New Arrivals
A Storm And It's Aftermath
*2026 stock* Carr and Donohoe eschew the typical depiction of a storm as a linear escalation. Instead they illuminate the multitude of comings-and-goings that occur throughout its lifecycle: the quietening of birdsong, the thickening and dispersal of the wind, the ever-changing texture of the rain. The title itself is an act of misdirection. Most of the runtime concerns the storm’s prelude (it’s a full half-hour before we hear the first rumble of thunder), and we’re ushered into a fadeout before…
Forever Neon Lights
On Forever Neon Lights, James Adrian Brown swaps Pulled Apart By Horses’ guitar-slinging volatility for luminous, emotionally charged instrumentals, threading analogue synths, tape machines and strings through a glowing meditation on childhood wonder, creative stubbornness and hard-won hope.
Situations | Useless Mouths
On Situations | Useless Mouths, The Mistys pivot from solitude to shared euphoria, channelling restless electronics and Beth Roberts’ shapeshifting vocals into a bright, subversive celebration of joy as fuel, shelter and quietly defiant energy.
Stars of the Wayside
On Stars of the Wayside, Twilight Sequence traps an evening in Sherborne’s The Beat and Track: Matthew J Saunders threading slow‑mutating loops, semi‑modular pulses and live sampling through the racks, turning a tiny shop into a softly glowing synth observatory.
Sun Angle
On Sun Angle, Solar 76 folds 90s tech‑ and deep‑house DNA into a lucid, slow‑burn vision of the future we never got: warm, utopian machine music that imagines a socially and ecologically advanced 2020s and then quietly scores it.
Patterns in Condensate
On Patterns in Condensate, Phexioenesystems turns Peter Blasser’s Plumbutter and a humble JV‑1010 into a quietly radical study of “meaningless sound,” letting stressed circuits, presets and failed window seals sketch their own accidental poetry.
Colonial Vipers
On Colonial Vipers, various artists from the Dutch Trumpett orbit condense the 1982 home‑taping surge into 13 rare tracks of minimal synth, DIY cold wave and concrete industrial atmospherics, finally transferred from cassette obscurity to heavyweight vinyl.
Through Time
Deaf Center travel through quiet pathways and grand boulevards in their fourth studio album “Through Time”. Since their last full-length LP, “Low Distance” (2019), the duo has gradually shifted towards a more long-form electroacoustic sound which perhaps makes for their most immersive listening experience so far. Otto A Totland’s piano travels in less frequent rhythms than before, yet is felt even more as a relief in the quieter moments that contrast with Erik K Skodvin’s deep atmospheric worlds…
Wormhole
Kreng transports us through the swirling darkness and into the unknown with “Wormhole”, his first album in over a decade. What does a trip towards another world sound like? We’re about to find out. The master of tension, melancholy, and the deranged is back after a long period working in the worlds of theatre and cinema. Last seen on Miasmah with the grief stricken The Summoner, Kreng now returns with Wormhole, following closer in the footsteps of the cult classics L’Autopsie Phénoménale de Dieu…
Rustlings
'rustlings' is an album of two pieces written by Stockholm-based violinist and composer Maya Bennardo. One of the pieces, 'dormant gardens i' (2022), was written for and performed by andPlay, a duo of Bennardo on violin and Hannah Levinson on viola. The other, 'summer rustlings' (2024), is a solo violin piece performed by Bennardo.
Both pieces were inspired by Bennardo's move to Sweden from New York City, where she developed a new relationship with nature through walking. Her solo and compositio…
Monochromes II
‘Monochromes II’ is a collection of thirteen solo piano pieces written and performed by Berlin-based composer/pianist Quentin Tolimieri between 2023 and 2025. This is Tolimieri’s second release on elsewhere music, following the 2022 triple album ‘Monochromes’ (elsewhere 022-3). In this new triple album, Tolimieri delves even deeper than in his earlier Monochrome pieces to explore the countless sonic possibilities and resonances that the piano can produce. Aiming to allow the inherently interesti…
Pianosequenza Vol. 2
Tying every symbol to an idea has made the world manageable, but also predictable. Suspending the pact, delaying to denominate, letting sound remain pre-conceptual for an instant leads to confusion; nameless, all things slip away, lose direction and blend in with the background noise. Here lies the danger of pure indifference where all things are indistinguishable and listening risks becoming pure perception. It is not a question of refuting meaning, but rather of embracing that latency where fo…
Huntington Ashram Monastery
*2026 repress* Alice Coltrane had an enormous legacy to overcome in her late husband- her debut album, "A Monastic Trio" stuck pretty close to what John Coltrane's last bands were doing the studio, "Huntington Ashram Monastary" finds her branching out. Recorded in mid-1969, a year after her debut and two years after the death of her husband, Coltrane performs on piano and harp and is backed by bassist Ron Carter and drummer Rashied Ali.Musically, it's a bit more relaxed than before, with Coltran…
Transa
*2026 repress* Transa is the fourth album by Brazilian musician Caetano Veloso, released on 1972 by PolyGram. Like its predecessor, it was recorded while the artist was exiled in London, though he returned to Brazil shortly after completing it. Evocative, eclectic, intimate, and rhythmically complex, Transa contains everything that has made Caetano Veloso the most distinctive and, arguably, most important voice in modern Brazilian music. The record was cut in 1972, shortly after Veloso's return …
Radio-Activity
Radioactivity was Kraftwerk's fifth full-lenght release and their first fully electronic album. It is a concept album centered around radioactive decay and radio communications. As such it boasts a few big theme anthems surrounded by shorter variations of those themes with interconnecting shorter pieces of electronic music, sounds, and digitized voices."Kraftwerk built upon the international success of Autobahn by expanding their conceptual concepts to an album-length exploration of radio waves …
Until We Are Free
Until We Are Free is the debut album from Fabric, a collective of musicians from diverse backgrounds united by a shared goal: to fuse irresistible rhythms and grooves with a direct, socially conscious message that draws vital attention to the contradictions of modern life. The project’s name itself evokes the idea of a living, dynamic ensemble - a creative intertwining of different threads, from musical genres to founding musicians and guest collaborators, all actively woven into the social fabr…
Travelogue: Thailand
The third in the Travelogue project on Touch. finds von Hausswolff and Shukla rounding off another whirlwind 9 days in Southeast Asia in the unusual setting of the Lanna Kingdom (Kingdom of a million rice fields) of Northern Thailand. A multifaceted location where Thailand shares borders with Myanmar, Laos and China in what is known as The Golden Triangle, a commercial trade zone between the nations. This frontier region is home to hill tribes, countless Buddhist monasteries, stupas, The Mekong …
Funeral Rites on Planet Saturn
*150 copies limited edition* FUMU christens the promising new label Return To Zero (RTZ) with Funeral Rites on Planet Saturn, the surrendering sophomore album from Nigerian artist, self-described “negro-producer”, hedonist, and iconoclast LINTD. With production collaboration from Porter Brook and features from Samrai (Swing Ting), Porter Brook, Sam Scott Francis (GOMID), Rizmi, and Imani Jendai. LINTD’s work emerges as a call and response between the tender, dynamic sounds of Black music across …
Live At The Hammersmith Odeon 1982
"Live At The Hammersmith Odeon 1982." is an electrifying concert, recorded on February 8, 1982, captures the raw energy and dynamic performance of the band during the second leg of their acclaimed La Folie British tour.
Originally recorded for the BBC radio series 'In Concert,' this performance remained in the vaults for nearly 16 years before seeing its first official release on CD. Fans can finally experience the unfiltered excitement and passion of The Stranglers, as they take the stage at on…
Polyvalent Creativity
Polyvalent Creativity is a new CD release on Confront Recordings featuring free improvisation by bassist Dominic Lash on electric guitar and percussionist Mark Wastell on drums and percussion.
The album comprises four tracks: "Potential," "Commitment," "Activation," and "Fulfilment," blending jazz improvisation with rich, textural soundscapes. Reviews highlight its unconventional approach, starting with tuning-like sounds that evolve into emotionally resonant free jazz.
Critics praise the duo's …