5 x 30,5 cm each. Limited to 300 copies. Labels: Bimbo Tower Records & Dilettante Courtoisie.
6 songs, 21 minutes. In high summer of 2007, Phil Elverum, in the guise of Mount Eerie, found his way to Southern Studios. Armed with a borrowed guitar and some notebook paper, and with little time before an evening gig, Mount Eerie and Southern's engineer Harvey Birrell recorded the six songs of Black Wooden.Black Wooden is the coming together of ideas that had travelled with Mount Eerie for months and had solidified into compositions in the days and hours before the studio session. The title i…
A new 7" from Sissy Spacek on Wendy. If you have asked yourself this you know how this new vinyl sounds.Short crazy blast of terror, insane fast drums, screaming vocals, feedback and shards of noise. Play it loud. Play it at 45rpm. Flip side. Do it again. This time SS are John and Charlie. Essential lineup.
Deluxe double LP pressed in an edition of 1000 copies, housed in a gatefold sleeve.Acid Mothers Temple\'s In Search of the Lost Divine Arc heads in a completely different direction from 2012\'s Son of a Bitches Brew. Harder, faster, and more riff-rock oriented, this record is here to slay. AMT skews their vibe between Zeppelin and Beefheart, coming out with another classic Acid Mothers ripper in the process
Gabriele Giuliani has distinguished himself in the 90s for multiple activities in different territories. As Drif, runs through electronic environments, as Discordance instead are more ominously violent sides to emerge, while as Dead Body Love the sharp points of the ultra sound reached dizzying heights. Audiocide ‘95 is one of his first tape released on Slaughter Productions with his main moniker. Two tracks of hellish distortion and saturation, stripped of any frills and reduced to the p…
Me, Myself & Ekoplekz present two versions of Tod Dockstader library production tunes from his 1979/1981 LPs for Aldwych stalwarts Boosey & Hawkes...one veers towards saline techno, the other remains a resolute radiophonic bubbler...both of us are well chuffed to have had the chance to tamper with the wiley tape sage's great work ...BM
Kevin Drumm's 2007 cassette 'Purge' on iDEAL went out of stock in less than a week. This is the CD version of that killer thing. Intense listening takingyou deep into the known unknown, or perhaps the unknown known. Drumm's noise is extremely powerful and dynamic.; travelling frequencies, rich withdetails, with very little hope, with guaranteed exhaustion after frequent listening. I always think about Black Metal when I am listening to Drumm's works,Êthey share the same cold and darkness. 'Pu…
35 years have passed since Bill’s last new slab of vinyl was released. We bring you this set of gems from ‘78–’81. It’s bursting with a couple new tracks (with a few traded out from the ‘05 CD), a new sequence, new art, and expanded liner notes by the man himself.
"Ergot Records inaugural release: Aaron Dilloway's Corpse on Horseback. Originally released as a cassette on Hanson Records in 2003, this marks the first time that this classic 10 year old recording of ultra crude 8-track tape junk metal loops is available on vinyl. Limited edition of 500 copies on gold wax."
CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor.The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing.Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
'A History of Every One' by Bill Orcutt is an album of songs: minstrel songs, holiday songs, hymns, marches, cowboy songs, Disney songs, work songs, delta blues. The original tunes themselves are nothing special, well known, but not particularly well-regarded. Most would be filler on a mid-60's Doris Day or Burl Ives LP. What Orcutt does with them however is remarkable: expanding upon techniques developed on 2011's 'How the Thing Sings' and incorporating ideasforged since his recording of 'The S…