New Arrivals
Slow Diet Ketamine Era
On Slow Diet Ketamine Era, New York City Chapters and Weird Shit U.S.A. 2 yank sampledelia into a sleazy, rubble‑strewn mixtape fever dream. Two thirty‑minute collages of chopped‑and‑screwed B‑side rips, plundered dollar‑bin grooves and neon grime‑slime hip‑hop loops sketch a pitch‑black, hysterical fiction from the sidewalk’s ignored edge.
The Skipper at Home
Henry Franklin is set to release *The Skipper At Home*, a bold new musical journey arriving on **[Release Date]**. The album blends intimate storytelling with adventurous grooves, drawing listeners into a world where humor meets heart, and every track feels like a destination.
With *The Skipper At Home*, Henry Franklin crafts a sound that’s both reflective and kinetic—layered arrangements, memorable melodies, and a distinct voice that moves effortlessly between the personal and the playful. From…
The Skipper
On The Skipper, Henry Franklin steps out from the sideman shadows to helm one of Black Jazz Records’ most beloved releases, a deep, earthy fusion of spiritual jazz and funk‑tipped groove. His bass becomes both rudder and engine, steering long, flowing tunes that move with unhurried authority and luminous ensemble interplay.
BBC Jazz Club Session April 1965
On BBC Jazz Club Session April 1965, Don Rendell and Ian Carr capture a historic broadcast moment where British modern jazz finds its new voice. The debut of pianist Michael Garrick within the quintet injects modal colour and compositional bite into a set that pushes club‑band swing toward something more questing and contemporary.
La Rana
On La Rana, Agustín Pereyra Lucena turns his deep love of Brazilian music into a crystalline, Latin‑jazz chamber album recorded far from home, in Oslo. Quartet interplay, bossa nova contours and long-form mood pieces melt South American warmth into Nordic air, anchored by his luminous guitar and quietly intense vocals.
Sound Sun Pleasure
Sound Sun Pleasure was recorded in Chicago at the same March 1959 sessions that produced the instrumental album Jazz In Silhouette, and features near-identical personnel. However, the recordings sat on the shelf for over ten years, finally achieving release in 1970. Whereas Silhouette was comprised of Sun Ra originals, Sound Sun Pleasure explores two works Sunny co-composed with trumpeter Hobart Dotson and four standards, two of which ("'Round Midnight" and "Back In Your Own Backyard") are sung …
Live at Ritual Botanica
"Messrs. Corsano and Dorji are both familiar names in the Feeding Tube discography. Chris has played drums on eight FTR LPs (and recorded two other), and Tashi has played guitar on six (details upon request if you are lazy.) But this is the first time they have appeared on vinyl as a duo, and we are damn proud to have them. Over the past years Chris has recorded with a lot of the era's best guitarists -- Bill Nace, Ben Chasny, Thurston Moore, Nels Cline, David Vanzan, Bill Orcutt, Rick Bishop, G…
Brisk
The idea for this album began taking shape in 2021 and has slowly evolved into a seven-track snapshot of Juli Deák’s musical world and artistic thinking. Coming from the challenging, refined, and often seemingly flawless sound of classical music, the flutist began redirecting her musical voice toward a much more personal space through experimentation and improvisation. What eventually grew into this project originally began as a handful of unfinished ideas—which only revealed their true meaning …
Powerhouse
A bold new spotlight shines on the classic 1971 release Powerhouse by celebrated organist Chester Thompson—an album that captures the pulse of its time with fire, finesse, and unmistakable soul. Released in 1971, Powerhouse remains a standout work in Thompson’s discography, drawing listeners into a world where groove, grit, and melodic imagination collide.
From the first notes, Powerhouse delivers an electrifying blend of organ-driven energy and captivating musical momentum. Thompson’s masterful…
Fuzzy Logic
German guitarist Olaf Rupp combines elements of traditional flamenco (rasgueados, arpeggios, picados) with the fractured cadences of Derek Bailey, fusing them together with a blast-furnace tone recalling John Lee Hooker's most blown-out extremes. And yet, despite decades of concerts and releases on FMP and Emanem, often with marquee-grabbing collaborators like John Zorn, Peter Brötzmann, Butch Morris, Paul Lovens and Lol Coxhill, Rupp's music is largely unknown outside of European free improvisa…
African Skies
2026 Repress. Limited edition 180g vinyl. Stoughton tip-on gatefold jacket. Restored artwork + previously unseen family photos. In 1993, when Chicago's Adler Planetarium commissioned Kelan Phil Cohran to score their "African Skies" program, they tapped into a mind that moved effortlessly between galaxies and neighborhoods, between ancestral rhythm and modern invention. Three decades later, Listening Position presents the first official reissue of this cosmic masterpiece - a recording that stands…
Low Profile
Strut Records proudly presents a new reissue of the original Afrobeat classic Low Profile (Not For The Blacks), recorded and composed by Afrika 70 saxophonist and bandleader Lekan Animashaun and produced by Fela Kuti.
After years touring the world as Fela’s baritone saxophonist, Animashaun stepped forward to lead the legendary Egypt 80 band following Tony Allen’s departure, remaining the group’s musical director until Fela’s death in 1997. He continued on subsequent tours with Seun Kuti until 20…
The Jolly Story 1967
Francesco Battiato was born on 23 March, 1945, in Jonia, a small town in the province of Catania. After attending the secondary school he moved to Milan to seek his fortune as a musician, but without any significant results during the first years. Giorgio Gaber listened to him by chance and, sensing his talent, recommended him to Ricordi, who didn’t want to engage him. Therefore, Gaber recommended him to Walter Gürtler, who immediately accepted to include him in the group of the protest singers,…
Paradise Cove
On Paradise Cove, Misha Panfilov and Shawn Lee build a sun‑bleached instrumental universe where deep‑funk pulse, soft‑psych haze and library exotica glide together. Surf‑tinted guitars, analogue keys and supple rhythm work trace a 35‑minute arc that feels like a lost soundtrack to a dream resort just slightly out of time.
II
On II, The Oscillators lock into a heady, loop‑driven chemistry where dubwise bass, analogue synth chatter and live‑wired percussion orbit the same gravitational field. Each piece feels like a workshop in motion: themes emerge, mutate and dissolve, turning the record into a continuous, hands‑on exploration rather than a fixed set of songs.
Loud World
On Loud World, Nicholas Tripi (a.k.a. Nick Tripi of Big Fun) turns the drummer’s vantage point into a full compositional engine. Rhythm is the load‑bearing wall for a delirious blend of space‑lounge, jungle jazz, KPM‑style library cues and krautrock pulse, ten compact pieces sketching a neon‑lit, nervy planet of their own.
Twenty-Two
On Twenty‑Two, Initials MB offers a quietly psychedelic slice of French pop that feels like a faded postcard from another decade. Reissued on vinyl a decade after its digital birth, the album folds jangling guitars, analogue keys and wistful melodies into compact songs that trace one songwriter’s search for sound, place and identity.
The Homecoming
On The Homecoming, Disciple BC channel a raucous congregational energy into a tight, live-wire document. Cut over three days at Rockaway Park with Bri Doom at the desk, the record frames the band’s sermon of riffs and invective as both return and reckoning, with vocals and guitars welded into a single, volatile front line.
Infini
*2026 stock* It is the meeting between Marc Hurtado, known for his duo project Étant Donnés created in 1977—French experimental and industrial music—and Mark Cunningham from the New York No Wave scene since the late 1970s, under the entity Mars and compiled by Brian Eno in No New-York. The album Infini was born in 2020 and completed in 2023. This particular project is a kind of 360° astral journey—at the speed of light—carried away by grace, madness, fire, and the kaleidoscopic whirlwind of the …
Orgasm
*2026 stock* Certainly one of the greatest UFOs in music history—Cromagnon and its concept album “Orgasm” dating back to 1969—about what was to happen thirty years later: a blend of industrial, metal, and experimental music, bathed in improvised LSD-fueled experiences. “The project wasn’t supposed to be smooth, otherwise humanity is lost. There’s room for computers, but the soul is gone.”