New Arrivals
Curse You, Foreign Lands
A 14-track tape pulling together rural Greek demotika recordings from the late 1930s to the mid-1950s. Soaring pentatonic improvisations, odd-metered rhythms, and vocal performances oscillate between heartbreaking laments and ecstatic celebrations.
Sommer Im Pfirsichhain
Last copies...Second edition of 500 on transparent red vinyl. Brannten Schnüre is an experimental dark folk group out of Würzburg, Germany. Christian Schoppik composed and played all the music, Katie Rich whispers, recites and sings. Together they make astoundingly beautiful folk with a rich instrumentation leaning towards the atonal spectrum. Instrumental wanderings stand alongside Nico-esque poetry tales. Christian plays the accordeon and in some songs guitar and flute. Inspired by hierophants…
Geträumt Hab Ich Vom Martinszug
Second edition of 500 on transparent green vinyl. The third stanza of Friedrich Hölderlin’s poem ‘Dem sonnengott’ evokes a narrator who is tortured by Spleen until slumber makes his childlike gloom disappear with music. Although today’s readers might judge these nineteenth century musings of the Imagination as mere stylistic platitudes, they also still speak beyond the grave as universal truths. A mere two hundred years later, similar anxieties and hopes are still channeled through various art f…
Il Sesso Degli Angeli
The premiere vinyl release of Giovanni Fusco's 1968 score for Ugo Liberatore's Il Sesso degli Angeli, prepared in full stereo as it was meant to appear in 1968 but never did.
Stato Interessante
The premiere vinyl edition of Ennio Morricone's 1977 score for Sergio Nasca's Stato Interessante, pressed on 140-gram black vinyl.
Day of Anger (I Giorni dell'Ira)
Issued for Ortolani's centenary, the most complete edition yet of his 1967 western score for Tonino Valerii's film with Lee Van Cleef and Giuliano Gemma. Jazzy horns, electric guitar and that slow-stepping main theme, across the original mono and stereo albums plus the full score in stereo. 350 copies.
The Mafia Film Music Collection
Three of Riz Ortolani's crime and gangster scores, long awaited by his admirers, gathered on a single two-disc set for the composer's centenary.
Déploiement de L’immuable
Laure Boer & Franz Wrakhowitch did again. They left our lands, for being Édition d’Art, their free-floating project with no logic. This time harvesting industrialised drones, tones, n zones, where rhythm, melody, and the idea of musical form gets challenged. Some say, they say, that the album's concept was to create cut-ups from tea bag sayings, just to poke some fun at the effective and comforting healing of the soul. If “Déploiement de l’immuable” can heal, is yet to be decided. It can steal. …
Break the Faith
On Break The Faith, Repeated Viewing drags his VHS‑streaked horror synths onto the factory floor, hammering grime, dread and adrenaline into a streamlined industrial brawler built for raves in the rubble rather than candlelit cult screenings.
Nightshades
On Nightshades, Celestial Hex step out of Berlin’s mist with a sleek strain of electro‑noir: neon‑bleeding synths, darkwave pulse and vampiric hooks that feel custom‑built for creatures of the night raised on grainy 80s cult cinema.
Master of Dragons
On Master of Dragons, Jim Kirkwood summons one of his most cinematic visions: sweeping synth fanfares, brooding drones and neo‑medieval melodies unfurl a lone‑hero saga in sound, where wyrms, ruins and prophecy coil through a perpetually storm‑lit sky.
Through a Dark Glass
On Through a Dark Glass, Jim Kirkwood peers into his signature realm of neo‑medieval gloom and cosmic dread, layering synth choirs, martial pulses and dungeon‑folk melody into a fogged‑mirror vision of fantasy where revelation always stays just out of reach.
Neural #78 – Voices, Humans, Machines (Magazine)
Interviews with Machine Listening, Tomomi Adachi, Erin Gee, Pedro Oliveira; article: The Watery Graves of Electronic Speech, or Phonemes in Davey Jones' Locker; reports: Festival de la Imagen 2025, Choose Your Filter!...
Neural is a printed magazine dealing with new media art, with a peculiar attention to the networked and conceptual use of technology in art (the so-called net.art), hacktivism, or activism using electronic media to express itself, and electronic music, investigating how the te…
Pianoise
On Pianoise, Emmanuel Lalande turns the piano inside out: specially retuned instruments become broadband noise generators, and composition becomes subtraction, where the notes you don’t play carve harmonic negative space as vivid as the ones you do.
The Habit
On The Habit, Go Hirano gathers decades of home and studio recordings into a single, slow‑glowing arc: spare piano, pianica and small percussion drifting through room tone and outdoor air, turning everyday imperfections into a warmly enchanted, lifelong diary.
At the Earl of Old Town
On At the Earl of Old Town, Terry Callier steps out of legend into living presence: a 1967 Chicago club set where his folk‑soul‑jazz blend arrives fully formed, intimate, unadorned, and quietly epochal, just before the world catches up.ì
Roll 'Em Smoke 'Em Put Another Line Out
The third and most untamed chapter in the brief, brilliant life of Patto. Originally issued in October 1972 on Island, Roll 'Em Smoke 'Em Put Another Line Out arrives via Guerssen in a remastered vinyl edition, faithful to the original cardboard sleeve and accompanied by an insert with detailed liner notes by Ralph Heibutzki and rare photos and memorabilia.
Patto formed in London in 1970 from the ashes of Timebox - the lineup uniting vocalist Mike Patto, bassist Clive Griffiths, drummer John Hal…
Fake Man
Do you remember when albums used to be fourteen tracks long, with clear song structures and a sense of narrative development? No? Neither do we. And that is exactly why Artetetra is thrilled to welcome Orange Car Crash in their roster with their new album Fake Man. Shaped by years of circulation across psych, jazz, punk, and experimental scenes, featuring collaborations with projects like Lay Llamas, Mamuthones and Snüff, Andrea Davì’s Orange Car Crash operates less as a solo project and more as…
New Item
New Item is the debut album of Italonesian duo Arcibanda, composed of producers and musicians Roberto Chiurazzi and Kevin Silalahi (BAPAK, whoosah). With a unique attention to, and allure for, band-oriented approaches to digi-organic sound design and composition, the pair delivers nine tracks of pure, outbursting instrumental joy, traversing diverse constellations of sonic references and shifting across eras in ways that never feel tacky, as expert masters of their craft. Drawing inspiration fro…