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New Arrivals

Dogs in English porcelain
Dogs in English Porcelain (Vanessa Rossetto's fourth solo album on the label) is a composition for electronics, field recordings, viola, violin, cello and acoustic turntable. It was created with many layers of very quiet elements that advance and recede, forming the episodic structure of the piece. The overlapping of electronic and environmental sounds with extended technique and traditional playing disturbs the boundaries separating the natural and artificial, the intentional and the incidental…
Acoustic solo percussion-vol.4
Fourth and last single in the serie. Again and only acoustic percussion.
WHITE NIGHT FESTIVAL TEL-AVIV 2006
The Annual 'White Night' Festival in Tel Aviv is Israel's only cultural event dedicated to Improvised Music and Free Jazz. It is a twelve-hour musical marathon promoting creative, improvised music and facilitating collaborations between Israeli Artists and artists from abroad. It also fosters the development of young musicians, exposing their work to the world. The 2006 event was the second year this beautiful event took place and hopefully the tradition will continue in the years to come. This …
FRKWYS Vol. 9
LP version: for the ninth volume of FRKWYS, a music and film series pairing contemporary artists with those that may have preceded them in style and/or approach, Sun Araw and M. Geddes Gengras meet The Congos in Jamaica.
Hamilton Road
3-song teaser for the upcoming Ducktails full-length Ducktails 3: Arcade Dynamics. Features home recorded demo versions of 3 tracks - includes 'Sitting' (aka 'Hamilton Road') & 'Art Vandelay' which is a track that he has been regularly performing live with his side project Real Estate. Cover art by Petra Cortright."
Resonance
When composing for a group, Ken Vandermark as a rule takes into account factors such as each musician's approach to improvisation, personal tastes and individual sound. So when he chose to compose for a tentet that included musicians who were virtually an unknown quantity to him – musicians such as Polish saxophonist/clarinetist, Mikolaj Trzaska and the Ukrainian duo, Yuriy Yaremczuk on reeds and Mark Tokar on bass – it could have been seen as a foray into relatively unknown territory. And it wa…
Poetry For The Normal-Mad
this threesome with ex top model Kim Peers stretches a pregnancy longer than elephants do, the primates circle around for a-rhythmic styles, broken english and heroïc guitar glue! primitive drum set up, blinding strobe lights, tall female coldness and kapotte punkriffs, happy to see a full band again in antwerp, instead of solo madness behind a table full of noise pedals. limited to 150 copies, comes in a photocopied on glossyness cover of all abused photo's from Kim Peers' modelling carreer…
Phonometak Series #8
Latest release in this series is strictly in 10" vinyls, as the early century 78 rpm. It will host mainly split records. The split features: SCARNELLA - Sometimes a trip can produce more than a few photos, a good story, and a souvenir t-shirt. Songwriter/vocalist Carla Bozulich (Evangelista) and guitarist Nels Cline (Wilco) took a two-week trip through the Pacific Northwest and got an album out of it. Scarnella (1998, Smells Like Records), the name of both the group that Bozulich and Cline forme…
Refuse This Gift
The third album Refuse This Gift from Bear Claw is one of two records that ended up being part of a double whammy of releases from Sickroom Records just recently for me. Paired up, at least in my mind, with the excellent Conformists record (which you can find a couple posts below) Bear Claw gives a bit more of a traditional spin on the Chicago math/noise-rock sound compared to their label mates. With their third album Refuse This Gift the band hasn’t deviated all that much from their pr…
flaming creatures tour cdr
published the very last second before leaving on a italo tour with BIRDS OF DELAY, FAMILY BATTLE SNAKE and HEATSICK, a insane tour set up by SIMONE OF HUNDEBISS RECORDS in italy!basically this is a half bootleg of the vom grill cdr on chocolate monk, + a live recording and a short intro. the usual ice cream blubber dipped in mother's milk and papa's zalf: vocals, tapes and thrown out bagger. limited to 69 copies and packed in a left over stencil printed cover DT made over 8 years ago. aiaiai."
Into An Energy
This is a new release by California's extremely prolific avant-drone duo, Starving Weirdos. These eight new pieces bear all the hallmarks of Starving Weirdos' greatest work: the dizzying mixture of instrumental sounds, electronics, and field recordings, the pointillistic attention to sonic detail, the duo's post-production technique, which achieves something like the aural equivalent of deep-focus photography. On Into An Energy, the duo of Brian Pyle and Merrick McKinlay is joined by occasional …
Eerie Fragrance or Eyeless Fabrication or Exclude Frank or Eat F
A lovely vinyl reissue on Etude Records of a long obscure Climax Golden Twins gem. Originally issued in 1995, on cassette, Eerie Fragrance or Eyeless Fabrication or Exclude Frank or Eat Fuck or etc (forever) was Climax Golden Twins second official issue after a self-released double seven inch gatefold record. Cassettes-the cockroach of the industry-were a necessity at the poorer end of the music spectrum prior to CDRs and file sharing... the good old days... EF was a collage of noise, found soun…
Blind Jesus
Blind Jesus by Andrew L. Hooker and Stefano Pilia debuts with a record that, according to this writer, is one of the best works of avant-rock heard recently: unravelled stuttering in the vein of Storm & Stress fall from crumbling gorges of tape loops, caracoling flights in the foreground interrupted with improvised retro-folk, wanton porno-concrète jokes arm-in-arm with strained ecstatic drones, followed by melancholic acoustic crackling, industrial creaking, soulful moans, obstacular Supreme Di…
Tapes 1977-1983
This is the limited to 99 copies friends edition in white vinyl of which 66 copies come is special white leather-taped box-set
Acoustic solo percussion-vol.3
Following his two previous 7“s with ‘acoustic solo percussion’ (see Vital Weekly 687 and 706), here is the third volume. Like before it’s hard to believe its percussion music. But this time we get a detailed notes on the proceedings: side E has ‘two cymbals bowed together with one cello bow’ and side F has ‘a snare drum rubbed with a ring of styropor and two cymbals bowed together with a cello bow’ (and made me wonder how many hands Wolfarth has?). Oh, did I mention ‘no overdubs, electronics and…
Films
"Filmmakers often try to make a great film by making it feel heavier than film is by nature. Rudy Burckhardt seems happy if he can make his feel lighter. That does leave him unique, and he succeeds in it too. There is no distortion of image or sound. Its magic invention - including the later dream-weight - is new and inscrutable. It is a film that changes when you watch it again, it has many surprises I haven't mentioned. Take it as a wonderfully touching dream and as an amazing marvel of…
s/t
Textile is proud to announce the fourth installment in its split 12" series, oren ambarchi / hado ho. oren ambarchi is an electronic guitarist and percussionist with longstanding interests in transcending conventional instrumental approaches. Born in sydney in 1969, he has been performing live since 1986. his recent solo releases triste (southern lord - usa), and grape from the estate (touch uk) have transcended the guitar into a zone of alien beauty and sonic impossibilities to critical acclaim…
Cartolina Postale, Composition No. 2
the recording features ilya working with a music box and toothpicks and civyiu kkliu with blank vinyl and a metal object. "regarding the specifics of the sound piece... ilya and i came up with the concept for this release and did a series of improvisations for it in California (2002)... we did this improvisatory work together (not by mail, etc)." civyiu kkliu picked up the project again in 2006 working on variations on the card design and layout. he continues that " the duration and nature of th…
Plastic Box
" Plastic Box is a a 'metal box' fascinating companion, plotting the evolution and subsequent degradation of the experimental impulse that saw its apex in 1979. Tracks like “Albatross” have always been passed off as autobiographical by Pistols-watchers who believed that Lydon could only ever refer to Lydon, but the power of Metal Box lies in Lydon’s ability to forget: himself, his past, and so to move around the landscape like a ghost, to be free of his own history in order to fully invest…
Beautiful Monolith Two
It seems as Campbell Kneale (within his Love Will Destroy The World project) aims to discover any darkest and most dangerous corners of the modern experimental music. As an experienced and dedicated hunter, he doesn't walk the empty tracks, rather he's interested much more in rich bushes and impassable thickets. The A side's track is “Glittery Skin”, it shows Merzbow-like pulsating electronic noises, but the main energy-giver is obscure and doomy heavy guitar riff. Sick, anarchic, trancesending …