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One track, Ten minutes. Latest Latitudes session from Mira Billotte and Doug Shaw’s Psychedelic folk combo.- New Egypt follows White Magic's hugely successful Dark Stars EP (Drag City, 2007).- This track was created specially for the Latitudes series and recorded during White Magic's 2007 European tour.- As usual this Latitudes release is in super fancy art cardstock packaging with gold foil blocking, limited to 1000 only!When i saw White Magic play for the first time I walked away charmed and e…
The GGRIL is an ensemble of musicians who have decided to give a space to experiment with various forms of interactions possible in an orchestra without a conductor.The group brings together a dozen musicians from different backgrounds, but all eager to explore new territories offered by bands where the music is alive, freed from the linearity of writing.Powered by Tour de Bras, Rimouski, this set is a way to involve a large number of musicians and composers in the region around a unifying pro…
Beginning with her first Constellation release in 2006, Carla Bozulich’s Evangelista project has steadily been gaining recognition for its complex beauty and fierce, raging appeals. Bozulich has been knocking these and many other ideas into form for two decades (Neon Veins, Ethyl Meatplow, The Geraldine Fibbers, Scarnella). Evangelista is the best and the brightest, filled with adventurous risk taking that sometimes whispers and licks, sometimes pulls the listener so close that it is hard to bre…
Forget what you know about the Seattle-area sound-art project Mamiffer and the Finnish hypno-rock institution Circle. Enharmonic Intervals (for Paschen Organ), the first in a proposed series of joint efforts involving these parties, contains few of the musical hallmarks you might associate with either performer. The comforts of austere piano sketches and solemn nocturnes are largely absent; the wallop of repetitive rhythms and metallic kitsch is nowhere to be found. It’s as if an unseen h…
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
… Occlusion is a loose framework for a multi-channel, freely improvised piece of LIVE ELECTRONIC MUSIC, performed without the aid or consent of pre-recorded or even pre-arranged materials of any kind. A given realization will last between 10 and 30 minutes ; time is elastic. Every effort has been made to avoid divisible rhythms (although mistakes are occasionally made) ... Still, I consider it a "kind" of Dance Music. These two realizations, recorded a week apart at festivals in France and…
Painted Caves is Evan Caminiti. Surveillance is his debut LP under this alias. Primarily sourced from modular synthesizer, Surveillance compiles 7 tracks recorded over the last year, warped with cassette tapes and other digital tools. Beamed in like a scene from Videodrome, this sensual brand of dystopian psychedelia creates a grainy and tension filled narrative to get lost in. Much of Caminiti’s past work has inhabited a world of it’s own, but Surveillance is a direct response to life in an …
Frans de Waard (1965) has been producing music since 1984. First as Kapotte Muziek, but throughout the years, he also worked as Beequeen (with Freek Kinkelaar), Goem (with Roel Meelkop & Peter Duimelinks, both of whom are also a member of Kapotte Muziek these days), Zebra (with Roel Meelkop) and such solo projects as Freiband, Shifts as well as his own name. He played various solo concerts as Goem-FDW in Japan, as part of a package tour with Pan Sonic. Frans de Waard also likes to play sets of i…
In 2001, Peter Rehberg (then of Mego) asked Parl Kristian Bjørn Vester aka Goodiepal if he would be interested in doing something for the label. Despite meeting on numerous occasions at various events and happenings around Europe, nothing was delivered. One hot August day in 2013, a large package arrived containing lacquers for a double vinyl LP. Here it was: the Goodiepal Mego album delivered as lacquers and not a WeTransfer link. The lacquers were sent to plant and made into test-p…
After successful EP Collapsed, the Bristol-based project Emptyset strikes back with a full-length album on Raster-Noton. Once more James Ginzburg and Paul Purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. Recur is presented as Emptyset's third studio album -- continuing on from their work with Demiurge, the material examines the central themes of time, structure and recursion, thr…
Feeding Tube is chuffed to present the first vinyl offering from Moscow's berserk Asian Women On The Telephone. Formed as a duo in 2007, they have since expanded (in all directions) to assume sextet form, with stage names worthy of Smegma -- Oriental Yid (drums, guitar), Good Enough Freundin (guitar, vocal, drums), Brown Polizei (keyboards, voice, bass), Divine Gift (percussion, voice), Mutter Land (drums, percussion, bass), and Lewd Primat (bass, voice). Many of their insane, extremely theatric…
This is a long-awaited re-issue, unavailable since 2006. The duo had formed the previous year for ErstQuake in NYC and this was to be their second and, as yet, only other performance together. The breadth and depth of [the] music is totally inspiring, I absolutely love this piece of music. Total unity in sound to make a perfect piece in the moment. It doesn't get better than this! (Gordon W. Smith)
Keith Rowe and Mark Wastell. This last performance balanced the evening well. Louder, more gestura…
Hospital Productions present a heavy 30-minute session of layered drone and tormented, bass-heavy bombast from Max Gudmunson's Virile Games project, now available on vinyl for the first time after a sold-out micro edition of cassettes in 2013. Operating somewhere between his label-mate Lussuria's gothic ambience, the ear-bleaching concrète of Helm, and the more blown-out cinematic visions of Leyland Kirby, Wounded Laurel oscillates between sublime and wretched with a gripping night-time narrat…
The music developped by Frog is a work on percussions of all sorts : electronic, metallic, or else.. bathing in atmospheres made of « humid » tessituras. The music is simple, and unlike Brume, accessible ! Except for the arrangement of rhythms, 75% of work is concentrated on textures, mainly electronic : analog and digital.Electroacoustic is rarer here, most of the sounds being filtered by « vintage » analog synths using the whole usual range : VCO, VCF, VCA, envelope modulators etc.…
Francisco Meirino's An extended meaning for something meaningless uncovers deep hidden contexts from the decaying fringe of the auditory spectrum. Here we find ornate beauty in the subtle demise of electronic systems and explore the arcane apprehension of existential degeneration.The recording looks at how to create something out of almost nothing-basic field recordings, static electronics and failed tape experiments. A 16-channel multi-track piece where reel-to-reel tapes juxtaposition with mo…
Rufen is the second installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) studio album. In four impressive live recordings, Hans-Joachim Roedelius and Onnen Bock unfold aural panoramas which can only be described, in the truest sense of the word, as fantastic. Had Claude Debussy not already composed 'Prelude To The Afternoon Of A Faun,' then Qluster would have been ideally placed to do so, their transparency and polymorphism so reminiscent of his high Impression…
A book all in French about the Swiss artist Roman Signer and his work. Texts from François Bovier and Hamid Taieb, Geneviève Loup, Rachel Withers, + an interview with Roman Signer.
Both DT and JC have been sending eachother garbage and leftovers since a few years, sometimes almost nothing, probably out of pity, often to make eachother smile or as an act of friendship.Sharing the last spoon of cold soup on a cold winter night, when the heater does not want to be touched. these 36 pages are filth, with found imagery or buggles that the cleaning lady forgot to sniff out, images that have been dominating our seperate rooms for years and that remain unnoticed because of the dai…
Keeping a record of It is the follow-up to Lonnie Holley's debut album, Just Before Music. It features recordings made in 2006, 2010 and 2011. Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades.
'Last year, at 62, after decades of singing while he worked, Holley released his jarring debut album, Just Before Music, a marriage of improvised keys and the rambling, hollow bellow of his voice, as well as the first original rec…