We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
I had heard so much about the machine created by Daniel Aspuru that my curiosity turned to desire. The transductor eolico is not an easy item to move around and as there were no concerts on the horizon I decided to follow my intuition and invite Steven, Daniel and Manrico to spend some time in La Perrera, located in my house in Oaxaca, Mexico in order to experiment with the TE and eventually produce material for a record.During this ten day residence La Perrera was transformed into a recording s…
Jar Moff returns with his second full-length, Financial Glam, a follow-up expanding on ideas first presented by the excellent Commercial Mouth debut LP PAN released earlier this year. Continuing with themes established on his previous LP, Financial Glam reflects the flux and tension of his home city, a gripping opus of grandiose crescendo and collapse, broken rhythm and disquieting calm. These intricately-composed collage works, constructed from hundreds of archived samples, provide a fitting…
LP version. Debut album from the Edinburgh-based duo of Marc Dall and Alex Ander, who work with intricately-stacked percussion, dub-wise bass and a rich harmonic tapestry of processed voices, keys, harp, vibraphone, guitar, woodwind, strings and synthesizer -- every sound re-sampled to the nth degree then subjected to subtle automation and rigorously fine-tuned over a period of many months. From the mesmerizing, pastoral drift of "Anger Sees Red" and "Dwelling by the Meadow" to agitated arabesqu…
Voice by Pete Simonelli, guitar by David Grubbs, organ by David Maranha, percussion by Andrea Belfi. Selection of texts follows that of Harry Partch's „Eleven Intrusions” Texts by Ella Young, Ella Young and Lao Tzu, Tsurayuki, Willard Motley, George Leite, Giuseppe Ungaretti
More music involving the seemingly always-at-work Wojciech Kucharczyk (does the man ever sleep?), this time in a quartet alongside B a ej Król, Jerzy Mazzoll and Radek Dziubek. The project's title Dwutysi czny translates as 'two thousand' - referring, according to a brief recent interview with Easterndaze, to the year when Król first came across the music of the other three players, a discovery that eventually led him to write to them to ask if they'd donate him some of their recorded sounds to …
Recorded in December 1970. "Peter Walker is an American original, as eclectic and enigmatic as the songs he writes. The legendary seventy-five year old raga/psychedelic/folk acoustic guitarist, who was schooled by masters such as Ravi Shankar, and Ali Akbar Khan, has been described by Larry Coryell as, “One of the most original practitioners of contemporary music” and proclaimed by the Beatles’ press agent Derek Taylor as “Perhaps the greatest guitarist in the world.” His music, celebrated by t…
Depuis que Minizza existe (le groupe se forme en 2000), ses membres ont toujours eu dans l'idée, un jour, d'adapter un roman en musique. Lorsque France Culture leur commande un Atelier de Création Radiophonique, l'occasion est saisie, et le choix se porte rapidement sur A Rebours (1884) de Joris-Karl Huysmans, chef-d'œuvre séminal, manifeste du décadentisme, dévoré par les membres du groupe dès l'adolescence.Ce travail pour France Culture donne naissance au troisième album du groupe qui, bien qu…
CD edition: Glistening Examples is proud to announce "Soundtracks for Takeshi Murata"ÂÂ, the debut LP of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police a nd more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists includin…
How does history - past lives and past events - leave sonic traces and how can we hear them? The Hebrides Suite is the result of an attempt to answer this question and the culmination of composer Cathy Lane's three decade long engagement with the Outer Hebrides.The Outer Hebrides form a 130-mile long archipelago about 40 miles off the north-west coast of Scotland. There are more than 200 islands but only a few are now inhabited. In the 2001 census the total population of the islands was 26,502.…
333 Loops (Volume 1) is the first chapter of a CD/DL live series, which documents the sound events generated by the homonymous modular system, designed in 2011 by the Italian musician Emiliano Romanelli.
The system is composed by an archive of 333 pre-recorded sound loops, produced between 2008 and 2011 by a sound synthesis software played in different acoustic environments, and documented mainly with internal microphones of several digital and analog portable recorders. Subsequently, by a custo…
“Steve Noble [‘s] armoury of textures and tones is an acoustic mirror of [Ikue] Mori’s electronica, and just as spellbinding. He attacks his orthodox, loose-skinned drum kit from all angles, lays upturned gongs on the drumheads and is a master of orthodoxy as well as the avant-garde. His duet with Mori was the evening’s highlight, a pulsating welter of scrapes, thumps and press rolls interrupted by silences made sinister by the tick of an off-kilter metronome.” – Mike Hobart, Financial TimesIkue…
The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…
Luca Sigurtà is very active in the electronic music scene, playing solo and with the bands Harshcore and Luminance Ratio. In Hookers he composes a cold and frozing atmosphere, with gusts of noises and drones together with a bare drum, the song ending surprisingly with an ecstatic mood.
Noise veterans Panicsville plays Paura nella Città dei Morti Viventi mixing old schoool industrial together with their strong oniric and terrifying fantasy: organ, synth drums and samples are used to compose …
The three piece group from Portugal explore in ten tracks the possibilities of the church organ. The members play in various combinations on different organs. The outcome is very varied. The opening piece is barely audible, but the second piece is a loud, repitive, all register open one. Of course it's hard to see this music without any religious overtones, but Osso Exotico don't give a clue in that direction: all their pieces are untitled. Meditative pieces in most cases, but less minimal then …
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
CIP is pleased to present the debut pro-pressed solo CD by Jason Soliday, one of Chicago's finest sound creators - manipulators - disentigrators. I've known Jason for coming up on 13 years- -his gunshop duo was one of the first live noise performances I saw when I moved to Chicago, and over the years I've witnessed many of his projects. In the last few years, though, I feel Jason really hit a stride with his home-built - customized analog synths, and this disc reflects his sensibilities: sharp e…
The history of - behind which we find Nico Selen of O.R.D.U.C, E.M.M. and many other guises - and Freiband, the name of Frans de Waard when it comes to all sorts of computer based, goes back for over 20 years. Selen was the first to release a LP by Kapotte Muziek (De Waard's other music enterprise, among many!), in 1990 and they have been off and on in contact. Earlier 2013 released a very limited CDR, which De Waard quite liked and in the next days he kept returning to it, eventu…
Landform Erosion In the sequence of the debut album Landform, Fujako releases Landform Erosion, into the cosmic wilderness of haunted grounds and landscapes. The telluric evocation of the underworld through bass and echo involves this time a new set of collaborations, a group of producers were invited to remix sound coming from the previous Landform. REMIXERS | SPECTRE explorer into the realm of low frequency manipulation, TZII Brussels based musician and video artist, the second half of …
Gatefold double LP version. Tujiko Noriko returns to Editions Mego after a period of relative silence, this time in collaboration with Tyme. (aka Tatsuya Yamada, member of MAS). This album was developed from songs that the duo made once a year at the end and beginning of the new year, for a period of six years. These were sent to friends and people who asked. After six years, there were six tracks and they added five more tracks based on the illustrations of Kimura Toshiko to complete the a…
Debut CD from one of Chicago's finest modular synth manipulators, Neil Jendon.One of the first things that struck me about Neil's work, when I saw him live, was his pacing. Neil would subtly build levels and layers of various oscillations, frequencies, and tones so deftly that by the time he was sending a hailstorm of electronic chaos out of the PA like buckshot, you almost had no recollection of how he got there without you being aware of it. 'Corporate laughter' reflects many of Jendon's fant…