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Sweeping and rustically romantic neo-classical and drone flights seemingly dropped from the sky on the wonderful Students Of Decay label "From the very first seconds of “Within/Without,” listeners familiar with the output of Aquarelle, the nom-de-plume of Madison, WI-based sound artist Ryan Potts, will find themselves in territory that is at once familiar and new. This opening salvo explodes into being with the surging, analog fuzz blooms and preternatural sense of rhythm that endeared many to …
CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
Feeding Tube is chuffed to present the first vinyl offering from Moscow's berserk Asian Women On The Telephone. Formed as a duo in 2007, they have since expanded (in all directions) to assume sextet form, with stage names worthy of Smegma -- Oriental Yid (drums, guitar), Good Enough Freundin (guitar, vocal, drums), Brown Polizei (keyboards, voice, bass), Divine Gift (percussion, voice), Mutter Land (drums, percussion, bass), and Lewd Primat (bass, voice). Many of their insane, extremely theatric…
The Pyramids' psychedelic Afro-jazz masterpiece finally lands thanks to Disko B. Originally cut in 1975 before they disbanded, 'Birth/Speed/Merging' marks a highpoint of the group's production values and was their last recording together. Since then the LP's achieved cult status for its celebratory fusion of carnivalesque groove with Sun-Ra-like cosmic vibes and progressive values; a worldly and entirely enchanting sound blessed with a real tangible sorta magic. The one to check is 'Black Man An…
Wait, this is the new Pocahaunted album cover? Gone may be the days of cassette cases featuring creepy collages and hand-dyed bags with feathers attached, but this is something else entirely. I mean, there’s a parrot with blue Ray-Bans, a giant dollar sign, a “He’s on fire!” NBA Jam-style basketball…What is going on? After the shock of the cover art, I waded into the unfamiliar soup that waited within. From the opening thrums of “Touch You”, the lo-fi recording aesthetic seemed to be held …
James Hoff’s “How Wheeling Feels when the Ground Walks Away” presents an audio landscape comprised of various historic riots, from the concert hall and music venue to the sounds of modern warfare. Presented in surround sound, the work relentlessly envelops the audience as the tumultuous panorama of over-layered riots travel around the gallery. Part of Riot Radio Ballad, which explores the performative and futurist aspects of spoken word, audio, and radio material. Curated by Mark Beasley.…
Local preoccupations with rising sea levels fuel Diluvial - a work that dwells on the dynamics of flood geology and global warming; creation stories and climate change. Diluvial is an evolving soundscape and environment by Bruce Gilbert and Beaconsfield ArtWorks (David Crawforth & Naomi Siderfin). This work was initiated on the Suffolk coast for Faster Than Sound, Aldeburgh 2011 and then developed for a show at Beaconsfield, London later that year. Taking rising sea levels as its theme, Diluvial…
Definitive collection of Ohio lo-fi pioneer's 1974-1992 material. A mash of home-recorded punk, pop & psychedelia. "Man, i hate it when someone's entire career seems to have passed me by, especially when it's someone as crazy as lo-fi pioneer and mad ranty man Mike Rep. I know fuck all about this guy but he sounds like a genius. I guess he may have come to prominence for his production work with Guided By Voices, Strapping Fieldhands and Times New Viking but this guys been kicking it since …
In Format, Sarah Crowner's first widely distributed artist book, the artist creates a roving collage of source material culled from a diverse range of previously distributed print material: magazines, books, posters, newspapers, postcards, etc. This publication provides a rare insight into the artist's working practice, demonstrating Crowner's concerns with visual formulations hinged on historical investigations, particularly in the overlap of art, writing, fashion, and design. Crowner's gracefu…
A sequel to last year's eponymous debut as a duo, this new Drag City LP from Espers cellist Helena Espvall and Ghost's Masaki Batoh delves even deeper into traditional and ancient musics, making use of an armoury of instruments that extends beyond 'mildly obscure' (renaissance harp, sho, hurdy gurdy, etc) and enters into the realm of 'are you sure you haven't just made that up?' (auschpfeife, crumhorn, cornamuse, rig and darbuka). On hand to assist in this piece of instrumental archeology is anc…
Limited edition 12" vinyl. Comes in a 140 micron polished finish PVC sleeve. Contains 2 locked grooves and a palindrome. 45 RPM. A double blow of brutalist composition and raw electronic music. Key words: extreme rave, radical synthesis, computer music for hooligans.
Every new Richard Youngs LP is in some way an event – his modus is so restless and yet his muse remains so distinctively personal that it’s always a thrill to see where he’s gonna dive in next. Amaranthine puts his vocals way up front for a series of four ecstatic bardic/future folk classics that ride in on wave after staggering wave of free form percussion, clanging household objects, shakuhachi and fuzz guitar. The vocals fall into the classic post-Summer Wanderer style of endlessly rep…
Astounding LP documenting a high-quality live recording of a performance in Vittorio Veneto (Italy) in July 2012 by Virginia Genta (Jooklo etc), David Vanzan (Jooklo etc) and Chris Corsano. With Genta on tenor & soprano saxophones and clarinet, Vanzan on electric guitar and home-made semi-modular synthesiser, and Corsano on percussion, the trio combine their "informal creative sounds into a set of abstract cosmic-punk improvisations". Pressed on clear, marbled-yellow 180g vinyl and housed in han…
Limited vinyl reissue of the first LP from Spanish industrial band Esplendor Geométrico. An industrial classic originally released in 1982 on the Tic Tac label, Esplendor Geométrico's sound was already devoid of aggressive lyrics and even titles for their tracks (the A-side, El Acero del Partidio, is spread across five tracks while the B-side, Héroe Del Trabajo, has three tracks). Their sound had already begun to acquire a personality of its own, not fully mature but with an astounding aus…
2013 repress. "Originally released in 1968, Scott 2 made it all the way to number one on the UK pop charts, perhaps the strangest number one hit in pop history. Continuing with his orchestral obsession, Scott 2 features over-the-top string and horn arrangements, occasionally veering into dangerously schmaltzy territory. This production style is in drastic contrast to the lyrical content, songs of despair, prostitution, homosexuality, and brutal honesty, indicting the same glamorous and gli…
John Colpitts (aka Kid Millions) is a Brooklyn-based multi-instrumentalist, composer and writer who is perhaps best known as the drummer for Oneida. Man Forever, his vehicle for exploring the outer limits of drum performance, was created to overwhelm, to investigate the nuances that bloom in the midst of repetitive music, and to act as a pure sound experience.
Originally based on the idea of creating a sort of punk-infused Metal Machine Music for drums, Man Forever has evolved from a f…
Reissue of this largely unknown yet spellbinding touchstone in the canon of Sheffield's industrial music heritage, the album was recorded in 1986 as a soundtrack to a theatre performance recorded by John Avery, a contemporary of Cabaret Voltaire and Clock DVA. Forced Nostalgia's sixth release imposes the uncannily affective melancholia of John Avery's 1986 soundtrack to a theater performance Jessica in the Room of Lights by the coincidentally-named Forced Entertainment company. Avery employs pi…
The source material for these recordings, produced between 2007 and 2009, originates from found objects and treated acoustic instruments such as cello, viola, double bass (Nikolaus Gerszewski), bass clarinet (Nicolas Wiese), as well as conga, cymbal, wood, paper, marbles, wallpapering table and chains. Further sounds have been produced using my voice and limbs. A basic rule for my work with digital tools is to maintain the liveliness of the source material within the structure of my compositions…
Moreno Daldosso breaks into 1993 with his project Murder Corporation and released his first tape on his new label Murder Release. Tape after tape Murder Corporation has gained a prominent position as electronic serial slaughterer, claiming frontal attacks and sonic walls relentlessly, sampling overload and brutal distortion. Butcher Meat is reflected in an overdose of frequency, blood, screams and distorted voice beyond the human. Death, massacres and violence are tightened up until the total sa…