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A record of the rise and fall of the BMC farm that foregrounds the voices of a new cast of characters Black Mountain College (BMC) was a wellspring of 20th-century creative unorthodoxy. From its founding in 1933 and over its celebrated 23-year history, the small liberal arts school in rural North Carolina attracted a remarkable number of famous and soon-to-be famous artists, writers and visionaries including Anni and Josef Albers, Ruth Asawa, John Cage, Merce Cunningham, Willem de Kooning, Buckm…
Revised and expanded edition of the punk classic (more than 15,000 copies sold), with six new interviews.
“Not just for fans of punk rock―Punk Planet is a fine source of articles about politics, current events, and do-it-yourself culture.” ―Utne Reader“All of the interviews are probing and well thought out, the questions going deeper than most magazines would ever dare; and each has a succinct, informative introduction for readers who are unfamiliar with the subject. Required reading for all mus…
The long-awaited reissue of the sequel to Amiri Baraka’s seminal work, Blues People, and latest selection in the AkashiClassics Renegade Reprint Series. This collection of essays by Amiri Baraka/LeRoi Jones includes a new introduction by the author and Q&A by Calvin Reid.
“Baraka writes with the passion and lyricism that can only come from a jazz critic who is uncompromisingly invested in the social and aesthetic dimensions of the music.” ―WBGO (Newark Public Radio)
In 2007, Akashic Books ushere…
Edition of 300. Of my first visit to Earth in 2024 I have only the fuzziest recollection, for here I must fall back on my own mnemonic resources. My chief impression seems to have been of sunlight, the authentic, inimitable sunlight of Earth. Organs that have evolved under particular conditions will naturally be most comfortable where those conditions obtain, and thus no substitute, however artful, can provide just those balances of colour and intensity, those alterations of night and day, summe…
Egypt’s “official” popular music throughout much of the 20th Century was a complex form of art song steeped in tradition, well-loved by the middle and upper classes, and even accommodating to certain non-Arabic influences. It was highly structured by professional musicians working an established industry centered in the capitol, Cairo.However, far from the bustling cosmopolitan center of Cairo, north and northwest, in towns like Tanta and Alexandria and extending across the Saharan Desert to the…
Recorded live on location by Maxime Bobo, this vinyl LP includes a 4-page full-color insert with detailed liner notes plus photos of the musicians and surroundings. Tsapiky music from Southwest Madagascar features wild ecstatic vocals, distorted electric guitars, rocket bass, and the amphetamine beat! Unlike anything else, this is THE high life music you've always wanted - ceremonial music played with abandon and extreme intent, honoring the living and dead alike.
In Toliara and its surrounding …
Breach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. With the help of precise electronics, the music unfolds like a drift, depicting the s…
A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take (here transformed into a temporary breathing assistance machine) by developing the idea of the exhibition as an atmosphere, with the aim of creating a renewed awareness of what it means to breathe, not only on an individual level, but also on a collective one, at a time when the world is living in a climate of generalized asp…
2025 stock The story of Australian experimental music continues with Artefacts volume II documenting the explosion of Australian experimental music practice from the mid 1970s; from the use of synthesisers and computers, through to the radical fringes of post-punk, and to the beginnings of industrial and dark wave. The double CD set complete with 16 page booklet features one of Warren Burt’s first compositions completed in Australia, the Loop Orchestra’s first performance, South Australian indus…
2025 stock "Strange music by Clubsoundwitches, but there is something in there that I found very captivating. Maybe this is the new dance music?" – Vital Weekly #1237
2025 stock In April 2017, Barnaby Oliver and I started recording with the aim of improvising long-form pieces made up of a restricted palette of gestures and sound sources. Throughout the next two years we came together sporadically as we continued this quest, working through various ideas and changing instrumentation. Our work was gradually refined done to what you hear on this album: a combination of harmonics arising from bowed metal bowls and violin (or piano), coalescing into other-worldly …
Creep is a noise box with metal on one side and coarse sandpaper on the other. The box is equipped with a contact microphone and produces frightening horror sounds.Creep is a limited edition d.i.y. sound object. The box is handmade and not subject to industrial manufacturing standards.
“indistinction #2” comes from the same session as ‘indistinction #1’ and creates the same immersive pull. here, too, rsn works exclusively with his bass and a series of effect devices - no overbuds. everything is created live in the flow and reflects the intensity of the moment. often everything sounds deeply distorted, then it clears up again and metaphorically lets light into the scenery. the mixture of drone and ambient gives “indistinction #2” a broad and balanced sound palette that is best …
The game with quiet and loud is not new, but it has not lost its effect. “indistinction #1” proves this impressively, as the three songs on rsn's debut album create a highly immersive moment. they move and yet remain rigid in their depths. they build up and break down. like a current through which you are sucked - wild, yet somehow safe, always moving forward. if you allow yourself to do so, “indistinction #1” is an excursion into your inner self.
The collaboration between pianist Merle Louise and rsn follows an improvisational approach, as all the songs were created spontaneously and in a flow. while the use of piano is or has become a main element in ambient music, the sound of “clarity #1” is different. instead of reproducing the typical patterns and harmonies of the genre, two styles meet here and interweave at the moment of creation. the drone and ambient soundscapes of rsn are enriched by piano melodies and patterns that are atypica…
The permanence and recurrence of “porosity #1” by Rsn creates a kind of meditative permeability. the musical maelstrom creates a seemingly endless surface that develops from the two-dimensional to the three-dimensional. but this surface is porous and has loopholes. it is not a fast ride through this soundscape, but rather a walk - and the landscape hardly changes noticeably, but there is a resolution, a small aftermath. “porosity #1” is slow and deliberate, waiting and gentle.
"shift #1" is a collaboration album by the two drone/ambient artists rsn and N. the album comprises three songs that deal with semitone shifts, creating an aesthetic depth of sound on the one hand and building up a long arc of tension on the other. "shift #1" is a musical colossus - sound, structure and length create an immersive sound experience. quiet, rather contemplative sounds gradually develop into an alert sound construct. sometimes, however, it remains calm and inward-looking, meditative…
“interweaving #1” is the sound-aesthetic result of an improvised session by rsn and NAGEN. With a setup of stereo guitar, bass, electric kalimba, selfbuilt instruments like the "portanuum", sampled field recordings and some little synths, seven songs or sound collages were created, which combine the drone and ambient of rsn with the improvisational art of NAGEN. “interweaving #1” is a dynamic sound experience with a focus on noise and drone, but much more.
2025 stock Suddenly, there was a stick to dig a hole. Now countless years into the future, we await, anticipating more than competition and violence. I am drawn in, and ultimately mesmerised. Later that night, I began to clearly see the de-centralised nature of an awakened awareness, baked to a crisp by a relentless sun on the inside AND the outside. Unobserved, the need for acknowledgement will run away with the spoon leaving nothing to chance. It must be said that no two instances are ever the…
Volume three of the recording of John Zorn's renowned Bagatelles, chosen from the more than 300 works that the American conductor and composer created in a span of three months at the beginning of 2015 and later compiled into a book. In this performance, the experimental band Trigger tear through fifteen of the collection's most wackiest and chaotic pieces.