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This performance was very special concert under candle lights, summertime passion. We performed in garden with very relaxed audience in that atomosphere which will ever bring you there. This track alone is worth documentation for creative moment of time and space.
Another Tompkins Square reissue of early James Blackshaw material, and this is about as early as it gets: Celeste originally surfaced on Celebrate Psi Phenomenon a full five years ago and set the blueprint fr just about every solo recording he's made since. While the first part of the album finds Blackshaw in solo 12-string mode, the second deviates from the well-trodden Takoma-styled path and heads into an effects-laden drone composition. This sort of style-melding approach would come to…
'Absence and Presence (2006). Absence and Presence was originally written for five musicians and four loudspeakers positioned throughout the site of performance in order to explore the traction between amplified and acoustic space. The performance was predicated on a set of directions that determined the combination of musicians at specific times and the duration of their performance. Within these structural parameters the musicians chose what they played and how they responded to one another. T…
Olivia Block: field recordings, piano, reed organ, editing and mixing. Kyle Bruckmann: oboe, English Horn, suona, accordion, field recordings, editing and mixing. Bruckmann and Block's creative relationship dates back to the recording of Block's 1999 release Pure Gaze, shortly after both artists entered into Chicago's vibrant experimental music community. Their decision to create a collaborative duo ensued, but remained in the realm of good intentions until shortly before Bruckmann's relo…
You already know about Arthur Russell from disco classics like "Is It All Over My Face" and "Go Bang" (maybe you even watched the recent documentary), but do you know about all the early/mid-80's work he did on his own Sleeping Bag label? This awesome compilation collects the gems you might've slept-on or never came across. Whether its early hip-hop boogie (Sounds Of JHS 126 Brooklyn's "Chill Pill(1)"), left field electro beats (Bonzo Goes To Washington's "5 Minutes(2)"), or underground disco ba…
The Boats are a duo consisting of Craig Tattersall (ex-Hood, The Remote Viewer, and owner of the Cotton Goods label) and Andrew Hargreaves (Tape Loop Orchestra) as well a rotating roster of guest musicians and vocalists. While Ballads of the Research Department is their 12k debut, it follows up a string of critically acclaimed and genre favorites such as Sleepy Insect Music (Flau/Home Normal, 2010), Words Are Something (Home Normal, 2009), and limited editions released on their own Our Small Ide…
Mindblowing!!! Simon Balestrazzi should need no introduction. He founded T.A.C. (Tomografia Assiale Computerizzata) in 1982 and has bee pioneering the italian industrial scene since then. His passion for sound synthesis and exploration brought him in recent years to develop a research in electro-acoustics, both in duos, trios and also in solo.
Martino Traversa is a renowned Italian composer who studied at Salzburg’s Mozarteum, at the CCRMA at Stanford University and with Luigi Nono from 1987 to 1989. The CD “Critical_Path” presents for the first time ever a selection of his electronic music works, composed between 2000 and 2008.Beside being a prolific composer, Martino is a very active cultural promoter: he founded the Ensemble Edgard Varèse in 1990, with Luigi Nono's support; in 1991 he launched "Traiettorie", a highly-reputed intern…
A Bureaucratic Desire for Extra-Capsular Extraction gathers all of the music drone metal progenitors Earth recorded in October 1990, during their earliest sessions at Portland's Smegma Studios. Earth, featuring soon-to-be Melvin Joe Preston in its second lineup, intended for those seven tracks to serve as its debut. Record label decisions interfered. Three of those tracks were released a year later via Sub Pop, on the out-of-print EP Extra-Capsular Extraction; four more were released…
In March 2006, Idea Fire Company made their first appearances in Europe. Core members Karla Borecky and Scott Foust linked up with Frans de Waard and hit selected hot spots in The Netherlands, Belgium, and Germany. Adding de Waard (Beequeen, Shifts, Kapotte Muziek, Freiband, etc) was a brave gamble that paid off handsomely. Armed with only a tiny digital keyboard (Borecky), a radio/cassette boombox and small echo unit (Foust), and a sawed off MS 20 (de Waard), the trio captivated audiences large…
Angharad Davies (violin) and duo Cremaster consisting of Alfredo Costa Monteiro (electro-acoustic devices, speakers, electric guitar) and Ferran Fages (feedback mixing board, electro-acoustic devices). Composed, recorded and assembled between september 2010 and july 2012 in Barcelona. Violin parts recorded by Kostis Kilymis on march 2012 in Oxford. Pluie fine is the result of several exchanges of recorded material shared between Cremaster and Angharad Davies, from 2010 to 2012. Each piec…
Line is pleased to announce the upcoming release of a elegant new sound work by Australian artist Lawrence English, inspired by John Cage.In 2011, anticipating John Cage’s centenary, I began thinking about how to approach a work that might act as a homage to the aspects of his life and work that have inspired me over the past two decades (ironically, those in which he has been physical absent, but philosophically more present than ever). John Cage, with that beaming smile and trademarked c…
Guillaume Viltard, doublebass. Recorded in 2008 studio and outdoor. The CD comes in a very special package made by visual artist Zéhavite Cohen. 300 copies. 'There followed a solo double bass performance that was added late to the bill from Guillaume Viltard, a young musician that has been playing a lot at the weekly Eddie Prevost workshop. I had seen him play before, most recently in a duo with his frequent playing partner Ute Kanngiesser, but never solo, and I have to admit to being taken by s…
"Ikef continues to mine the extraordinary musical territory of St. Louis's fervent '60s musical innovators with the reissue of the impossibly rare Collected Poem For Blind Lemon Jefferson. Originally released on the late, brilliant saxophonist Julius Hemphill's artist run Mbari label in 1971, Blind Lemon is a highly energetic, raw and primitive avant-garde take on the Blues Mythos. Hemphill, named 'one of free jazz's most visionary composers' (Chris Kelsey, All Music Guide) is in full form as he…
Deluxe remastered version, this was Bardo Pond's 1995 debut album, taking its name from the official Latin for a hallucinogenic toad indigenous to the Western United States. That's a fairly appropriate association to make with the band's severely zoned-out stoner-psych sound, something pioneered on this album, a record that brought the band to the attention of Matador Records who snapped them up for their next album. Amongst all the fuzz-soaked weirdness of the instrumentation on these ear…
By 1956, the early New York street recordings of the great Moondog had reached British shores. His primitive percussive sounds struck a new nerve with many artists and musicians, none more so that fine London jazzman Kenny Graham. So inspired was he by these extraordinary recordings that he decided to bring together a band of top notch session men and pay his very own musical homage. The result is this exceptionally rare and unique 1957 album of Moondog covers (Moondog Suite) and Graham’s…
Pieces of 8 is not only better than Styx's album of similar name; it is most certainly one of Ka-Spel's strongest musical statements ever! So there!! A journey through a body! A masterpiece! It's the sort of record that doesn't offer up all its secrets on the first pass, but is nonetheless absolutely compelling during that first, mystical, aural unwrapping. It reminds me of that time I first heard Asylum. I thought "who needs marijuana when there's this?!" Not that I threw out my marijuan…
first ever legit reissue of THE UNITS. This genre-defying band, from San Francisco's barely-documented synth/punk/art underground of the late ‘70s and early ‘80s, combined sarcastic humor with deadly serious cultural critique, and synthetic experimentation with the bombast of punk. Includes the most sought-after early singles and selections from their first LP, Digital Stimulation, along with unreleased demos, and more. Remastered audio. Packaged in gatefold LP style sleeves with 32-page booklet…
Evan Parker is one of the world's greatest saxophone virtuosos, a revolutionary innovator who has almost single handedly changed the language of the instrument. House Full of Floors is the exciting follow up to his incredible studio composition Time Lapse, released to great acclaim on Tzadik in 2006. Working with three of London's most accomplished improvisers, Evan has fashioned a new world of sound in this exciting new recording. Radical soundscapes from one of the most important musical figu…