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Yasunao Tone creates music by means of disrupting MP3-files. Sound files that were corrupted in the MP3 generate error messages, which are then utilized to assign various lengths of samples automatically. Feeding also different play back speeds creates a sound which is always different – unpredictable and unknowable. The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt…
For a number of years as West Head Project, we've been making site specific sound events and recordings at outdoor locations - initially these were held at West Head in Ku-ring-gai Chase National Park. We've gone on to play in special sites around Australia and this disc documents our work on Maria Island off the east coast of Tasmania where we were resident for 10 days, guests of 10 Days on the Island Festival and Parks and Wildlife Service Tasmania. Auditory transmogrification of Tasmani…
In 2007, Frank Bretschneider was invited to compose music for the Subharchord, a unique electronic instrument developed during the 1960’s at the RFZ, the technical center for radio and television of the East German postal service. Built in a limited edition of eight machines total, only three Subharcords (in Vienna, Trondheim and Berlin) are believed to survive to this day. The Subharchord is, broadly defined, a subharmonic sound generator, comparable soundwise to the Mixturtrautonium. It’s sugg…
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
Wege translates as 'path' and it's a fitting title for the latest rendering from master percussionist and experimental composer Andrea Belfi. The albums' four pieces act as orientation points through some imaginary sonic landscape. Wege is Belfi's forth LP (the first with Room40), and stems entirely from compositions completed at two artist-in-residence projects in Austria (Hotel Pupik) and in Brussels (Q-O2 Werkplatz). The album is built around a cyclic electro-acoustic system, through which Be…
Reissue of a very obscure free music document, recorded in Cambridge, MA, sometime in 1970. Notable for it's Saturn-esque paste-on cover artwork (eloquently reconstructed here), and general cosmic vibe, this record harkens back to days when "out" was merely a place people went to buy a sandwich. A trio, led by drummer Ertunc, with Michael Cosmic (as, cl, fl, bcl, sop, piccolo, organ, perc.) & Phill Musra (ts, ss, fl, zurna, cl, perc.). The albums features long tracks: "The Creator Spaces"…
Just to Feel Anything, the new album by Emeralds, surpasses all expectations, just as its predecessor, Does It Look Like I'm Here, did in 2010. This expertly recorded new album sees the band deliver plenty of their distinctive aesthetic for old fans to enjoy while offering a new range of fresh, exciting ideas for newcomers.
'Before Your Eyes' begins the record with a steady build-up, which bleeds into humid layers of synthesizer pads and warm guitar. The track sets the tone perfectly for 'Adreno…
Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? Whatever the…
Thick and spectral dark ambient, soaked with soft and flowing pads stratifications, wrapped in deep and penetrating low frequencies spires, enlightened by delicate and touching melodic inserts, profaned by echoes of reverberating metallic noises, clanging chains, circular mechanical movements, waves of indecipherable whispers, distant and suffering human voices... A great debut CD for Antikatechon, a project that showcases Davide Del Col's eclectic personality, already the unique mind of the Orn…
Wolfgang Rihm sets poems from Heiner Müller, Hermann Lenz and Rainer Maria Rilke to music. Listen to a living document about one of the most important lied composers of our time.Wolfgang Rihm’s confrontations with the written word hold a special place among the more than 400 compositions he has written in the course of his long career. The composer, highly versed in reflecting on his own approaches and techniques, expands the textual material instead of labeling it, adding additional levels of m…
A split album with Volcano the Bear and La STPO. VTB tracks 1-5 and STPO tracks 6-9. Bears and Birds, oh my! One side keeps the hot hot. And the other keeps the weird weird. VTB’s typically atypical entomological set scratches like a hive that has evolved just to the point of thumping out tribal fealties to its giant insect God-Thing. Environmentally ritualized sub-rhythms mix musique-concrete with actual concrete, forming freakishly minimal foundations for the hive of whatevers to swarm within.…
ASESOME NEW RELEASE! Josh Hanson is another of Portland, Oregon’s underappreciated sons. Having come up through the ranks of long-time, long-forgotten faves Hochenkeit, he also spent time as a member of The Davis Redford Trio. But Hanson’s path diverges into a totally different sphere nowadays, spinning solo modular synth exploits to the stars. Influenced not just by the likes of Subotnick and Cluster but also various types of Eastern sounds, Hanson is looking forward, trying to find new pa…
On his cd debut, UK sound artist Jodi Cave creates seven short compositions united by themes of singularity and natural randomness. One of the most immediate features of For Myria is its restrained sound palette. Like an instrumentalist who has laid a small collection of choice instruments out in front of him, Cave creates beautifully intimate collages, each touching on maybe only 2 or 3 sounds, woven together by computer processing which has been pushed into the background, utilized more as a c…
Déficit Des Années Antérieures was originally released in 1979 as a C60 tape. This CD reissue is a limited edition of 450 copies, numbered and signed, silkscreen cover with 2 colors + one bonus live in Cherbourg in 1979.
Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has been connects with the here and now and the yet to come. DUE is a formation that joins an acoustic instrument with electronics in a unique way: two women, each musician doing her own thing on her own instrument; but at the same time, the flute music i…
Full-colour Digipak. Recorded at the Red Rose, London. November 2003. Originally released in 2004 as a Picture-Disc LP by RRRecords (USA). Mixed by Paul Coates. Mastered by Paul Coates.
'Two musicians from very different backgrounds finding common ground. The first half consists of studio duets on guitar and viola recorded in New York City without any electronics, but they are not what one would expect from these two instruments. The second half is very different - recorded in concert in Geneva with a liberal amount of electronics.'
“The word Ecotono is built from two roots. Eco (oikos/casa) and tono (tonos/ tensión). An ecotono, or ecotone, is a habitat created by the juxtaposition of distinctly different habitats; an edge habitat; or an ecological zone or boundary where two or more ecosystems meet. It is a transition area between two distinct habitats, where the ranges of the organisms in each bordering habitat overlap, and where there are organisms unique to the transition area. An ecotone region provides conditions of b…