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*2026 stock* Motvind Records stalwarts Miman mark their 10th year as a working band with “X-IV”, their first release since 2021. Including four very different albums, it gives both old and new listeners the opportunity to get to know some of the different musical landscapes in which Miman are right at home. «It doesn’t make much sense to apply a lot of the usual metrics to both the music created by the Scandinavian trio Miman or the way the group operates. Its members possess deep curiosity and …
Jessie Marino is a Berlin-based composer, performer, and media artist. Her compositions and performances abstract ideas drawn from all stripes of popular culture and political discourse, girded by a definitively humanistic sensibility rife with equal doses of wit and pathos. “Murder Ballads Vol II: The Positive Reinforcement Campaign” is the first recorded output from an ongoing band project, launched in 2023, with the Norwegian percussion trio Pinquins (Sigrun Rogstad Gomnæs, Ane Marthe Sørlien…
Dålågjel is Hans P. Kjorstad's third album as a leader for Motvind Records. The music premiered in concert form in 2022, when he joined by the all-star ensemble of Rasmus Kjorstad, Helga Myhr, Kenneth Lien and Astrid Garmo enchanted audiences at Motvind and Jørn Hilme-stemnet, with timelessly transcendental renderings of old Norwegian folk music material. Dålågjel is based on archival footage of traditional tunes from the Gudbrandsdal, Østerdalen, Halligdal, Valdres, Setesdal and Telemark region…
100 copies. Six volumes in a slipcase (I–VI) plus a multiple, signed & numbered. English/German. A singular act of archival reconstruction, mounted in faithful keeping with the wayward spirit of its subject. Edited by An Paenhuysen, Die Tödliche Doris - Dossier gathers six independently bound volumes inside a slipcase to assemble one of the most thoughtful and idiosyncratic portraits yet attempted of the legendary West Berlin group and conceptual constellation.
Among the most enigmatic figures t…
An album of improvised music was recorded in Belgrade, in the courtyard of one of the musicians’ homes. There were no prior agreements, prepared compositions, or preplanned ideas. The album came into being in real time, right there on the spot.
Ulya Volkova (pleurereme) - cellist/multi-instrumentalist, composer/sound designer, producer and music enthusiast with over a two decade of experience in cultural community. After studying for 15 years at the Gnessin School (Academy) of Music she began wr…
‘Traces of the ceiling’ is the new album by Takako Minekawa, an artistic collaboration between Minekawa who composed, performed and recorded the works contained within - and artist Ippei Matsui, who created and designed the accompanying elaborate five-panel fold out sleeve, risograph inserts, and vinyl. ‘traces of the ceiling’ is also the debut release from Portland, Oregon based shop, label, and event series tone poem.
‘traces of the ceiling’ was recorded in los angeles between 2018 and 2020, a…
Tip! ИМА (Ima) is a work by KiMiMi, the solo project of musician Shin-ya Ohno, which captures the layers of time and the presence of people inhabiting ‘Arimasuton Building’—a self-built structure created over 20 years by architect Keisuke Oka, located in Mita, Tokyo, and reconstructs them into music. A multi-instrumentalist who masterfully handles a diverse range of instruments, with the gaida (an ancestor of the bagpipes) – which he studied in Bulgaria – at the core of his sound, KiMiMi has pre…
A bold analysis that exposes the racist policing of Black music. The emergence of UK drill music made headline news, portraying it as a criminal enterprise instead of recognising it as an art form. This new rap subgenre, however, is neither the first nor the only Black music to be targeted this way. Policing the beats rewinds the tape to demonstrate how music has been used as an instrument for policing Black people, from the era of colonial slavery to the present day, revealing the racist legal …
A Thousand Leaves was Sonic Youth's 10th studio album and the group's first major effort to be recorded at their own Echo Canyon studio in NYC. Free from the constraints of paying for costly studio time, the band was able to work at their desired pace and experiment at will. The result was an album born out of improvisation, chiefly characterized by the guitar interplay between guitarists Thurston Moore and Lee Ranaldo. The album title was inspired by Walt Whitman as Moore explained, "The same w…
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
10" featuring this explosive encounter between two of the wildest and most irrepressible musicians on the current international adventurous scene: the American electronics artist Container (real name Ren Schofield) and the Australian drummer/percussionist Will Guthrie.
Exuma returns with Exuma II, the hypnotic follow-up that deepens the spellbinding fusion of Bahamian folk traditions, mystical storytelling, and raw, soulful performance. First released in 1970 on Mercury Records, Exuma II expands the singular vision that introduced the world to Exuma’s otherworldly sound earlier that year.
On Exuma II, the artist refines the eccentric, ritualistic atmosphere of his debut while offering moments of greater restraint and melodic clarity. Where the first album dazz…
Coven’s groundbreaking debut album Witchcraft Destroys Minds & Reaps Souls (often shortened to Witchcraft) is reissued in a newly remastered edition, bringing renewed clarity and presence to one of the most infamous and influential records in occult rock history.
Originally released in 1969, Witchcraft Destroys Minds & Reaps Souls confronted the era with overt occult and satanic imagery and lyrical themes that were unprecedented in popular music at the time. The album’s controversial content—arr…
Emerging from the fevered crossroads of late‑1960s psychedelia and early heavy rock, Leaf Hound’s debut album Growers of Mushroom stands as a raw, unforgettable statement of power, groove and atmosphere. First issued in 1970 as Leaf Hound by Telefunken in Germany and reissued in the UK in 1971 by Decca under the title Growers of Mushroom, this singular record captures the original band line‑up at their fiercest and most imaginative — and remains a cornerstone for generations of heavy, psychedeli…
*2026 stock* Nocturna is the first collaborative album between New Zealand musician Andrew Thomas and German artist Joachim Spieth. Inspired by fleeting moments of beauty in nature, where light illuminates and then disappears into the shadows, Thomas began composing on the piano during Summer in the Southern Hemisphere. Gathering piano fragments like treasured relics, he passed them on to Spieth some months later, as Summer was now dawning in the Northern Hemisphere. Spieth wove the piano’s deli…
*2026 stock* With Spectral Passage, rhubiqs delivers a deeply immersive concept album that traces a psychological journey from turmoil to clarity. Inspired by artists like Tim Hecker, Fennesz, Sarah Davachi and William Basinski, the record layers guitars, synths, pianos, samples, field recordings, strings and brass into shifting soundscapes that mirror the mind’s passage through anxiety, trauma and renewal.
Opening with dense, disorienting textures (Infinite Dusk, Endless Nights), the album grad…
Vestige continues Joachim Spieth’s refined exploration of spatial sound and textural depth. Building on the sonic language developed throughout his recent works – including Retrace – the album expands the dialogue between ambient atmospheres and dub-infused detail. The result is a composition of weightless intensity: a sound that unfolds in motion, inhabiting both vast hall spaces and microscopic frequency shifts. Driven by the question of how much presence can reside within a single, minimal so…
*2026 stock* With rhubiqs we welcome a new artist from the United Kingdom, who makes his first appearance on the Affin label with the album “Aegis of Silence”. Musically, the project moves between the poles of warm electronica, post-rock and soft ambient sounds, which are miraculously merged into a melodious body of work. rhubiqs' sound works fit into the existing affin sound garden on the one hand, but shine with an independently developed signature that is able to set its own accents.
*2026 stock* Ultra loud heavy psychedelic rock from Colorado, late 60s, with loads of fuzz guitar all over. Dragonfly were actually a band called The Legend, who changed their name just when they were recording their self-titled album. Originally released by the Megaphone label in 1968, Dragonfly is a hard-psych classic, highly sought-after by collectors since day one. Back in 2012 we did the first official vinyl reissue and we now present a new, improved repress with expanded liner notes and ne…
Ellison were a Montréal-based hard-rock/ heavy-blues band emerging from Québec’s late ’60s psychedelic scene. With just one album to their name, they left behind a powerful legacy and a rapidly growing cult following. The band’s origins trace back to 1967, when bassist Richard Arcand and vocalist Vincent Marandola played together in Johnny Peace. In 1969, guitarist Christian Vaeillant and drummer Robert Cager joined forces with them, forming Ellison. Closely tied to l’Association des Orchestres—…