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New Arrivals

Holy Origin
Vestals is the avatar of Los Angeles based artist Lisa McGee, whose debut album Forever Falling Toward the Sky was released by Root Strata in 2012. She has also discreetly operated in U.S. underground music for the last decade as a member of the dream-drone duo Higuma with Evan Caminiti, while making vocal contributions to acclaimed albums by Jefre Cantu Ledesma and Sarah Davachi.  McGee is the sole producer and performer on her sophomore effort, Holy Origin. Since her last offering she has evol…
Corduroy Road
2020 Re-issue of Keith Kenniff's debut under his Goldmund moniker. Originally only released on CD in 2005 via John Twells' Type Recordings, this album of rare and unusual minimalist beauty is now presented as a vinyl edition for the first time.  "Multi-instrumentalist Keith Kenniff is a busy man. He has appeared as Helios on a number of acclaimed releases, including Deaf Center’s ‘Neon City EP’, and released a debut album ‘Unomia’ on Merck records which has appeared on many best of 2004 lists. A…
Metal River
New album by another favourite artist here at FD, whose work can traverse everywhere from avant-folk or otherworldly pop to minimalist electronics or some of the most fervent 'outer sounds' one can dredge from the deepest crevices of their doubtlessly life battle-scarred imagination. On Metal River, Richard Youngs offers four songs of deep space beamed curdled electronics not far removed from being akin to the contorted death caterwauls of a cyborg species reaching out in uttermost anguish. It's…
Milzz Expz
NYZ on the recording: "The Buchla 100 experimental session begins with a documentary recording of the noise generators. Something I find endlessly fascinating is listening to different noise sources, so I always feel compelled to record them. The remaining tracks are sequenced by my MANIAC Cellular Automata sequencer. First up are three little sequenced ditties that also incorporate the ARP 2600 modular interconnected to the Buchla 100. After this is an ultra-minimal setup using MANIAC and the m…
Whale - Wail, In Peace, En Paix: For Voice and Tape Structures of Whale and Other Animal Sounds
**2020 stock** Whale - Wail, In Peace, En Paix: For Voice and Tape Structures of Whale and Other Animal Sounds is a 1986 recording by composer Ann McMillan, commissioned by Moses Asch. The piece, first presented on Baffin Island, north of the Arctic Circle, for an Inuit audience, is a plea to humans to be more like whales. Inspired by her study with Edgard Varèse and his work with pre-recorded sounds, the composition features whales and other sound sources (including bull, insect, and Chinese cy…
Mi specchio e rifletto
Tip - this is stunning! Since their launch in mid-2000s, the New York based imprint, Unseen Worlds, has continued to set an incredibly high bar through the earth-shaking quality of their releases. As dedicated to historical artists and works as they are to those emerging in the present, they’ve always taken their time, slipping things into the world with remarkable care, that leave humble tectonic shifts in their wake. After an absolutely incredible couple of years with brilliant albums from Lau…
Peur Sur La Ville
Wewantsounds announce the special reissue of one of Ennio Morricone's most striking soundtracks composed for Henri Verneuils's 1975 film, Peur Sur La Ville (Fear Over The City). This special edition includes the original score released in 1975 plus a second vinyl worth of bonuses which have never been out on vinyl. These includes two tracks making their official debut after 45 years. Ennio Morricone's association with French director Henri Verneuil comes close to the one the Maestro had with Ser…
New Grass
Albert Ayler's 1969 album New Grass has been misunderstood from the day of its release. The album finds Ayler experimenting with soul music and digging back into his R&B roots (he started his career playing saxophone with Chicago bluesman Little Walter), fusing it with the avant-garde free jazz (the one element of the record which garnered consistent praise) and adding the vocals of Rose Marie McCoy, The Soul Singers and Ayler himself. As if predicting the divisiveness of the record to follow, A…
Breaking the Elephant’s Legs
Marc Behrens presents six extended surrealist songs ranging from psycho rock to dismantled R&B, crossing into doom jazz and spoken word. Animal field recordings; electronic boom and buzz; synths; detuned sitar; violins played by Portuguese master musician Carlos Zingaro. None of this is in any way what you would expect.
Horror Vacui
**Edition of 250** Music nowadays is a crime. The whole dark art consisting in whether the composer opts for death by suffocation (maximalism) or death by strangulation (the perennially fashionable anti-fashion that is minimalism). Jon Doe One’s debut record, Small Numbers, involved layer after layer of obsessive construction. Faced with its delirious palimpsest of rhythm and sound, listeners — those curious lost souls, I count myself amongst their ranks, alas — had no choice but to gag on the e…
Introspection / Migration
From an ocean of black, sometimes there is a slim chance you might emerge clean and translucent, with another life chapter under your belt and a renewed story to tell. J.H. Guraj, our favourite wandering bird, is back with his first proper opus on Maple Death: Introspection / Migration. Sometimes records lead off into an unknown path that never considers release schedules or the outside world, inhabiting the abysses of the artists’ mind and dropping a hefty anchor in the murky waters. Dominique …
Miley Smile / Stage Recall
Burnin Red Ivanhoe, in their most fertile phase of existing from 1969 till 1972, were one of Denmark's finest groups from the period. Their innovative and powerful mixture of psychedelic and progressive rock along with mild experimental or jazz influences gained some international recognition in Germany, UK and the U.S.. Comparisons might be drawn to Traffic, Jethro Tull, Pink Floyd and Colosseum (Dag Erik Asbjornsen). Being tired of demanding tours, Burnin Red Ivanhoe decided to disband in spri…
Nervous Rattles
**Limited edition of 300** KRAMP is the solo project of Stijn Wybouw, a young artist involved in many visual and musical projects that often overlap and which share an unflinchingly honest approach as well as penchant for crimson hues. As KRAMP, Wybouw assumes a red-faced identity to unleash raw machinations that take on ceremonial underpinnings through coarse compositions, murky drones, and warped vocalizations, all churned through the marshy fuzz of various tape recorders.After a slew of self-…
Zweikommasieben #21
Over the years, it has become clear that the “thing” that continues to captivate us is in flux, as are its possible definitions. Various contributions to the current issue of this magazine attest to this permanent development, too. And whatever our “thing” might be called or actually might be, the following has become clearer in the recent past: the boundaries separating different artistic practices have been dissolving more and more. Also this second assertion seems to be present again in the i…
Live London 1982 - The Venue
**In process of stocking** The last show by this particular "Richard Pinhas Heldon" line up, in London in 1982 , featuring among others Magma members (Patrick Gauthier, Bernard Paganotti, Clement Bailly) as well as Jean-Philippe Goude ( Weidorje ). This is a historical document recorded live from the audience which captures an exceptional evening and a great concert. Heldon is undoubtedly one of the most innovative and influential bands in French electronic rock music. "Heldon live 82" was produ…
Plateforme # 3
**In process of stocking** After two albums on Baskaru with Felix Kubin, Lawrence English, Gianluca Becuzzi (2014) and later Francisco López, Tom Recchion, Christian Zanési (2016), Laurent Perrier continues his Plateforme series by inviting French musician David Fenech. Plateforme is a concept, a restrictive framework Perrier imposed on himself: to create an electronic music piece using solely a set of sound recordings provided by a "collaborator". “I simply asked the musicians to send me raw st…
The Reflection
**In process of stocking** The Japanese female singer Cotton Casino used to be the singer of Acid Mothers Temple, the ultimate Japanese psychedelic band, several members of which provide backing on this album. Cotton's voice is fragile and emotional. The overall mood tends towards sadness and melancholy while the music hovers between acid folk and post rock. Most of the songs are sensuous and ethereal, like soundtracks to imaginary movies. Other songs may come as a surprise...
Psycho
**2xLP, 180 gram in translucent red vinyl** Psycho is the second in a series of five double vinyl releases that bring together some of Ennio Morricone's greatest soundtrack music. Each collection centers on a different movie genre, together they allow the listener to rediscover the unmatched genius of the greatest movie composer of all time. The Maestro. This collection is dedicated to Morricone's work with Italian directors spanning the late 1960s up to the 1980s. These scores accompany some da…
Premeditation
**Deluxe gatefold sleeve with varnish effect including a 8 pages photo booklet** In the early 2000s, Tokyo's SuperDeluxe was a meeting point for many experimental musicians, both international and Japanese. This duo sprung from a live collaboration at the venue in 2006, where Machida was experimenting with processed steel pan and Lyall was largely performing using a tabletop guitar setup with a range of electronics. Many subsequent encounters were heavily experimental, ranging from densely layer…
Prism
The tenth Conference Call album and the first with drummer Dieter Ulrich taking over for former drummers Matt Wilson, Han Bennink, George Schuller and Gerry Hemingway, the 20 years journey for this transatlantic band leading to this album captured in the studio in Central NY while on tour, performing 3 original compositions from Ullman, 2 from Fonda, and 2 from Stevens. "The gift of playing music together with the same people over 20 years is priceless. A long-standing musical ensemble becomes a…